• Thomas Clifton, Music As Heard: A Study in Applied Phenomenology
    Journal of Aesthetics and Art Criticism 42 (3): 345-347. 1984.
  • Reviews (review)
    Journal of Aesthetics and Art Criticism 31 (4): 543-568. 1973.
  •  5
    Aesthetics and the Theory of Criticism
    Philosophy and Phenomenological Research 36 (4): 583-584. 1976.
  •  1
    Essays in Aesthetics
    Philosophy and Phenomenological Research 25 (3): 443-443. 1965.
  • The Arts of the Beautiful
    Philosophy and Phenomenological Research 27 (2): 295-296. 1966.
  •  3
    Guide to the Works of John Dewey
    Philosophy and Phenomenological Research 32 (2): 285-286. 1971.
  •  12
    Reason in Society: Five Types of Decisions and Their Social Conditions
    Philosophy and Phenomenological Research 23 (3): 453-454. 1962.
  • Philosophies of History
    Philosophy and Phenomenological Research 25 (2): 298-299. 1964.
  •  9
    John Dewey and Self-Realization
    Philosophy and Phenomenological Research 24 (4): 588-589. 1964.
  •  11
    Information Theory and Esthetic Perception
    Philosophy and Phenomenological Research 28 (2): 280-282. 1967.
  •  3
    Art and Human Intelligence
    Philosophy and Phenomenological Research 29 (2): 307-309. 1968.
  • The Ways of Meaning in the Arts
    Philosophy and Phenomenological Research 34 (1): 114-115. 1973.
  •  10
    Art as Event: An Aesthetic for the Performing Arts
    Journal of Aesthetics and Art Criticism 38 (3): 345-345. 1980.
  • Form and Style in the Arts: An Introduction to Aesthetic Morphology
    Philosophy and Phenomenological Research 33 (4): 581-582. 1973.
  •  1
    An Anatomy of Values: Problems of Personal and Social Choice
    Philosophy and Phenomenological Research 32 (3): 416-417. 1971.
  •  2
    The Music in My Philosophy
    ASA Newsletter. 2012.
    Music has not been as prominent in philosophy or as influential in aesthetics as the visual arts, at least in the Western tradition. Reflecting on my years of experience as both a philosopher and a musician, I am increasingly intrigued by speculating if and how today’s aesthetic discourse might have taken a different direction if music been its central focus. It is tempting to wonder whether, in some cases, the musical art may indeed have had an influence, even if less conspicuous than some othe…Read more
  • O czym milczą tytuły (translation)
    with Małgorzata A. Szyszkowska
    Sztuka I Filozofia (Art and Philosophy) 37 118-127. 2010.
    translation of A. Berleant
  • Zajmujacy Dewey: spóścizna estetyczna Johna Deweya (translation)
    Sztuka I Filozofia (Art and Philosophy) 37 59-70. 2010.
    translation of Arnold Berleant's "Engaging Dewey..."
  •  6
    The Aesthetics of Mud and the Muddiness of Aesthetics
    Contemporary Aesthetics 15 (1). 2017.
  •  2
    Prilastitev čutnosti in subverzija lepote
    Filozofski Vestnik 36 (1). 2015.
    Zaradi svoje vsenavzočnosti v izkustvu ima estetska čutnost mnoge manifestacije, tako očitne kot prikrite. Članek preučuje nekatere večinoma skrite načine, v katerih sta okus in estetska sodba, ki se kažeta v čutnem izkustvu, prefinjeno prisvojena in izrabljena. Te postopke opisujem kot prilastitev estetske čutnosti in imajo škodljive posledice za zdravje, družbo in okolje. Omenjene prakse so oblika estetske negacije, ki izkrivlja čutno izkustvo in manipulira z njim, kot je v interesu množičnega…Read more
  •  6
    Re-thinking Aesthetics
    Filozofski Vestnik 20 (2). 1999.
    This paper proposes a radical re-examination of the foundations of modern aesthetics. It urges that we replace the tradition of eighteenth century aesthetics, with its insistence on disinterestedness and the separateness of the aesthetic, and its problematic oppositions, such as the separation of sense from cognition. In their place it appeals to a more process-oriented, pluralistic account, one that takes note of varying cultural traditions in aesthetics, that recognizes the aesthetic as a comp…Read more
  •  16
    Patricia Sloane, The Visual Nature of Color, Primary Sources: Selected Writings on Color From Aristotle To Albers
    with Patricia Sloane
    Journal of Aesthetics and Art Criticism 51 (3): 518. 1993.
  •  2
    Philosophies of History (review)
    Philosophy and Phenomenological Research 25 (2): 298. 1964.
  •  17
    Information Theory and Esthetic Perception
    Philosophy and Phenomenological Research 28 (2): 280. 1967.
  •  10
    The Aesthetics of Landscape
    Journal of Aesthetic Education 28 (1): 115. 1994.
  •  7
    The Aesthetics of the Environment
    with Theodore G. Ammon
    Journal of Aesthetic Education 28 (4): 110. 1994.
  •  18
    This essay traces the steps to social aesthetics. It begins by affirming the central place of sense experience for aesthetics and its refinement in the perceptual acuity of a developed sensibility. This leads to associating aesthetic appreciation with such perceptual experience. Rejecting the identification of disinterestedness with such appreciation, the present paper proposes the full participatory involvement in the experience of appreciation as expressed by the concept of aesthetic engagemen…Read more
  • Editorial
    Contemporary Aesthetics 14. 2016.
  • Editorial
    Contemporary Aesthetics 13. 2015.