Adeniyi Fasoro

Deepfakes, as hyperrealistic digital fabrications, reveal gaps and uncertainties in existing ontological frameworks. Neither simply images nor realities, deepfakes occupy an ambiguous metaphysical position between concepts such as representation/simulation, human/machine, and real/artificial. Their emergent generation via AI and experiential traction as credible synthetic media underscores limitations in prevailing paradigms reliant on purified binaries and anthropocentric assumptions. Rather than anomalies, deepfakes epitomize the imperative for new ontological cartographies and conceptual vocabularies attuned to increasingly unbounded algorithmic creation. The paper surveys debates about digital objects and theories of representation to contextualize this argument. Deepfakes’ ontological novelty stems from their ambiguous origins, autonomous proliferation, and infiltration of perceivable situations with credible fictions. This destabilizes ontological foundations such as creative intentionality and indexical truth. I conclude deepfakes signal the insufficiency of existing ontology for navigating realities transformed by generative technologies. New paradigms are needed that grapple with their radical metaphysical challenges.