In lieu of an abstract, here is a brief excerpt of the content:510 Feminist Studies 44, no. 2. © 2018 by Feminist Studies, Inc. Some women are plain. Not ugly, but plain, like bread without butter. It seems unfair at first. Why can’t we luxuriate in pools of Pre-Raphaelite hair? Why must we walk under dry brown bobs? Beauty is not shallow, although Ophelia drowned in a thin layer of oil paint brushed to look like water. Beauty’s naturally easy, but plain takes cultivation. Sisters, listen. Plain…
Read moreIn lieu of an abstract, here is a brief excerpt of the content:510 Feminist Studies 44, no. 2. © 2018 by Feminist Studies, Inc. Some women are plain. Not ugly, but plain, like bread without butter. It seems unfair at first. Why can’t we luxuriate in pools of Pre-Raphaelite hair? Why must we walk under dry brown bobs? Beauty is not shallow, although Ophelia drowned in a thin layer of oil paint brushed to look like water. Beauty’s naturally easy, but plain takes cultivation. Sisters, listen. Plain becomes us. It’s a biome, not a state. It’s a wink: hey Tallgrass. It’s asters. Sisters, resist the nervous chorus that insists you’re beautiful in your own way. Say no. Say I am plain. Angela Sorby Limn Claire G. Moses Award for the Most Theoretically Innovative Article Published in the Journal in 2017 Feminist Studies is pleased to announce that Tara Daly is the winner of the 2017 “Claire G. Moses Annual Award for the Most Theoretically Innovative Article.” Daly was selected for her article “Christian Bendayán: Queering the Archive from Iquitos, Peru,” which was published in Volume 43, Number 2 (2017). In her article, Daly focuses on Iquitos artist Christian Bendayán, a visual artist who is of a cohort of Peruvian artists assembling a “counterarchive” that contests the heteronormative frame that has shaped how the Amazon has been imagined and represented. Daly shows how Bendayán effectively queers the archive and provides a compelling counterpoint to the way Iquitos has been historically understood. * * * The award, given to the most theoretically innovative article published in Feminist Studies each year, was created to honor Claire Goldberg Moses on her retirement as editorial director of Feminist Studies, a position she held from 1977 to 2011....