Alex Dubilet

Against traditional approaches that view German Idealism as a secularizing movement, this volume revisits it as the first fundamentally philosophical articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity. Across the volume’s contributions, German thought from Kant to Marx emerges as crucial for the genealogy of political theology and for the ongoing reassessment of modernity and the secular. By investigating anew such concepts as immanence, utopia, sovereignty, theodicy, the Earth, and the world, as well as the concept of political theology itself, this volume not only rethinks German Idealism and its aftermath from a political-theological perspective but also demonstrates what can be done with (or against) German Idealism using the conceptual resources of political theology today.

Nikolai Fedorov (1829–1903), the progenitor of so-called Russian Cosmism, is an eccentric figure without parallel in the domain of modern thought. His intellectual vision, elaborated across a number of essays and the sprawling unpublished magnum opus written from the 1870s to the 1890s, The Question of Fraternity, attempted a novel theorization of the trajectory, meaning, and telos of the human species through the fulcrum of resurrection. The speculative dimension of Fedorov's cosmist project has garnered the most sustained theoretical interest, but this speculative dimension develops out of a determinate critical diagnosis of the fundamental operations of Western modernity. Reconstructing the elements that make up the diagnostic tendency of Fedorov's project, and then recentering his project around them, allows for the speculative and cosmic elements of his thought to be properly understood. As a result, his project is revealed to be a thinking and acting out of an intimacy with death and with the earth, a thinking and acting grounded in a delegitimating refusal of the colonial, biopolitical, and capitalist foundations of modernity. Only with the delineation of the critical as the internal drive for the cosmically speculative is Fedorov's difference from dominant modes of eco- and geo-constructivist thought sufficiently retained. Our essay pursues this line of thinking to show the decisive significance of Fedorov's critical project, incubated on the margins of Western modernity, for two dominant lines of critical theory—those associated most closely with the names of Karl Marx and Michel Foucault. It does so by reconstructing Fedorov's refusal of the modern biopolitical paradigm, his expansion of the analytics of expropriation, his ambitious reconfiguration of the cartographical imaginary of collective life around the cemetery and the commune, and finally his speculative rewriting of the liturgy as the material enactment of the common task.

Dubilet’s contribution turns to Marx’s “On the Jewish Question” in order to diagnose the collusive interplay between mediation and sovereignty as modes of transcendence that, together, prevent real immanence from irrupting. It does so by recovering the logic of “the general secular contradiction”—the division between the state and civil society that materializes and secularizes the structure of diremption originally articulated in theological form, as the opposition between heaven and earth. In this analysis, the logic of Christianity is shown to be imbricated with the political form of secular modernity itself. Moreover, this account reveals that the modern secular state does not inaugurate the political theology of immanence; rather it constitutes a mechanism of transcendent mediation. The exception that mediates across the two realms renders transcendence livable, but it also reproduces the dirempted life, establishing it as the unsurpassable horizon and foreclosing all operations of dissolution or abolition that could collapse the structure of civil society and the state that governs “the order of the world.” Although immediate transcendence (sovereignty) may be positioned, as it is in the Schmittian paradigm, as radically distinct from its mediational counterpart, in relation to real immanence the two operate as a collusive ensemble.

This essay proposes to rethink the conceptual associations that bind immanence to the secular and oppose it to (divine) transcendence. It asks: What if immanence is divorced from the conceptual opposition between the world and its openings to (divine) other(s), between enclosure and the trace of a transcendent outside? What might arise if immanence is severed from its link with secularity, if it ceases to be merely another conceptual support in secularism’s metaphysical armature? To pursue these questions, the essay engages a variety of materials, including medieval mysticism, anthropological critiques of the secular, work in Black studies, critiques of the subject, and François Laruelle’s non-philosophical thought. The result links immanence more intimately with dispossession than with the subject’s self-possession—and entwines it with the undercommons, as the atopic lowest place, rather than with the nomos and topos imposed by the (modern) world and its regime of the proper. Immanence is thought of as anti- and antenomian force, a groundless ground coming underneath the conceptual logics of the world, its normative order of things, and life lived according to its distributions. As a result, rather than a weapon in modernity’s endless self-justifying polemics with religion, immanence opens forth trajectories for its destitution and delegitimation.

This paper cuts across three nineteenth-century Russian thinkers—Pyotr Chaadaev, Mikhail Bakunin and Nikolai Fedorov—to reconstruct a speculative trajectory that seeks to think an ungrounding and delegitimation of the (Christian-modern) world and its logics of violence, domination, and exclusion. In Chaadaev, Russia becomes a territory of nothingness—an absolute exception from history, tradition, and memory, without attachment or relation to world history. Ultimately, Chaadaev affirms this atopic void in its immanence, as capable of creating immanently from itself a common future. Bakunin is antagonistic to political theology as an apparatus of transcendence spanning across nature and history, cannibalism and patriotism, abstraction and religious transcendence. Against these amalgams, and against Schmitt’s naturalist reading of Bakunin, we detect in him the idea of socialism or anarchism as what has never taken place in nature or history, and the image of an unnatural humanity affirmed as the common task linking an absolute futurity with a revolutionary nowness. Against the violence of nature and history in which the present is sacrificed, and death is justified, for future life, Fedorov (the founder of Russian Cosmism) seeks to think the apocalyptic common task of immanent resurrection—and the void as the cosmic void, the expanse of the universe to be inhabited in-common. For him, thought must proceed from death and the ashes (of history and the earth) as what we have in common. The resulting trajectory is ambivalent, caught between an ungrounding of modernity and world-history, and providential or theodical modes of its justification.