This article explores the connection between structurally induced precarity and
the material practice of digital scrolling in the global north. It argues in favour of an
expanded definition of precarity and that precarity, as a generalised affective condition,
results in a state of totalising fear (fear which relates, at once, to discrete objects as
well as the world itself). In that context, this article advances the claim that scrolling
can be understood as an affective attachment (of the kind…
Read moreThis article explores the connection between structurally induced precarity and
the material practice of digital scrolling in the global north. It argues in favour of an
expanded definition of precarity and that precarity, as a generalised affective condition,
results in a state of totalising fear (fear which relates, at once, to discrete objects as
well as the world itself). In that context, this article advances the claim that scrolling
can be understood as an affective attachment (of the kind outlined by Lauren Berlant),
developed in response to totalising fear, and which enables the subject to suspend time
and to escape from conscious experience of precarity. In establishing this conclusion,
the article also explores how the form of scrolling engenders an absorbing, passive and
essentially ‘blank’ experience of the world, and how the attainment of this state is an
expression of a limited, precarious mode of agency.