Amene Mir

John Milbank’s theology argues for a return to the participatory ontology of the pre-moderns in which actuality is understood as rooted in intimate relation to the divine. He rejects modernity’s notion that finite reality can be understood as occupying its own space independent of God. In this context he develops the notion of finite “making” as coincident with the finite realization of the divine. This paper develops how the notion of “coincidence” can be applied to Whitehead’s thought, allowing for an identification of God with creativity and finite “making,” seeking to provide a more theologically satisfying account of God’s relation to creativity.

Whitehead’s understanding of efficient causation is developed in reaction against the prevailing worldview of his scientific and philosophical predecessors’ material abstraction, bodily sensationalism, subject-object bifurcation, and partial subjectivism. Whitehead believed these ideas precluded the development of any satisfactory account of causal relation and connectivity. His response is to offer a forensic account of the nature of subjective experience within which causal efficacy could be accommodated. Yet Whitehead’s position has its own problems. In response, this article argues for a primordial basis to causal connectivity and for understanding physical causation in terms of conceptual realization.

John Milbank contends that modernity's attempt to establish an autonomous and secular realm for finite reality derives from a theological error originating primarily in the thought of Duns Scotus. Here both divine and finite reality share in a transcendental univocal Being that understands the divine as merely an extrinsic presence. Addressing this error, Milbank seeks to return to a participatory orthodoxy. This article will argue that in such a return Milbank qualifies in important ways the classical understanding of God's relation to creation and the divine attributes, allowing for a panentheist reading of his work that is both asymmetrical and dipolar in character