Asher Zachman

In this project I set out to establish that Plato's Republic is a feminist text by its own lights in isolation from the rest of his corpus as well as his historically dubious personal beliefs as a philosopher. I employ a dualistic picture of feminist theory's two central premises, which is inspired by Mary Wollstonecraft's Vindication. My demonstration includes an initial portrayal of Book V's qualification of female nature as human nature as well as a sketch of its logical structure. I answer three of the most pressing objections to my thesis, and conclude with one of my favorite quotes in the entire dialogue. Highlights of this paper include my argument by pragmatics which serves as explanation for Socrates' use of proprietary language, as well as my general analysis of Book V. Socrates is pushing some historical boundaries in this one broh. AESTHETIC WARNING: There is an annoying and irremovable space on the top of page 17. I labored for an hour and a half trying to fix it. I have exhaled deeply and set it free (for now?).

Modern philosophy can often appear to be mere cryptomnesia, redressed and resuited to fit the particular mouth from which it is espoused. This notion is but a sorrowful chimera binding the 21st-century mind to the confines of an eternal shadow, an eternal prison of doubt in the face of limitless potential. As a species, we are rapidly approaching the precipice of Yahweh's original position as instantiators of consciousness, as the I AM in relation to our artificial progeny. Could one fabricate a candidate more fitting for a contra-analysis of our current situation than Hegel? One could not.

As a member of the so-demarcated 'Generation Z,' I have been blessed/damned with a front-row seat to the technological evolution kicked off by the COVID-19 Pandemic of 2020, and have succeeded to varying degrees in recognizing its effects and responding to them with the efficiency and care that my neurological soul deserves. Jean-Paul Sartre's conception of bad faith provides an excellent scalpel for the dissection of such a quasi-biological progression, and in this paper I analyze the third dimension of bad faith that has become possible in the 21st century, that of the digital realm. I wish whoever has read this far immense luck in their personal voyage across the 70,000 fathoms of the internet, an electrical space organized for the mechanized transfusion of suffering into profit. Delete Instagram if you are not using it to proliferate wealth yourself. Go outside and lay in the grass. "Remember being happy in our silence." -Warning, Bridges

In this enquiry I establish Universal Desire Theory as the nominal designation of my active ethical framework, a system heavily influenced by the natural essentialists Philippa Foot and Jenny Teichman, wherein the comparative amalgamation of all subjectively experienced biological harm and benefit is the foundation of objective normativity. Highlights of this paper include the sections where I discuss the moral life of the cell, as well as the moral fallibility of hallucinating persons under this system which combines biological observation with conscious awareness of action. I hope you enjoy.

In this paper, I elucidate the scapegoat construct and its necessary psychological presence within theistic and atheistic variations of the narrative self, as well as the Chinese and Japanese variations of the Buddhist no-self, and enumerate the ritual processes undertaken by these practitioners to create, banish, and sacrifice their respective motifs of applied blame. I attempt to substantiate the inward and outward transcendent manifestations of this construct as the identifying qualities of the Christ figure, and the harmful external manifestations as evidence of the Yahweh figure later in the work. As a sort of Neo-Jungian approach to comparative religion, I guarantee that this work will instantiate significant theoretical value in the mind of the reader, qualified as the transcendent end of my self-sacrifice and banishment of slothfulness necessary for its completion.

This enquiry attempts to establish Walter Pahnke's categorization of the mystical experience as the specific phenomenological process Socrates refers to as dialectic in the Republic's allegory of the cave. Aside from a comparative analysis of the numerous connections between Plato's most prolific allegory and Pahnke's mystical experience, I define the symbol bearers as oppressive religious authority and tie the symbols of the cave to the post-industrial drug-war and for-profit organization of spirituality observable throughout a world so far removed from the holistic model of the Eleusinian Mysteries.