Anna Wierzbicka

This chapter argues that a philosophical account of human epistemology needs to be complemented by a linguistic one, informed by analytical and empirical experience of cross-linguistic semantics. The author outlines such a complementary account, based on many decades of empirical and analytical research undertaken within the NSM (Natural Semantic Metalanguage) approach. The main conclusion is that know is an indefinable and universal human concept, and that there are four “canonical” frames in which this concept occurs across languages, the most basic one being the “dialogical” frame: “I know,” “I don’t know.” The author contends that both the questions and the answers concerning the “epistemology for the rest of the world” need to be anchored in some conceptual givens, derived neither from historically shaped Anglo English, nor from the European philosophical tradition, but from a more reliable, language- and culture-independent source; and the author shows how this can be done.

This book offers an unpacked version of the Nicene Creed, which is the defining statement of belief of mainstream Christianity, and a milestone in human history. The book seeks to clarify this compressed text through the common conceptual language of all people: “Basic Human”. Given the unique power of this language to articulate the tenets of the Creed with clarity and precision, this book will have a wide readership among all people interested in Christianity, as well as among scholars interested in the scope of human understanding and communication. More than that, at a time of “post-Christian spiritual disintegration”, when many are seeking for the threads of meaning to hold things together (as discussed for example by authors like Tom Holland and Ayaan Hirsi Ali), the vision of the Nicene Creed - “the world’s one unchanging Creed” – can offer a new reference point and be a beacon of hope.

One of the most interesting phenomena in the history of the English language is the remarkable rise of the word right, in its many interrelated senses and uses. This article tries to trace the changes in the meaning and use of this word, as well as the rise of new conversational routines based on right, and raises questions about the cultural underpinnings of these semantic and pragmatic developments. It explores the hypothesis that the `discourse of truth' declined in English over the centuries; that the use of `right' and `wrong' as parallel concepts increased; and it notes that the use of right as an adjective increased enormously in relation to the use of true. Originally, right meant `straight', as in a right line. Figuratively, perhaps, this right in the sense `straight' was also used in an evaluative sense: `good', with an additional component building on the geometrical image: `clearly good'. Spoken of somebody else's words, “right” was linked with `true'. But in the course of the 17th and 18th centuries right appears to have begun to be used more and more with reference to thinking rather than speaking. The association of right with thinking seems to have spread in parallel with a contrastive use of right and wrong — a trend apparently encouraged by the influence of the Reformation, especially within its Calvinist wing. Another interesting development is that over the last two centuries or so the discourse of `right' and `wrong' appears to have found a competitor in a discourse of `cooperation' and mutual concessions. Judging by both the frequency and range of its use, the word right flourished in this atmosphere, whereas wrong was increasingly left behind. This article traces the transition from the Shakespearean response “Right.”, described by the OED as `you are right; you speak well', to the present-day “Right.” of non-committal acknowledgement and it links the developments in semantics and discourse patterns with historical phenomena such as Puritanism, British empiricism, the Enlightenment and the growth of democracy.

‘Dialogue’ is an important concept in the contemporary world. It plays a very significant role in English public discourse, and through English, or mainly through English, it has spread throughout the world. For example, the dissident leader Aung San Suu Kyi calls for ‘reconciliation and dialogue’ in Burma, the Russian pro-democracy groups ask Russian President Vladimir Putin to ‘begin a dialogue’ with them, and Popes Paul VI and John Paul II are praised for opening the Catholic Church to a ‘dialogue’ with other Christian churches and other religions, and so on. But what exactly does the word ‘dialogue’ mean? In his position statement for the plenary session on ‘dialogue in cross-cultural perspective’, Donal Carbaugh asks: ‘What constitutes “dialogue”? What is this form of communicative action? Is there such a form, or something like it, in various speech communities?’. This article attempts to answer Carbaugh’s questions from the point of view of the NSM theory of semantics, developed by the author and colleagues.

We present new interpretations of “direct” and “indirect” speech, framed entirely using simple and cross-translatable words and phrases, i.e. framed in language which can be transparent both to linguists and to the speakers whose ways of speaking we are trying to understand. In relation to “direct speech”, we present linguistic generalisations about two forms of quoted speech, which, we claim, are very likely to be found in all languages of the world. We next examine the semantics of logophoric constructions in West African languages. We look in some detail at Goemai, which has been claimed by Dixon to have “no direct speech”. Based on Birgit Hellwig’s work, we argue that logophoric constructions in Goemai are forms of direct speech on any reasonable, semantically-based definition. We conclude that direct speech is a language universal. The final part of the paper is about “indirect speech”, focusing on the English ‘say that’ construction. An overall theme of our paper is that specialised and hybrid forms of reported speech, including logophoric speech, reflect cultural concerns and practices.

David Chalmers appears to assume that we can meaningfully discuss what goes on in human heads without paying any attention to the words in which we couch our statements. This paper challenges this assumption and argues that the initial problem is that of metalanguage: if we want to say something clear and valid about us humans, we must think about ourselves outside conceptual English created by one particular history and culture and try to think from a global, panhuman point of view. This means that instead of relying on untranslatable English words such as 'consciousness' and 'experience' we must try to rely on panhuman concepts expressed in cross-translatable words such as THINK, KNOW, and FEEL (Wierzbicka, 2018). The paper argues that after 'a hundred years of consciousness studies' it is time to try to say something about us (humans), about how we think and how we differ from cats and bats, in words that are clear, stable, and human rather than parochially English.

This commentary argues that the question of metalanguage is a key issue in emotion research. Izard (2010) ignores this issue (and all the earlier literature relating to it, including the debate in Emotion Review, 2009, 1[1]), and thus falls into the old traps of circularity, obscurity, and ethnocentrism. This commentary rejects Izard’s claim that “emotion” defies definition, and it offers a viable definition of “emotion” formulated in simple and universal human concepts, using the English version of the universal conceptual lingua franca called Natural Semantic Metalanguage (NSM). Once again, this commentary draws attention to the centrality of the question of language in emotion research

This essay argues that, since Kant wrote in German and since German has no word for “right” corresponding in meaning to the English word, it is a case of conceptual anglocentrism to say, as many anglophone philosophers do, that Kant reformulated the foundations of ethics by formulating them in terms of the “right” rather than the “good.” Further, the essay shows how the German word Pflicht, central to Kant's ethics, does not correspond in meaning to the English word duty, whose cultural roots lie in English Puritanism. More generally, the argument is that, ultimately, “common knowledge” is possible only to the extent to which it can be stated in words corresponding to universal human concepts — a set of which has been identified through empirical cross-linguistic investigations — rather than in words whose meanings have been shaped by a particular history and culture. Finally, the essay shows how “NSM” methodology, developed within linguistic semantics, allows us to cast new light on aspects of German culture reflected in keywords such as Ordnung, Gehorsam, Befehl, and Pflicht — terms that appear to be anchored in the legacy of Luther and Kant.

Conceptual primitives and semantic universals are the cornerstones of a semantic theory which Anna Wierzbicka has been developing for many years. Semantics: Primes and Universals is a major synthesis of her work, presenting a full and systematic exposition of that theory in a non-technical and readable way. It delineates a full set of universal concepts, as they have emerged from large-scale investigations across a wide range of languages undertaken by the author and her colleagues. On the basis of empirical cross-linguistic studies it vindicates the old notion of the "psychic unity of mankind", while at the same time offering a framework for the rigorous description of different languages and cultures.

Pain is a global problem whose social, economic, and psychological costs are immeasurable. It is now seen as the most common reason why people seek medical (including psychiatric) care. But what is pain? This article shows that the discourse of pain tends to suffer from the same problems of ethnocentrism and obscurity as the discourse of emotions in general. Noting that in the case of pain, the costs of miscommunication are particularly high, this article offers a new paradigm for communicating about pain. It shows how the use of natural semantic metalanguage (NSM) techniques developed in linguistic semantics can help in this area, as in other areas concerned with human subjectivity, and can lead to a greater understanding between psychologists, psychiatrists, medical practitioners, social workers, and ordinary suffering mortals

Anthropologists and linguists have long been aware that the body is explicitly referred to in conventional description of emotion in languages around the world. There is abundant linguistic data showing expression of emotions in terms of their imagined ‘locus’ in the physical body. The most important methodological issue in the study of emotions is language, for the ways people talk give us access to ‘folk descriptions’ of the emotions. ‘Technical terminology’, whether based on English or otherwise, is not excluded from this ‘folk’ status. It may appear to be safely ‘scientific’ and thus culturally neutral, but in fact it is not: technical English is a variety of English and reflects, to some extent, culture-specific ways of thinking (and categorising) associated with the English language. People — as researchers studying other people, or as people in real-life social association — cannot directly access the emotional experience of others, and language is the usual mode of ‘packaging’ one’s experience so it may be accessible to others. Careful description of linguistic data from as broad as possible a cross-linguistic base is thus an important part of emotion research. All people experience biological events and processes associated with certain thoughts (or, as psychologists say, ‘appraisals’), but there is more to ‘emotion’ than just these physiological phenomena. Speakers of some languages talk about their emotional experiences as if they are located in some internal organ such as ‘the liver’, yet they cannot localise feeling in this physical organ. This phenomenon needs to be understood better, and one of the problems is finding a method of comparison that allows us to compare descriptions from different languages which show apparently great formal and semantic variation. Some simple concepts including feel and body are universal or near-universal, and as such are good candidates for terms of description which may help to eradicate confusion and exoticism from cross-linguistic comparison and semantic typology. Semantic analysis reveals great variation in concepts of emotion across languages and cultures — but such analysis requires a sound and well-founded methodology. While leaving room for different approaches to the task, we suggest that such a methodology can be based on empirically established linguistic universal (or near-universal) concepts, and on ‘cognitive scenarios’ articulated in terms of these concepts. Also, we warn against the danger of exoticism involved in taking all body part references ‘literally’. Above all, we argue that what is needed is a combination of empirical cross-linguistic investigations and a theoretical and methodological awareness, recognising the impossibility of exploring other people’s emotions without keeping language in focus: both as an object and as a tool of study.

This article demonstrates that emotion concepts—including the so‐called basic ones, such as anger or sadness—can be defined in terms of universal semantic primitives such as “good”, “bad”, “do”, “happen”, “know”, and “want”, in terms of which all areas of meaning, in all languages, can be rigorously and revealingly portrayed.The definitions proposed here take the form of certain prototypical scripts or scenarios, formulated in terms of thoughts, wants, and feelings. These scripts, however, can be seen as formulas providing rigorous specifications of necessary and sufficient conditions (not for emotions as such, but for emotion concepts), and they do not support the idea that boundaries between emotion concepts are “fuzzy.” On the contrary, the small set of universal semantic primitives employed here (which has emerged from two decades of empirical investigations by the author and colleagues) demonstrates that even apparent synonyms such as sad and unhappy embody different—and fully specifiable—conceptual structures.

The author argues that the so-called “basic emotions”, such as happiness, fear or anger, are in fact cultural artifacts of the English language, just as the Ilongot concept of liget, or the Ifaluk concept of song, are the cultural artifacts of Ilongot and Ifaluk. It is therefore as inappropriate to talk about human emotions in general in terms of happiness, fear, or anger as it would be to talk about them in terms of liget or song. However, this does not mean that we cannot penetrate into the emotional world of speakers of languages other than our own. Nor does it mean that there cannot be any universal human emotions. Universality of emotions is an open issue which requires further investigation. For this further investigation to be fully productive, it has to be undertaken from a universal, language and culture-independent perspective; and it has to be carried out in a universalist framework that is language and culture-independent. The author proposes for this purpose the “natural semantic metalanguage” based on universal (or near-universal) semantic primitives (or near-primitives), developed over two decades by herself and colleagues, and she argues that the use of this metalanguage facilitates such a perspective and offers such a framework.

Jones recognizes the existence of “primitives of conceptual structures,” out of which “local representations of kinship are constructed.” NSM semantics has identified these primitives through a cross-linguistic search for lexical universals (“NSM” stands for Natural Semantic Metalanguage and also for the corresponding linguistic theory). These empirical universals provide, I argue, a better bridge between cognitive anthropology and evolutionary psychology than the abstract constructs of OT, with dubious claim to conceptual reality.

It is widely believed that there are some emotions which are universally associated with distinctive facial expressions and that one can recognize, universally, an angry face, a happy face, a sad face, and so on. The "basic emotions " are believed to be part of the biological makeup of human species and to be therefore "hardwired". In contrast to this view, Or tony and Turner have suggested that it is not emotions but some components of emotions which are universally linked with certain facial expressions, or rather with some components of facial expressions. Ortony and Turner have made a good case for this hypothesis. But the theory will be more convincing - and indeed more verifiable - if the postulated "dissociable components of emotions" are formulated in a rigorous, and culture-independent manner. The paper argues that the Natural Semantic Metalanguage, based on universal semantic primitives and devised by the author and colleagues, provides a suitable culture-independent framework.