Antoine Hennion

Defending the autonomy of people and respecting their will has legitimately led to fight against any resort to constraint in care activities, by controlling and strictly defining its use if necessary, and by promoting a positive ethics of care, centred on people’s needs and wills. Nevertheless, beyond extreme cases of and violence, if one more realistically views constraint not only in a binary mode as an action involving people without their consent, it is crucial to acknowledge that constraint lies everywhere inside care activities. It is not a matter of remaining misconducts or perversion. It is due to the necessity of also protecting people, especially when their ability to evaluate what is good for them may be altered. Leaning on several minute case studies carried out at disabled people’s home, this paper describes the diverse forms that may take such an ordinary, silent constraint, ceaselessly present in care activities. It concludes by addressing its possible compatibility with care.

Bruno Latour’s writings have been discussed at length. My article proposes a ‘version’ of his career that emphasizes the obsessive permanence of his questioning, by focusing on the mission he set himself. Without presuming an a priori coherence, the religious and military connotations of the word ‘mission’ express the strong determination to act and the notion of a calling, and also the indeterminate nature of the object sought as well as the means of achieving it. As William James used to write, the word ‘mission’ underlines the fact that very early on Latour wrote ‘for...’, not followed by an object complement: for something remaining undefined. His aim was neither to build a general theory, nor explain a specific field of activity, such as science, religion or politics, but to grasp things differently, in order to change ways of thinking and acting. And he did it.

»Attachments« do not belong to the vocabulary of action. Incommensurable and situational, they are at once constraining and indeterminate, deployed in bonds that all do something, but among which none is independent for itself. Instead of distinguishing clearly between dependent and determining things, the paper passes to a less trenchant but infinitely more productive approach to distributed action, conceived as a (make [someone] do [something]) disseminated in networks. The essential, then, is not to liberate oneself from the attachments, but to sort the good ones from the bad, by leaning not on grand overarching principles but on the immanent justice in things. But how can we judge the quality of an »attachment«? Drawing on cases of sportsmen, drug addicts, and music lovers, this contribution aims to clarify what an »attached« morality could look like, a morality which would be made of the fabric of uncircumventable ties.

Lasting things : Durkheim as a founding father of the sociology of culture -- Before mediation : social readings of arts -- Sociology and the art object : belief, illusion, artefacts -- The social history of art : reinserting the works into society -- The new history of art : the social in the art work -- The baroque case : musical upheavals -- "What can you hear?" : an ethnographic study of a music lesson -- "Bach today" -- Intermezzo. A sociologist at the Zenith concert hall -- Music lovers : taste as an activity -- Conclusion. The representation of music : in praise of musical artifice -- Epilogue. "Vor deinen Thron".

Trying to reduce the divide between culture and science, this article follows the producer of popular records, as an interface between music and its market. Like the innovator when he does not obey scientific, technical, and commercial reasons in succession, but reshapes them all together through a double task of giving its form to the product and the interesting people within it, the producer represents the public to the artist and the music to the media. First in a local scale, then in larger and larger ones, alone with the singer, in the studio, and into the media, this sociology of the intermediary shows the producer experimentally organizing, as in a laboratory, a complete production-consumption cycle. Success is then not the mysterious leap to the public, but the last extension of an equation into which the public has been incorporated in many forms from the very beginning.

Im Zentrum dieses Beitrags steht der Rückblick Hennions auf seinen eigenen intellektuellen Weg innerhalb des CSI, den er aus der Perspektive aktueller Fragestellungen reflektiert und neu bewertet. Der Autor zeigt, wie das CSI seit seiner Gründung eine Soziologie entwickelte, welche den Objekten größere Aufmerksamkeit schenkt, mit denen es sich befasste (Recht, Wissenschaft und Technik, Ökonomie, Kultur) und diskutiert Gemeinsamkeiten und Unterschiede in der damals in der STS und auf dem Gebiet der Kultur geleisteten Feldforschung, so etwa die Verwendung von Begriffen wie Übersetzung und Mediation oder das unterschiedliche Verhältnis zu Bourdieus kritischer Soziologie. Im Anschluss befasst der Text sich mit dem langsamen Aufkommen pragmatistischer Ansätze in Frankreich. Gestützt auf diese Genealogie schließt er mit dem Vorschlag einer Neuformulierung der Thesen des Pragmatismus in der Soziologie ausgehend von seiner eigenen Arbeit zu Liebhabern und Attachements. This paper focuses on a reflexive return made by Hennion on his own trajectory within the CSI, in order to reread it from the perspective of present issues. The author shows how, from its very foundation the CSI developed a sociology more sensitive to the objects it deals with (law, science and technology, business, culture), and discusses convergences and differences between fieldwork then undertaken by STS and on culture: e.g. the use of terms like translation or mediation, or the different relation to Bourdieu's critical sociology. The paper then considers the slow emergence of pragmatist approaches in France. Leaning on this genealogy, the author concludes by suggesting a reformulation of such pragmatist claims in sociology from his own work on and attachments.

Defending the autonomy of people and respecting their will has legitimately led to fight against any resort to constraint in care activities, by controlling and strictly defining its use if necessary, and by promoting a positive ethics of care, centred on people’s needs and wills. Nevertheless, beyond extreme cases of and violence, if one more realistically views constraint not only in a binary mode as an action involving people without their consent, it is crucial to acknowledge that constraint lies everywhere inside care activities. It is not a matter of remaining misconducts or perversion. It is due to the necessity of also protecting people, especially when their ability to evaluate what is good for them may be altered. Leaning on several minute case studies carried out at disabled people’s home, this paper describes the diverse forms that may take such an ordinary, silent constraint, ceaselessly present in care activities. It concludes by addressing its possible compatibility with care.

This article presents the implications, objectives and initial results of a current ethnographic research project on music lovers. It looks at problems of theory and method posed by such research if it is not conceived only as the explanation of external determinisms, relating taste to the social origins of the amateur or to the aesthetic properties of the works. Our aim is, on the contrary, from long interviews and observations undertaken with music lovers, mostly in the classical field, to concentrate on gestures, objects, mediums, devices and relations engaged in a form of playing or listening, which amounts to more than the actualization of a taste `already there', for they are redefined during the action, with a result that is partly uncertain. This is why amateurs' attachments and ways of doing things can both engage and form subjectivities, rather than merely recording social labels, and have a history, irreducible to that of the taste for works.