Andrew K. Whitehead

Imagination: Cross-Cultural Philosophical Analyses is a rare intercultural inquiry into the conceptions and functions of the imagination in contemporary philosophy. Divided into East Asian, comparative, and post-comparative approaches, it brings together a leading team of philosophers to explore the concepts of the illusory and illusions, the development of fantastic narratives and metaphors, and the use of images and allegories across a broad range of traditions. Chapters discuss how imagination has been interpreted by thinkers such as Zhuangzi, Plato, Confucius, Heidegger, and Nietzsche. By drawing on sources including Buddhist aesthetics, Daoism, and analytic philosophy of mind, this cross-cultural collection shows how the imagination can be an indispensable tool for the comparative philosopher, opening up new possibilities for intercultural dialogue and critical engagement.

In this essay, I introduce Ikkyū Sōjun’s amoralism under the heading of negative ethics. I do so in the light of contemporary accounts of what some have called “Zen ethics.” Pushing away from such readings, the essay raises the issue of authority in Zen, whether it is construed as the authority of the dharma, the sangha, or the Buddha. Turning to the poetry of Ikkyū, I demonstrate that any such construing misses themark. As an alternative, I offer a reading of Ikkyū that takes meta-ethics as its starting point. I read Ikkyū’s amoralism as a particular form of negative ethics. This point is drawn out further with an examination of the reversibility of seeming opposites.

The Zen monk IKKYŪ Sōjun 一休宗純 is one of the most controversial, and one of the least discussed, Japanese thinkers of the Muromachi period 室町時代. Although his writings have been translated by a select number of Japanologists in the latter part of the last century, the underlying philosophy of his thought remains largely unexplored outside of Japan. Considered one of Zen’s “crazy-monks,” Ikkyū’s ongoing legacy and popularity is owed, to a large extent, to the wealth of hagiographic literature written about him during the Tokugawa period 徳川時代. In this literature, Ikkyū is represented in such a way as to highlight his superior wit, and the character and tone of his own writings is transfigured and censored. This same transfiguration is later adopted by popular culture in the twentieth century, with the development of cartoons, television shows, and advertising, all of which depict Ikkyū as a young child – as the clever “rascal” Ikkyū-san 一休さん. The unfortunate outcome of this transfiguration is the loss of Ikkyū’s poetry and his unique expression of Buddhist philosophical ideas. Today, there are few Japanese – and even fewer people outside of Japan – who have read Ikkyū’s poetry. In this paper, I present a selection of key philosophical elements from Ikkyū’s writings in order to draw attention to the valuable insights to be found in his poetry.

Philosophical reflections on journeys and crossings, homes and habitats, have appeared in all major East Asian and Western philosophies. Landscape and travelling first emerged as a key issue in ancient Chinese philosophy, quickly becoming a core concern of Daoism and Confucianism. Yet despite the eminence of such reflections, Landscape and Travelling East and West: A Philosophical Journey is the first academic study to explore these philosophical themes in detail. Individual case studies from esteemed experts consider how philosophical thought about places and journeys have inspired and shaped major intellectual and cultural traditions; how such notions concretely manifested themselves in Chinese art, particularly in the genres of landscape painting and garden architecture. The studies present a philosophical dialogue between Confucianism and Daoism on issues of social space and belonging and include discussion on travel and landscape in Buddhism as well as Japanese and Tibetan contexts. Approaching the topic from an inter-cultural perspectives, particularly East Asian philosophies, and using these to enrich contemporary reflections on space, the environment, and traversing, this unique collection adds an important voice to present philosophical, political, and cultural discourses.

Wisdom and Philosophy: Contemporary and Comparative Approaches questions the nature of the relationship between wisdom and philosophy from an intercultural perspective. Bringing together an international mix of respected philosophers, this volume discusses similarities and differences of Western and Asian pursuits of wisdom and reflects on attempts to combine them. Contributors cover topics such as Confucian ethics, the acquisition of wisdom in pre-Qin literature and anecdotes of stupidity in the classical Chinese tradition, while also addressing contemporary topics such as global Buddhism and analytic metaphysics. Providing original examples of comparative philosophy, contributors look at ideas and arguments of thinkers such as Confucius, Zhuangzi and Zhu Xi alongside the work of Aristotle, Plato and Heidegger. Presenting Asian perspectives on philosophy as practical wisdom, Wisdom and Philosophy is a rare intercultural inquiry into the relation between wisdom and philosophy. It provides new ways of understanding how wisdom connects to philosophy and underlines the need to reintroduce it into philosophy today.