Ali Zaidi

Multi-organ transplantation (MOT) raises a confounding moral question: Is it just to allocate two vital organs to a single patient when those two organs transplanted separately can save two patients? The US Organ Procurement and Transplantation Network (OPTN) allows organ allocation for MOT without fully explaining the rationale. That lacuna leaves clinicians and the public uncomfortably perplexed by the practice. This paper addresses the need for understanding the ethics of MOT. We begin by articulating the standard for justly allocating medical resources in clinical care, namely, provide each patient with the interventions needed to address their medical burdens. We also explicate the core concepts, “justice,” “fairness,” “equity,” and “medical triage.” Employing the example of patients with Fontan-related liver disease (FALD) who need simultaneous heart and liver transplant to survive, we argue that the widely endorsed concept of medical justice supports allocating organs for MOT.

This book discloses a largely unnoticed dialogue between Muslim and Western social thought on the search for meaning and transcendence in the human sciences. The disclosure is accomplished by a comparative reading of contemporary Muslim debates on secular knowledge on the one hand, and of a foundational Western debate on the demise of metaphysics in the human sciences on the other hand. The comparative reading is grounded in a dialogical hermeneutic approach; that is, a hermeneutic approach to texts and cultural traditions that draws upon the work of Hans Georg Gadamer and also upon the insights of inter-religious dialogue.

: In the poetry of Daud Kamal, water figures as an image of mercy, as in the Quran, and as a mirror that reflects divine hidden presence. The rock pool evokes the memory of Gandhara and other foundational civilizations born in love and creative ferment. Conversely, the images of drought, heat, and dust symbolize a parched spiritual order. The river, a recurring archetypal image in Kamal’s poetry, represents the fluid self that is subsumed into collective identity to become a poetic distillate of history. Key words: Daud Kamal, water imagery, drought imagery, Pakistani poetry in English, Gandhara civilization, Islamic poetry. Resumen: En la poesía de Daud Kamal, el agua figura como una imagen de misericordia, como en el Corán, y como un espejo que refleja la presencia divina oculta. El estanque evoca la memoria de Gandhara y otras civilizaciones fundamentales nacidas en el amor y el fermento creativo. Por el contrario, las imágenes de sequía, calor y polvo simbolizan un orden espiritual reseco. El río, una imagen arquetípica recurrente en la poesía de Kamal, representa el yo fluido que se subsume en la identidad colectiva para convertirse en un destilado poético de la historia. Palabras clave: Daud Kamal, imágenes de agua, imágenes de sequía, poesía paquistaní en inglés, civilización de Gandhara, poesía islámica.

Is translation of a particular concept from one religious-linguistic tradition into another possible? If so, how much precision and nuance is possible in translation? Even if the problem of translating between religious-linguistic traditions is removed, we are still confronted with the question of how a particular concept is understood differently across vast stretches of time and space within a particular tradition. Atif Khalil's Repentance and the Return to God: Tawba in Early Sufism addresses these fundamental questions in a particularly salient manner. Khalil's object of analysis is the commonplace human experience of contrition, repentance and atonement and the consequences of transgression. More specifically...