Andrea Nicolini

Between the first and the second volume of The History of Sexuality there is a gap of eight years in which Foucault did not publish anything except interviews. Analyzing some of those interviews, the article reconstructs the reasons that lead Foucault to abandon the thematization of power’s constraints imposed on the subject and start to elaborate an ethics in which the subject can be rid of him or herself thorough a care of pleasure. Arguing how this change does not represent for Foucault a denying of his previous work but its evolution, the article shows that, despite Foucault’s attempt to establish a discourse other than psychoanalysis, his ethics of sexuality unwittingly returns to the “force” that psychoanalysis recognizes as animating sexuality.

A WOUND ON POETRY: A READING OF PASOLINI’S TEOREMA Through analyzing Pasolini’s Teorema, the intention of the paper is to suggest that besides a sublimated effervescence that, according to Durkheim, blends people together, there is also another force that does not let itself be sublimated and for this reason checkmates the Symbolic order of society. This force is the death drive, namely the drive that, according to Freud, is beyond the pleasure principle and works against the flourishing of the individual inside society.

The article is divided into three sections and reconstructs Proust’s impact on Bataille’s philosophy. The first one shows how Bataille derives from Proust an atheism very much different from Nietzsche’s, but not less influential for his thought. The second part presents Bataille’s critique on Proust’s conception of Œuvre, in relation to his notion of teleology. The final part compares the episode of Mlle Vinteuil with the alleged personal experience of Proust at the brothel, providing and discussing Bataille’s reading. All sections are held together by Bataille’s urge to desecrate the object he embraces.