Andres Perez

Los análisis tomados de diferentes fuentes expuestas en las referencias bibliográficas permiten inferir que la migración es un fenómeno natural del ser humano, inevitable e incluso necesario. Según la OIM una de cada siete personas en el mundo es migrante internacional, es decir que, para finales del 2018 existían en el mundo 258 millones de personas que por diversas razones decidieron trasladarse de sus lugares de origen. En los últimos años se ha convertido en uno de los países que más recibe ciudadanos venezolanos, no solamente por la cercanía y la amplía frontera que se comparte, también porque durante muchos años Venezuela recibió colombianos que buscaban mejores condiciones y más seguridad. En estos términos Colombia había tenido una deuda histórica con Venezuela, la cual ha saldado a la fecha siendo el país que más ha recibido migrantes venezolanos.

Emotions are complex reactions that allow individuals to cope with significant positive and negative events. Research on emotion was pioneered by Darwin’s (1871) work on emotional expressions in humans and animals. But Darwin was concerned mainly with facial and bodily expressions of significance for humans, citing mainly examples from mammals (e.g., apes, dogs, and cats). In birds, emotional expressions are less evident for a human observer, so a different approach is needed. Understanding avian emotions will provide key evolutionary information on the evolution of related behaviors and brain circuitry. Birds and mammals are thought to have evolved from different groups of Mesozoic reptiles, theropod dinosaurs and therapsids, respectively, and therefore their common ancestor is likely to be a basal reptile living about 300 million years ago, during the Carboniferous or Permian. Yet, birds and mammals exhibit extensive convergence in terms of relative brain size, high levels of activity, sleep/wakefulness cycles, endothermy, and social behavior, among others. This article focuses on two basic emotions with negative valence: fear and frustration. Fear is related to the anticipation of dangerous or threatening stimuli (e.g., predators or aggressive conspecifics). Frustration is related to unexpected reward omissions or devaluations (e.g., loss of food or sexual resources). These results have implications for an understanding of the conditions that promote fear and frustration, and for the evolution of supporting brain circuitry.

This article will describe Leibniz's conception of beauty looking to develop a leibnizian concept of art. It seeks to develop a concept of art according to which in fact and through a leibnizian perspective, the work of art lasts no more than its materials having no proper unity and due to the absence of a dominant singularity capable to gives it implied harmony. Also, from this perspective, de jure, the work is preserved, due to it is always possible to assume it repeatedly as having unity of its own, of course, never in the same manner and from different perspectives.

Un vínculo necesario entre estética y socialización explica la profundidad sensible que debe construir todo cambio de paradigma y toda re-socialización. La democracia no funciona sin una apropiación individual y colectiva del sentir y de la producción de sentir. Es a partir entonces del trabajo artístico y de la instrospección y exteriorización de la dimensión sensible, que toda transformación puede ser aplicada. Se recorren parcialmente los pensamientos de Alain Badiou y Bernard Stiegler. A required link between aesthetic and socialization explains the sensitive depth that all paradigm and re-socialization must build. Democracy does not work without an individual and collective ownership of feeling and feeling's production. It is from the artwork and the introspection and externalization of the sensitive dimension, that any transformation can be applied. The article covers partially the thoughts of Alain Badiou and Bernard Stiegler