Andreea Stoicescu

The aim of this article is to present a personal reflection regarding the theoretical/philosophical relation between the generally accepted theological grounding of icon painting and other contemporary artistical endeavours to integrate the religious feeling – of Christian-Orthodox inspiration. This reflection is based on a mixture of ideas from different thought-frameworks which have as common ground the need for speculating on issues such as ‘tradition understanding’, ‘personal expression’, ‘art and religiousness’, exactly those key-themes that are constituting the fundamental threads of my argumentation. Hence, my appeal to authors like Lucian Blaga, Leonid Uspensky, Martin Heidegger, Paul Evdochimov, and Christos Yannaras. The point of departure for my study is the powerful and unavoidable conflict between the need for personal artistic interpretations of religious themes – expressed through contemporary artistic techniques and the application of contemporary metaphysical modelings – and the need for attaching oneself to an ‘authentic’ tradition of religious experience and to a community with deep roots in history. My all-round thesis is that this conflict cannot be, at least, clarified by choosing, from the artistic point of view, between two extremes: contemporary secular art on the one hand, and sacred, canonical art on the other hand, but by finding conceptual common pathways.

In this paper I will present some important ideas about the relation between religious experience and metaphysics in Alfred North Whitehead’s philosophy. This endeavor is significant for the topic from two points of view: firstly, Whitehead’s thinking is among the most comprehensive and widely extended from the 20th Century, the applications of his ‘speculative scheme’ covering issues from ecology, physics and the foundations of mathematics, to art and religion; secondly, the concept of ‘God’, with a meaning ascribed to it by Whitehead in relation both with the history of philosophy and with his own ideas, plays a key-role in Process and Reality, his most important treatise. For Whitehead, religion is linked, broadly speaking, to the most intimate inner evolution of a human person. Although this assertion may seem trivial, in the context of his thinking, which defines terms such as ‘process’, ‘value’ or ‘satisfaction’ as essentially bounded with the evolution of any actual being, to associate a kind of experience, the religious one, to the fact itself of inner becoming conveys to this experience a fundamentally profound and inalienable metaphysical character. It is this character and ‘definiteness’ which I will describe and analyze.