Alvaro Valenzuela

el presente artículo pretende ofrecer una breve perspectiva inicial del problema que abre nuestra investigación doctoral acerca de la traducción del silencio. Mediante un enfoque interdisciplinario (con un núcleo filosófico-traductológico), llevaremos a cabo una revisión en torno a la s??a??? (sinapsis) estudiada por Giuseppina Grammatico en su exégesis denominada La s??a??? silencio-palabra en Heráclito (1999a), tomando, asimismo, en consideración diversos textos de la autora en relación con el silencio (1999b; 1999d; 1999c; 2007; 2008). En consecuencia, observamos, en su análisis, una potencial unión entre el silencio y la palabra, en la que se daría un proceso de traducción en el logos (Salazar, 2019). Esto hace surgir nuestra problemática, ya que Grammatico pareciera intuir la existencia de dicho proceso traductológico que conllevaría diversos procesos de traducción.

Title in English: «The Questions of What and How in Giuseppina Grammatico». Abstract: This work is intended to be an analysis of Giuseppina Grammatico’s main question: What is a σύναψις? This question, which is part of her text called The Sýnapsis Silence-Word in the Fragments of Heraclitus (1999), has been visited and analyzed through three of the subtitles of that work: 1) What is a σύναψις? 2) The question of How, and 3) The question of What. All this, in order to analyze what is the Grammatico’s understanding of Sýnapsis and how it acts in the connection between silence and word as part of the Logos.

Title: «Giuseppina Grammatico and Heraclitus’ fragments: Translation in the “σύναψις silence-word”». Abstract: This work is intended to be a first translatological approach of the synapsis in Giuseppina Grammatico’s exegesis called The Synapsis Silence-Word in the Fragments of Heraclitus. Thus, this reflection aims to analyze how in Heraclitus’ fragments visited and translated by Grammatico we can see not only a synapsis —observed by her—, but a union between the silence and the word in which it is produced a translation process. All this, analyzed through the interpretive theory approach (Lederer, 2003; Seleskovitch, 1981; Delisle, 1988).

Title: «The Questions of What and How in Giuseppina Grammatico». Abstract: This work is intended to be an analysis of Giuseppina Grammatico’s main question: What is a σύναψις? This question, which is part of her text called The Sýnapsis Silence-Word in the Fragments of Heraclitus (1999), has been visited and analyzed through three of the subtitles of that work: 1) What is a σύναψις? 2) The question of How, and 3) The question of What. All this, in order to analyze what is the Grammatico’s understanding of Sýnapsis and how it acts in the connection between silence and word as part of the Logos. Este trabajo consiste en un análisis de la pregunta de Giuseppina Grammatico: ¿Qué es una σύναψις? Esta interrogante, que surge en su texto La σύναψις silencio-palabra en Heráclito (1999), ha sido revisada y analizada a través de tres de los subtítulos de dicha obra: 1) ¿Qué es una σύναψις? 2) La pregunta por el cómo y 3) La pregunta por el qué. Lo anterior se realizará con el fin de analizar cuál es el entendimiento que Grammatico tiene de la sinapsis y cómo esta actúa en la conexión que se da entre el silencio y la palabra como elementos del Logos.

This article shows a selection of Catullus’ homoerotic texts and their translations. Thus, we analyze and introduce part of the Catullus’ sexual source culture, which differs from the current homosexual target culture in order to make these texts and the knowledge therein contained available to the Latin American audience. Our aim is to produce these translations analyzing varied, complex, and vague lexical sources, the differences between the source and target cultures, and other factors that challenge the translator in the realization of his work.

Title: «Giuseppina Grammatico and Heraclitus’ fragments: Translation in the “σύναψις silence-word”». Abstract: This work is intended to be a first translatological approach of the synapsis in Giuseppina Grammatico’s exegesis called The Synapsis Silence-Word in the Fragments of Heraclitus. Thus, this reflection aims to analyze how in Heraclitus’ fragments visited and translated by Grammatico we can see not only a synapsis —observed by her—, but a union between the silence and the word in which it is produced a translation process. All this, analyzed through the interpretive theory approach (Lederer, 2003; Seleskovitch, 1981; Delisle, 1988).