Anna Hennessey

This paper examines collective intentionality, one of the three fundamental elements in a classic theory of social ontology, and how we locate its emergence in the way that individuals and social groups transform the meaning of art and other objects used in the context of contemporary birth rituals. In this context, religious art and other objects often undergo an ontological transformation during the rituals of birth when participants secularize them, marking them with new status functions that diverge from their original functions as religious objects. However, some of these same objects are then re-sacralized when used ritualistically during birth. In these cases, the social ontology of the object shifts away from that of a religious or secular identification, collectively recognized instead as encompassing sacred meaning. This sacredness is not part of the object’s original symbolic function as a religious object, however. Instead, the object is re-sacralized and takes on a new ontological status associated with a collective understanding that the nonreligious act of birth is a sacred act in itself.

Patrick Æ Hutchings (Oxon), was a longtime Editor-in-Chief (Australasia) of Sophia and a cherished member of both the journal’s philosophical community and the international philosophy community more broadly. With a deep intellectual and academic history (with prior studies in the University of Wellington and Oxford University), Patrick was at the time of his passing an Honorary Research Associate in the Department of Philosophy at the University of Melbourne. Over the years, he also lectured in the Philosophy of Art at the University of Melbourne. He also lectured at the Royal Melbourne Institute of Technology (RMIT). From 1978–1994, Patrick served as Reader in the School of Humanities at Deakin University, (working closely with his esteemed colleagues Prof Max Charlesworth and Purushottama Bilimoria; known as the ‘intellectual mischiefs’); together they moved Sophia to the Department of Philosophy in the University of Melbourne, and he also joined the University of Melbourne as a Visiting Lecturer in the Philosophy of Art from 1993–1998 (working closely with Christopher Cordner, Graeme Marshall, Brian Scarlett , Tony (AJC) Coady, and Elvira Schnabel). Prior to coming eastwards, Patrick taught at the University of Western Australia in Perth, Western Australia, for some twenty years. He gave lectures on philosophy and arts at the University of Sydney and at the University of Otago (Dunedin, NZ), and he taught English Literature and Philosophy classes at a number of universities around the world, including at Edinburgh, London, California (Irvine), New Zealand, Japan, and India. During his life and over the course of his career, Patrick wrote prolifically in topics spanning philosophy, literature, and aesthetics for many journal publications, including Art International, The Journal of Aesthetics and Art Criticism, Landfall, Islands, The Age, The Journal of the Sydney Society of Literature and Aesthetics, Australasian Journal of Philosophy, Sophia, Philosophical Studies (Dublin) and the Art Monthly Australasia. He also published a monograph on the Melbourne sculptor, Peter Corlett, co-authored books on Guy Boyd and Kate O’Connor, and contributed chapters in monographs on figures such as Gordon Walters, Heather Busch, Klaus Zimmer, George Johnson, Tom Gibbons, and Thornton Walker. Routledge (Taylor & Francis) republished Patrick’s 1972 ground-breaking book Kant on Absolute Value (Kant’s ‘Groundwork of the Metaphysic of Morals’ and of his Ontology of Personal Value), which remains in print (2019). His 2021 article ‘Has God Been and Gone?’ was his last main piece published in Sophia, and he also had a 2022 review in Sophia, ‘Religious Doubt in New Zealand.’ Forever prolific in his writing and editing, Patrick continued to publish into 2023 with another two pieces appearing in Literature and Aesthetics: The Journal of the Sydney Society of Literature and Aesthetics (SSLA) and the Art Monthly Australasia. Patrick is survived by his dear wife Heng (Kitty) Hutchings and was also memorialized recently by a wide range of scholars and friends in both actual and virtual ceremonies held in September 2023. Although Patrick’s funeral service was kept as simple as possible, just as Patrick would have liked it to be, Fr. Michael Elligate led the Requiem Mass; the Ensemble from the Australian Chamber Choir and organist Douglas Lawrence provided glorious music, Peter Wong chanted from the beautiful 'Heart of Great Perfection of Wisdom' from Heart Sūtra to mark the finalé:- Gaté gaté paragaté parasamgaté Bodhi svāhā! (Gone, gone, gone beyond, gone completely beyond, enlightenment!).

Every human being is born and has gone through a process of birth. Yet the topic of birth remains deeply underrepresented in the humanities, overshadowed by a scholarly focus on death. This book explores how imagery is used ritualistically in religious, secular, and nonreligious ways during birth, through analysis of a wide variety of art, iconography, poetry, and material culture. Objects central to the book’s study include religious figurines, paintings about birth, and other items representative of pregnancy, crowning, or giving birth that have an historical or original meaning connected to religion. Contemporary artists are also creating new art in which they represent birth and mothering as nonreligious events that are sacred or divine. Framed through the philosophical concept of social ontology, which examines the nature of the social world and studies how people create meaning out of the various objects, images, and processes that make up human social life, the book theorizes a social ontology of birth, focusing on how the meaning of imagery undergoes metamorphosis between the spheres of religion, secularity, nonreligion, and the sacred when used during birth as a rite of passage. Included in the study are more than thirty images of birth, some of which have never been written about before.

This paper looks at the role of art and material culture in the rituals of birth, first taking into consideration research on material culture in traditional rituals of birth and then turning to the primary topic, which is how art in the contemporary rituals of birth often holds sacred meaning even when the ritual is of a nonreligious nature. A discussion about the sacred in the context of a nonreligious ritual hinges upon an understanding of that which is “sacred”; thus, the paper looks at research on modern theology and the sacred to examine the term in the context of birth as a contemporary rite of passage. Giving examples of how material culture has been important in several traditional birth rituals from different cultures, the paper then traces a similar occurrence in which participants in contemporary nonreligious rituals of birth also uphold art and material culture as sacred elements of the rituals. The paper provides the reader with description of a rich array of art and material culture used across cultures in different rituals of birth. Taking into consideration the numerous contributions that scholars have made to the emerging field of birth and religion, including the interdisciplinary importance of theories related to birth as a rite of passage, the paper also presents new research on the materiality of the contemporary rituals of birth.

A growing body of research in fields across the sciences has shown the profound impact that early parent-child relationships have on the physical, social, emotional and psychological developments of children. On a primary level, the architecture of a child’s brain is significantly affected by social experiences with parents and caregivers during the first three years of life. In Families of Virtue, Erin Cline addresses the importance of these findings and relates them to Chinese philosophy, exploring how early Confucian thinkers emphasized a critical connection between parent-child relationships and human development, especially as pertains to moral development. Cline’s work shows that the Confucian treatment of these relationships is a philosophical aspect of which we do not find exact parallels in either canonical Western philosophy or contemporary feminism. Going beyond the philosophical, however, Cline also promotes the practical use of Confucian ideas to influence policy change and to transform cultural views more broadly on the topic of early parent-child relationships. Successfully highlighting how a child’s early development is foundational in the making of a moral human being, this book is an important contribution to philosophy and other disciplines within the humanities.