Arthur Alfaix Assis

A teoria da história desenvolvida por Johann Gustav Droysen (1808-1884) distingue-se, entre outros aspectos, pela sua consistente preocupação com temas didáticos. Além de investigar os princípios que regem o método de trabalho dos historiadores e de perscrutar os motivos que nos levam a considerar como "históricas" certas porções do passado, ela também fornece respostas à pergunta "por que escrever, estudar e aprender história?". Em linhas gerais, Droysen propõe que a finalidade do estudo da história não deve ser nem a assimilação de exemplos práticos, nem a memorização de fatos particulares, mas o aprendizado do que designou "pensamento histórico". Com esse argumento, Droysen contribuiu, penso eu, para uma redefinição importante da função didática da historiografia. O presente texto caracteriza e contextualiza tal redefinição, discutindo também seus potenciais e limites.

‘Events’ is a key category in history and historiography. Quite paradoxically, however, its pervasiveness is inversely proportional to the scholarly attention it has garnered among theorists/philosophers of history. In the article, I address this understudied topic by taking seriously the prominent presence of a type of non-events in the thematic architecture of most histories: socio-cultural structures. A brief examination of these will provide a foil of contrast against which some general features of events can be reassessed. The juxtaposition will then be worked out to reveal that events serve differing functions in historical research and writing. Historical events, as will be elucidated, can be mobilized as ends or means of causal and intentional explanations; to exemplify continuities and changes in structures; as markers for subsequent memory processes; or in terms of their structure-upending effects. I do not argue for or against any of these roles, only that they are non-reducible to a putative meta-function. Such a view is pluralistic, though not exactly neutral, as it implies that the traditional discussion about the nature of historical explanation, while highly valuable, does not fully account for the nexus between events and historiography.

Historical objectivity is a polysemic concept whose genesis and validity merit more non-polemical attention than it usually receives. As a notion that encapsulates the special applications of the language of objectivity to methodological and ethical issues faced by historical scholars all across the human sciences, it will be addressed here from a perspective that combines conceptual history, history of ideas, and theoretical reflection. A peculiar mode of claiming objectivity will be at focus, one that assumes that historians can bring together two attitudes often regarded as mutually contradictory: objectivity and engagement. My main assertion is that from at least the mid 19th century a new avenue for historical thought was opened, as a few intellectuals challenged the traditional requirement that histories be written sine ira et studio ; and especially as they did so while at the same time upholding a strong commitment to the value of research. I intend to show how in the mode of engaged objectivity, a disposition like anger, which was traditionally taken to be a historiographical vice, was turned into a potential virtue. This general point will be illustrated with a case study of the underlying motives and the structural configurations of Alexandre Herculano's History of the Origin and Establishment of the Inquisition in Portugal, a confessedly committed, utterly critical, and sometimes furious research-based historical account.

Ideas will always resist single-statement definitions, but in a rough attempt at generalization one can say that they either play or are attributed a very special role in thinking and expressive processes, in perhaps all domains of human culture. People who specialize in creating, receiving, transforming, and disseminating them are usually called “intellectuals”—even if they do not monopolize those social practices. The constitution and circulation of ideas as structures of thinking and expression, the settings in which they originate and to which they respond, the material supports in which they are conveyed as well as the intellectual agents specialized in dealing with them are studied by the history of ideas and its neighboring fields. These include intellectual history, history of concepts, histoire des mentalités, Geistesgeschichte, history of books, and even cultural history, sociology of knowledge, and the histories of science, philosophy, literature, and the humanities. As it is obvious, such labels do not support a clear-cut division of labor, nor can they be lined up in an organogram that would fix constant hierarchical relations between them. They show up with incommensurable frequency, displaying different connotations within different academic cultures. This explains why in some cases—as in Geistesgeschichte, Begriffsgeschichte, or histoire des mentalités—equivalent English terms are considered problematic or unnecessary. Having flourished, spread, and sometimes also decayed within different national, disciplinary, and generational contexts, the fields designated by them can only have intricate and overlapping limits. A good way to understand the traditions connected to the history of ideas is hence to look closely to their messy border zones. The closest and most intricate connections are those between “history of ideas” and “intellectual history,” which is reflected in the fact that these terms are often employed interchangeably—a use that will be noted also in the remainder of the present text. Even so, “intellectual history” clearly emerged as preferential designation in the English-speaking world in the final decades of the twentieth century. A reason for this is the spread of the suspicion that “ideas” are burdened by essentialist traits that would render us insensitive to historical discontinuity. The notion of ideas is also sometimes regarded as much too oblivious of the way language conditions thought, and accordingly some analysts suggest that it would be out of line with the best theoretical intelligence established since the so-called linguistic turn (see Kelley 2002a: 310–14). However, others claim that ideas should not be equaled to expressed words, as they refer to occurrences that are best described with psychological terms such as beliefs and attitudes, and, further, that there would be non-essentialist ways of addressing them. What seems more uncontroversial is that, in comparison to “history of ideas,” “intellectual history” opens up an enlarged space of ambivalence as regards the analytical focus, which can then toggle from intellectual products to intellectual producers, consumers, and the cultural frameworks in which they interact. There are also important crossroads between the history of ideas and conceptual history (or Begriffsgeschichte), as both terms signal to the historical study of basic structures of thought. Conceptual history, however, at least in its most well-known variety, which was very much inspired by social-historical approaches, tends to be less centered on biographical and psychological issues and to introduce concepts as more depersonalized linguistic entities. Such and other connections and disconnections between the various ways of attending to “the reflective communal life of human beings in the past” (Burrow) will be further discussed in the following from the perspective of a geographically multicentered historical synopsis. Hopefully, its many limitations will be compensated by the possibilty of bringing to the fore relations that otherwise would not become so salient.

O presente trabalho versa sobre a medicina das universidades européias no século XIII. Reconstrói, por meio de um estudo de caso, a experiência de uma revolução intelectual: uma revolução na qual a medicina se renovou sob a influência da filosofia natural aristotélica, que marcava muito fortemente o currículo das nascentes instituições universitárias. O caso analisado é o do médico/físico Pedro Hispano, autor de tratados médicos, comentários e receituários, que muito provavelmente pode ser identificado como o português Pedro Julião (+-1215 - 1277), que viria a ser o Papa João XXI. O texto está dividido em dois capítulos. No primeiro deles apresenta-se Pedro Hispano, sua obra e alguns problemas relativos à autoria dos textos que lhe são atribuídos. Busca-se enquadrar os seus textos médicos no interior de uma tradição intelectual que naquela época se afirmava, aquela que resulta da aproximação entre a medicina e a filosofia natural. Ao final, extrai-se da análise das possibilidades de filiação de Pedro a essa tradição pontos para uma reflexão acerca dos novos padrões de interação entre as formas de exercício da medicina e a sociedade do século XIII. O segundo capítulo tem por fio condutor um texto de Pedro Hispano intitulado 'Liber de Conservanda Sanitate' (Livro sobre a Conservação da Saúde). A partir dele, procurar-se-á dar melhores e mais concretos contornos à nova medicina produzida pelas universidades através de dois caminhos. Um deles conduz a um aprofundamento do tema da filosofia natural e de sua conexão com o pensamento médico. O outro revela a mudança no plano das relações entre medicina e sociedade, aproveitando o campo de questões construído no primeiro capítulo. [Trata-se da minha monografia de final de curso, defendida em 2002, na Universidade Federal de Goiás].

The text addresses conceptions of human selfhood and humankind as developed by two major nineteenth-century German-speaking historians, Johann Gustav Droysen and Jacob Burckhardt. It aims at ascertaining to what extent the historical anthropologies proposed by both authors can be considered to be humanistic. We will attempt to provide an answer to this question while locating and discussing both humanistic and anti-humanistic features in their texts. Humanism is understood here as a perspective that emerged within the framework of the philosophy of the Enlightenment, for example, in Immanuel Kant's ethics and in Friedrich Niethammer's pedagogy. On the one hand, we will define Droysen's and Burckhardt's anthropologies as humanistic, stressing their intellectual connection to the universalistic notions of humankind and human nature developed in the late eighteenth-century. On the other, we will relativize this predicament by exploring their main anti-humanistic traits, i.e. nationalism, with regard to Droysen, and aestheticism, in the case of Burckhardt.

O presente texto oferece uma interpretação de Do Império à República, o livro de Sérgio Buarque de Holanda que reconta a história política brasileira da segunda metade do século XIX. Baseando-se em conceitos desenvolvidos pelo teórico da história Jörn Rüsen, o artigo detém-se particularmente em três aspectos do referido livro: os artefatos teóricos que presidem a interpretação da crise da Monarquia brasileira, os padrões narrativos que dão suporte à constituição de sentido sobre essa experiência do passado, bem como o contexto atual de orientação que serviu de parâmetro de significado/sentido à interpretação e à representação. Esta análise pretende ilustrar que a teoria da história é não só um meio para explorar abstratamente as complexas questões ligadas à produção do conhecimento histórico, mas também uma ferramenta para a obtenção de imagens concretas acerca da prática intelectual dos historiadores profissionais.

What is history about? This Element shows that answers centred on the keyword 'past events' are incomplete, even if they are not simply wrong. Interweaving theoretical and historical perspectives, it provides an abstract overview of the thematic plurality that characterizes contemporary academic historiography. The reflection on different sorts of pasts that can be at focus in historical research and writing encompasses events as well as non-events, especially recursive social structures and cultural webs. Some consequences of such plurality for discussions concerning historical methodology, explanation, exemplification, and representation are also outlined. The basic message, reinforced throughout, is that the great relevance of non-event-centred approaches should prompt us to talk more about “histories” in the plural and less about “history” in the singular.

Kompensation is the keyword for an influential answer to the problem of the function of the human sciences in the contemporary world. It emerged in the second half of the twentieth-century in the field of German philosophy, and its chief message is that the human sciences have the task of compensating modern societies and individuals for cultural losses generated within the course of modernization (for instance, by the spread social relations of a new, abstract, non-traditional kind; or by the accelerating progress of technology). The compensation-theory can be stressed as one of the main ideational sets against which Jörn Rüsen developed his own theory of history. This paper focuses on the agonistic relationship between these two theories that attempt to elucidate what is the value and the use of historical studies. My interpretative bet is that by doing so we will better understand important aspects of Rüsen’s theoretical reflections on history and historiography that have not yet received sufficient attention. I will show that Rüsen rejects the compensation-theory not only because he disagrees with the scientific division of labor it entails – which ascribes to the human sciences the relatively modest role of attempting to preserve some of what modernity needs to destroy. I will try to explain how that rejection is also due to more fundamental differences between Rüsen and the compensation-theorists, more specifically their differing understandings of modernity, and their dissent regarding how should the complex interrelationship between knowledge, politics, and the future be configured. “Compensação” é a palavra-chave que sintetiza uma influente resposta ao problema da função das ciências humanas no mundo contemporâneo. Originária do universo da filosofia alemã da segunda metade do século 20, tal resposta sustenta, em linhas gerais, que as ciências humanas servem como uma espécie de indenização espiritual por prejuízos culturais causados pela modernização a sociedades e indivíduos (no bojo, por exemplo, da disseminação de novas relações sociais abstratas e não-tradicionais, ou do acelerado progresso dos meios técnicos). A teoria da compensação pode ser apontada como um dos principais conjuntos de ideias a que se contrapõe a teoria da história de Jörn Rüsen. O presente texto enfoca a relação agonística entre essas duas teorias, no centro das quais está o problema do valor e da utilidade dos estudos históricos. Lançar luz sobre tal relação – esta é a minha aposta interpretativa – é uma maneira de compreender melhor aspectos importantes das reflexões de Rüsen sobre história e historiografia que até agora ainda não receberam a atenção que lhes é devida. Quero mostrar que Rüsen rejeita a teoria da compensação não só porque discorda da divisão do trabalho científico nela apregoada, a qual atribui às ciências humanas o papel relativamente modesto de tentar conservar alguma parte daquilo que a modernização ameaça destruir. Procurarei explicar como tal rejeição também se deve a diferenças mais fundamentais existentes entre Rüsen e os teóricos da compensação, mais especificamente, às suas divergências de entendimento quanto à natureza da modernidade e quanto ao modo de configurar a complexa inter-relação entre conhecimento, política e futuro.

Droysen’s Grundriss der Historik is one of the most important nineteenth-century texts on history, historiography, and historical research. An English version of the work, published in 1893 as Outline of the Principles of History, is the translation reproduced here, with some glosses on the text. A more literal, and also more adequate, rendering of the title is Outline of the Theory of History. “History” in “theory of history” is more closely tied to Historie than to Geschichte—the two German words normally used as equivalent to it. This is in keeping with Droysen’s predominant focus on history as a form of knowledge. However, as will be shown, Droysen’s theory is no pure epistemology, since it addresses not only methodical or representational issues attached to “history” but also material and normative ones. Contemporary and later commentators acknowledged Droysen’s reflections as synthesizing and elaborating the presuppositions of classical German historicism. According to Hans-Georg Gadamer Droysen was the “sharpest methodologist” of the nineteenth-century German “historical school,” whose theory of history had “groundbreaking significance” for the philosophy of the human sciences. As this suggests, the Outline is part of an inquiry on historical method that went far beyond the technicalities of historical research and deep into its epistemic, ontological, moral, political, and religious roots. Many of the Outline’s arguments tackle problems still important within early twenty-first century historical cultures. To a large extent, Droysen’s questions on history and historiography are still our questions. He explored aesthetical and representational issues pertaining to history writing and reception. He strongly contested the single-mindedness of many of his fellow historians about source criticism, calling attention to other important methodical operations in the process of historical knowledge, and to sources other than written, official texts. He insisted that research should be conducted according to a logic of questions and answers, a point now established as part of our methodological common sense. Furthermore, he argued that research questions are embedded in cultural and political dynamics, and accordingly that whatever historical objectivity is, it cannot presuppose the extinction of subjectivity. In Droysen’s Outline, knowledge of the past is depicted as an essentially interpretative way of cognition which is full of ethical potential for the present. By developing a hermeneutical approach that was very explicit about its ethical implications, Droysen illuminated—perhaps like no one else in his century—the enigmatic problem of the nature of the “historical.”

Trata-se de um trabalho de natureza didática cujo propósito é introduzir o leitor à teoria da história de Jörn Rüsen. O texto inicia-se com uma introdução que situa este autor no contexto do desenvolvimento histórico da disciplina “teoria da história. Está dividido em três capítulos, nos quais os cinco componentes da sua “matriz disciplinar da ciência histórica são apresentados e discutidos, a saber (1) as carências de orientação e funções orientativas; (2) perspectivas diretoras da interpretação histórica e métodos de pesquisa empírica; e (3) as formas de apresentação histórica. O trabalho finaliza-se com uma lista bibliográfica, da qual constam os títulos mais importantes de Rüsen, bem como uma série de comentários à sua teoria da história.

Throughout Alexandre Herculano’s historical oeuvre claims of impartiality are mingled with the partiality of the beliefs, ideals, and interests that give shape to the author’s point of view. One can trace in it both the commitment to the disinterested search for truth and the pragmatic intention to remodel the relations of Portuguese society with its past and with the effects of this past on the present. This text revisits Herculano’s major historical writings with the aim of understanding how it is possible for historical texts to be or claim to be at the same time true and useful, objective and engaged, impartial and partial. I intend to show that those oppositions not necessarily entail paralyzing contradictions, and that good historians such as Herculano are usually capable of drawing from them a great amount of intellectual energy. Focusing on the tension between impartiality and partiality, and supported by close readings and contextual analyses, I will try to demonstrate that such tension configures itself in at least two different modes, which in turn depend on the positive or negative significance the studied past turns out to have for the person who studies it.

Cicero once stressed as the first law of history that “the historian must not dare to tell any falsehood.” This precept entails a minimal ethical requirement that remains unscathed by the whirlpools of epistemic relativism that have called many other aspects of professional historians’ practice into question in the last century or so. No commendable scholar seems willing to invalidate Cicero’s first law, and dependable scholarship—whether relying on objectivity-friendly or objectivity-hostile theoretical assumptions—follows shared standards of integrity and accuracy with which someone from Cicero’s time, for instance, would never be able to comply. In this essay, I suggest that those two circumstances should dispose us more favorably toward a refreshed notion of historical objectivity pointing not only to epistemology but also to professional ethics. I address the condemnation of lying and, more generally, historians’ commitment to sincerity as a way to highlight the ethical dimension of history writing. By focusing on the deep but underexplored moral roots of objectivity, I argue that this concept is still very useful as both an analytical tool and a normative ideal. Objectivity, in the sense I underline here, does not stand in opposition to subjectivity—on the contrary, it is actually tied up with subjective dispositions, virtues, and skills that help shape responsible historiography.

At the end of the 19th century, most professional historians – wherever they existed – deemed history to be a form of knowledge ruled by a method that bears no resemblance with those most commonly traceable in the natural sciences. The bulk of the historian’s task was then frequently regarded as being the application of procedures frequently referred to as ‘historical method’. In the context of such an emerging interest on historical methods and methodology, at least three textbooks stand out: Johann Gustav Droysen’s Grundriss der Historik (Outline of the Theory of History), Ernst Bernheim’s Lehrbuch der historischen Methode (Handbook of Historical Method), and Charles Langlois and Charles Seignobos’s Introduction aux études historiques (Introduction to the Study of History). These books were quite influential in Germany, France, and elsewhere, and they very much helped promote a general idea of historical method that would become relatively consensual among historians of many nationalities by the early 20th century. Such a relative agreement on historical method sponsored both the communication and the development of a sense of disciplinary identity among historians trained within different and sometimes conflicting national traditions. It was then partially extended, partially challenged, and surely made more complex when, from the 1920s on, social and economic historians became a good part of the historiographical establishment in many countries. The three books by Droysen, Bernheim, and Langlois and Seignobos were already pieced together by Rolf Torstendahl, who studied them as a group of texts that, despite their differences, contributed to shape the developments outlined above. However, Torstendahl’s primary aim was to show how Droysen, Bernheim, and Seignobos all resorted to ‘method’ as a way to circumvent skepticism against the possibility of historical knowledge, rather than investigate the internal interrelationships between the three texts. In this chapter I follow precisely this latter, not yet taken, road, focusing on crucial cross-references between the Grundriss, the Lehrbuch, and the Introduction. I intend to show that, at a general level, the schemes of historical method found in these texts are largely convergent, and that this convergence is due to Bernheim’s reading of Droysen and to Langlois and Seignobos’s reading of Bernheim. I will attempt to do it through a regressive approach that starts with an analysis of the Introduction. Aspects of the editorial history and circulation of the three texts will also be briefly addressed, as a way to illustrate their special importance within the framework of early 20th century historical theory. Because my argument calls for a focus on the most general lines of Droysen’s, Bernheim’s, and Langlois and Seignobos’s schemes of historical method, I will, for the sake of consistency, refrain from analysing in-depth the complex epistemological and ontological arguments in which those schemes are nested.