Andrew Wynn Owen

Here is the skeptical challenge, as put by Wittgenstein: “this was our paradox: no course of action could be determined by a rule, because every course of action can be made out to accord with the rule” (1953, §201). I discuss the challenge, reconstructed as a deductively valid argument. I then argue that McDowell’s (1994) naturalized platonism, because it presents concepts as devices that automatically categorize objects in the external world, provides a general framework within which the skeptical challenge is defused before it becomes a problem. To motivate this view, I argue that there are considerations about our linguistic behaviour, particularly in our practices surrounding conceptual education, that should lead us to believe that meaning is not to be explained in terms of some fact that grounds or constitutes it.

The debate between realists and anti-realists about fictional entities is important partly because it connects with debates about the nature of reference. According to the descriptivist model held by Fregeans, a name has reference to an object due to the connection of that name with a description, which is met by the relevant object. According to the causal-communicative model held by Millians, a name refers in virtue of a chain of reference linking that name to a referent. In the case of fictional entities, it is a matter of debate whether the entities in question exist or not. Traditionally, Millians have had trouble dealing with antirealism about fictional entities. I argue for a simple realist theory, ‘bare-bones artifactualism’, according to which fictional entities are simple abstract ‘counters’. Each of these simple abstract counters has only those intrinsic properties that other such simple abstract counters also have, except for one distinctive intrinsic property. This one distinctive intrinsic property is a number-bearing property that marks out the abstract counter’s identity, distinct from all other such abstract counters. The number-bearing property allows us to do with abstract counters what spatiotemporal situatedness allows us to do with concrete counters: it allows us to treat the abstract counters as individuals. In support of such artifactualism, I discuss the following considerations: its ontological simplicity; its parallels in our other practices; and its explanatory promise.

I propose a construal of aesthetic value that gives us reason to emphasize some aesthetic practices over others. This construal rests on the existence of a central aesthetic value, namely apprehension-testing intricacy within an appropriate domain. I address three objections: the objection that asks how an aesthetic value based on intricacy can account for the value of minimalism; the objection that asks about the difference between intricacy within a medium and intricacy between media; and the objection that asks about the danger of a regress. I then say that, although this central aesthetic value can in principle allow us to adjudicate between aesthetic practices, we have epistemic limits (about the potential of certain artistic domains to allow for apprehension-testing intricacy) that prevent adjudication in some cases. Even if there is a difference between the vastness of the potential-intricacy-fields somewhere down the line, it is too far for us to see.