Ashley Woodward

The Continuum Companion to Existentialism offers the definitive guide to a key area of modern European philosophy. The book covers the fundamental questions asked by existentialism, providing valuable guidance for students and researchers to some of the many important and enduring contributions of existentialist thinkers. Eighteen specially commissioned essays from an international team of experts explore existentialism’s relationship to philosophical method; ontology; politics; psychoanalysis; ethics; religion; literature; emotion; feminism and sexuality; cognitive science; authenticity and the self; its significance in Latin American culture; and its contribution to the development of Poststructuralism. In addition, five short chapters summarise the status of canonical figures Kierkegaard, Nietzsche, Heidegger, Sartre and de Beauvoir, delineating the historical approach to their work, while pointing to new directions such research is now taking. Featuring a series of indispensable research tools (A to Z of terms, concepts and thinkers; timeline of existentialism; list of resources and an annotated guide to further reading), this Companion is an essential tool to help the new reader navigate through the heart of Existentialism and modern European philosophy.

This fully revised and updated 2nd edition provides a comprehensive reference guide to existentialism, featuring key chapters on key existentialist thinkers, as well as chapters applying existentialism to subject areas ranging across politics, literature, feminism, religion, the emotions, cognitive science, and poststructuralism. Contemporary developments in the field of existentialism that speak to issues of identity and exclusion are explored in 4 new chapters on race, gender, disability, and technology, whilst the 5th new chapter new chapter outlines analytic philosophy's complicated relationship to existentialism. Presenting the field of existentialism beyond the European tradition, this edition also includes a new key thinker chapter on Frantz Fanon, alongside Kierkegaard, Nietzsche, Heidegger, Sartre and de Beauvoir, as well as new engagement with the work of scholars on race and existentialism, including Lewis R. Gordon, George Yancy, and Richard Wright. The resources section at the end of the book includes an updated A to Z glossary, and timeline of key events, texts and thinkers in existentialism, as well as a list of relevant organisations, and an annotated guide to further reading, making this 2nd edition an invaluable text for scholars and students alike.

This chapter challenges the received doxa that the generation of ‘poststructuralist’ philosophers broke decisively with existentialism and rendered it out of date, a mere historical curiosity. Drawing on recent research in the area, it draws some lines of influence, and even argues for some surprising points of commonality, between existentialism and poststructuralism. At least some of the core philosophical ideas of poststructuralists such as Michel Foucault, Jacques Derrida and Gilles Deleuze bear more in common with existentialism than is often supposed. Furthermore, it addresses a common resistance to poststructuralism by committed existentialists by showing that poststructuralism does not abandon concern with responsibility and decision, but in fact develops these themes in ways that are proximate to existentialist concerns. Finally, it argues that some of the needs that some prominent contemporary philosophers find lacking in poststructuralism – in particular, the need for subjective agency – are already met in significant ways in existentialism. These three points serve to throw new light on the contemporary relevance of existentialism, and to open up new directions for research.

This chapter is an experimental reflection on AI creativity, composed with ChatGPT 3.5. It argues that artistic agency is located in the human-machine interface (rather than in the AI or human exclusively). The argument is made by way of an adaptation of Luciano Floridi’s theory of artificial agency, drawing on Jean-François Lyotard’s work on the role of contingency in aesthetic creativity. Current debates around information technologies and contingency tend to present such technologies as a deterministic or probabilistic challenge to contingency. The chapter reverses this issue, arguing that in the human-machine interface, habitual human subjectivity can be understood as a limit to contingency, while contingency for the human can be generated by algorithmic processes which act as a “surprise” for human expectation. The chapter argues for a corrective duality of contingency provided by the machine and by the human in the human-machine interface (the Hybrid Artist Agent), where artistic agency may be thought to reside between the two, and agency is ascribable to the system as a whole. The chapter includes a performative dimension: its composition was in various ways conditioned by processes of algorithmic randomisation.

This paper takes a retrospective look at Lyotard’s analysis of “the postmodern condition,” a century after his birth, and nearly a half-century since his highly influential book. Lyotard’s pessimistic view was that after the end of metanarratives, there is now no alternative to the liberal democratic capitalist “System,” which is governed by a technological-economic principle of “performativity.” Considering Lyotard’s thesis in the light of his own methodology of “signs of history,” I argue that it is no longer possible to hold this view. A number of key historical events point to massive fault-lines that have appeared in this System. Nevertheless, much of what Lyotard wrote in The Postmodern Condition about the growing influence of technology on social and political life has only been confirmed. The hypothesis this paper proposes is that the signs of system failure might at least open paths of resistance to technological hegemony.

The question of Nietzsche’s use of political theory has a long and vexed history. The contributors of this book re-situate debates around the notion of difference, in relation to historical and scholarly concerns, but with a view to the current political context. Given that today we are faced with a host of political challenges of domination and resistance, the question raised in this volume is how Nietzsche helps us to think through and to address some of the problems. The authors also discuss how his writings complicate our desire for swift solutions to seemingly intractable problems: how to resist slavishness in thought and action, how to maintain hard-won civil liberties and rights in the face of encroaching hegemonic discourses, practices and forces, or how to counteract global environmental degradation, in short, how to oppose ‘totalitarian’ movements of homogenization, universalization, equalization, and instead to affirm, both politically and ontologically, a culture of difference.

This paper seeks to explain Blanchot’s original and compelling, but frequently overlooked, interpretation of nihilism. It focuses on the philosophical, rather than the literary which has had primary focus in previous commentaries. It focuses on two dimensions – the personal, examined through Blanchot’s writings on finitude and death, and the general, examined through his confrontation with Nietzsche’s notions of the overman and the eternal return. Blanchot problematises the possibility of overcoming nihilism through a pure affirmation of life, seeing the problem of meaning in life as ultimately intractable. The paper positions Blanchot’s engagement with nihilism as one of a number in the historical tradition that have questioned the viability of overcoming nihilism. Its unique significance, however, lies in Blanchot’s suggestion of a more oblique response which might mitigate nihilism without overcoming it.

Nietzsche's critiques of traditional modes of thinking, valuing and living, as well as his radical proposals for new alternatives, have been vastly influential in a wide variety of areas, such that an understanding of his philosophy and its influence is important for grasping many aspects of contemporary thought and culture. However Nietzsche's thought is complex and elusive, and has been interpreted in many ways. Moreover, he has influenced starkly contrasting movements and schools of thought, from atheism to theology, from existentialism to poststructuralism, and from Nazism to feminism. This book charts Nietzsche's influence, both historically and thematically, across a variety of these contrasting disciplines and schools of interpretation. It provides both an accessible introduction to Nietzsche's thought and its impact and an overview of contemporary approaches to Nietzsche.

This paper challenges the frequent demonisation of entropy in discourses which attempt to draw a “naturalised” axiology from thermodynamics, information theory, and related sciences. Such discourses include Wiener’s cybernetics, Stiegler’s negathropology, and Floridi’s information ethics, in each of which entropy designates the evil which must be fought in the name of life, information, or some other notion of “the good.” The perspective the paper develops is Nietzschean. Nietzsche himself rejected the consequences of the Second Law, but I wish to argue that it is possible to affirm entropy, for Nietzschean reasons. First, the paper argues that the reason Nietzsche rejected the Second Law is that it provides consolation for the pessimist (an argument made by von Hartmann). Eternal return should be affirmed because it is the more difficult position, and so provides the ultimate existential test. However, metaphysical and existential reasons must give way to the more recent scientific evidence, especially the dating of the universe, which undermines Nietzsche’s argument against heat death. While this is alone sufficient reason to affirm entropy, the position is supported by two further classes of reasons. First, the oppositions which whave supported the traditional ascription of values to negentropy and entropy can be challenged; and 2) entropy can be seen as consonant with the characteristics of existence which Nietzsche sought to affirm, especially becoming.

This paper explores the theme of education and the posthuman from the perspective of French philosophy. It addresses a crisis in eduction today identified by Michel Serres: now that knowledge is widely and freely accessible through information technologies, what is the purpose of education? A response is developed through three conceptual terms prefixed with ‘post’: the postmodern, the posthuman, and through the proposed idea of ‘postinformation.’ The background to the problem is sketched in terms of the ‘postmodern,’ with reference to Lyotard’s influential The Postmodern Condition. A theory of the posthuman, which synthesises Stiegler’s ‘exorganism’ and Floridi’s ‘inforg’, is then sketched in response to Serres’ question of who the subject of education is today. The response to the crisis the paper proposes is that the purpose of education today is not to transmit information, but to help shape posthuman subjects able to process it effectively. This means helping them to learn how to navigate the complex informational networks we now inhabit so that they are able to flourish. The concept of postinformation is designed to help facilitate this educational shift in perspective. Postinformation concerns not just informational content, but the constitutive function of information and information technologies.

I propose a reading of Vattimo which focuses attention on and develops his suggestions regarding the Heideggerian meditation on technology in relation to the history of Being. In a number of texts, Vattimo takes up Heidegger’s analysis of the essence of modern technology as Ge-Stell, paying particular attention to those moments where he suggests that in the enframing we can catch a first glimpse of a turning in Being. In Bestand, beings begin to loose the characteristics of subject and object, preparing for the Kehre to a new epoch in the history of Being. Vattimo contends that this turn is further developed in the new information and communication technologies of which Heidegger was only dimly aware. I argue then that one of Vattimo’s key contributions to post-Heideggerian hermeneutic ontology is to suggest that we may locate the turn to a new epoch in the history of Being in information, understood as a newly emergent paradigm for the way in which beings appear. However, in order for this to be further developed, Vattimo’s work must be uncoupled from the focus on natural language he inherits from Heidegger and Gadamer.

This article explores the theme of nihilism from the perspective of post-continental philosophy by focusing on semiotics and information theory and the question of “meaning” at stake between them. Nihilism is characterised here as an avatar of the counter-Enlightenment tradition. Post-continental philosophy is defined by a positive revaluation of reason, science, and technology, which were critiqued for their nihilistic effects by key continental philosophers. Rather than critiquing nihilism, then, post-continental philosophers have tended to affirm it. This article argues that, despite appearances, such developments in fact allow a deepened response to nihilism, considered as an existential problem. It does so by using Lyotard’s critique of semiotics to show how the kind of linguistic and cultural meaning associated with continental philosophy is itself a kind of nihilism. It then examines Meillassoux’s theory of the meaningless sign and Laruelle’s idea of the secret truth of Hermes to argue that this new paradigm of post-continental philosophy allows a response to nihilism by offering an alternative to semiotic meaning. Thus freed, this new paradigm allows the embrace of information theory as a plural articulation of meanings grounded in meaningless data, which enables a superior response to nihilism in the information age.

Ashley Woodward demonstrates what a new generation of scholars are just discovering: that Lyotard's incisive work is essential for current debates in the humanities. Lyotard's ideas about the arts and the confrontations between humanist traditions and cutting-edge sciences and technologies are today known as 'posthumanism'. Woodward presents a series of studies to explain Lyotard's specific interventions in information theory, new media arts and the changing nature of the human. He assesses their relevance and impact in relation to a number of important contemporary thinkers including Bernard Stiegler, Luciano Floridi, Quentin Meillassoux and Paul Virilio.

The ‘French reading’ of Nietzsche crystallized almost 50 years ago at the 1972 conference at Cerisy-la-Salle, Nietzsche aujourd’hui. An earlier version of this paper was presented at the annual conference of the Friedrich Nietzsche Society, with the theme of ‘The Politics of Difference’, Newcastle University, 20–21 September 2018. Nietzsche’s fortunes have since undergone some dramatic shifts in France, but there are signs that he is once again on the ascendency, in particular the 2016 edited collection Pourquoi nous sommes Nietzschéens (a direct riposte to the 1991 Pourquoi nous ne sommes pas Nietzschéens). Taking a bearing from the French readings, I want to explore the question of what ‘Nietzsche today’ might mean for us today. At Cerisy in 1972, the meaning of Nietzsche was centred on the twin critiques of humanism and capitalism. While these issues persist, several articles in the 2016 collection indicate that they are now inflected through the vast contemporary significance of technology. One of the key debates here is Nietzsche’s significance for transhumanism. For Bernard Stiegler, transhumanism is the culmination of nihilism, understood as the reign of big data and the total quantification of the self. In this regard, he alludes to a ‘hypernihilism’ of the contemporary era, characterised by the quantifying effects of information technologies, which work in conjunction with capitalism to produce an ultimate ‘averaging’ force. I will argue that Stiegler gives an essential corrective to the largely critical engagements with neonihilism of the Nietzscheans of the previous generation, but that his emphasis on the value of negentropy risks reaffirming the logic of the transhumanism he critiques. Nietzscheanism today, I will argue, requires an appreciation of the dual tendencies of nihilism – identified here as neonihilism and hypernihilism – such that we must draw on contributions from both generations of French Nietzscheans in order to think and respond to the problems of our contemporary era.

This collection presents, for the first time in English, Jean-Francois Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scene', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-Francois Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.

Jean-François Lyotard's work remains a largely untapped resource for film-philosophy. This article surveys four fundamental concepts which indicate the fecundity of this work for current studies and debates. While Lyotard was generally associated with the “theory” of the 1980s which privileged language, signs, and cultural representations, much of his work in fact resonates more strongly with the new materialisms and realisms currently taking centre stage. The concepts examined here indicate the relevance of Lyotard's work in four related contemporary contexts: the renewed interest in the dispositif, new materialism, the affective turn, and speculative realism. The concept of the dispositif (or apparatus) is being rehabilitated in the contemporary context because it shows a way beyond the limiting notion of mise en scène which has dominated approaches to film, and Lyotard's prevalent use of this concept feeds into this renewal. While matter is not an explicit theme in Lyotard's writings on film, it is nevertheless one at the heart of his aesthetics, and it may be extended for application to film. Affect was an important theme for Lyotard in many contexts, including his approaches to film, where it appears to subvert film's “seductive” (ideological) effects. Finally, the Real emerges as a central concept in Lyotard's last essay on cinema, where, perhaps surprisingly, it intimates something close to a speculative realist aesthetics. Each of the fundamental concepts of Lyotard's film-philosophy are introduced in the context of the current fields and debates to which they are relevant, and are discussed with filmic examples, including Michael Snow's La Région centrale (1971), Roberto Rossellini's Stromboli (Stromboli, terra di Dio, 1950), Francis Ford Coppola's Apocalypse Now (1979), and neo-realist cinema.

:The theme of sacrifice appears in Jean-François Lyotard's writings on cinema not in terms of any representational content but in terms of the economy of the images from which a film is formally constructed. Sacrifice is here understood in a sense derived from Bataille, and related to his notions of general economy, and of sovereignty. Lyotard's writings on cinema have received some attention in English-language scholarship, but so far this attention has been focused almost exclusively on two essays which have appeared in English translation: “Acinema” and “The Unconscious as Mise-en-Scène.” I offer an analysis which also incorporates his two other important essays on cinema, “Deux métamorphoses du séduisant au cinéma” [Two Metamorphoses of the Seductive in Cinema] and “Idée d'un film souverain” [The Idea of a Sovereign Film]. The interest of the former is that it makes most explicit the aesthetic politics – evident in many of Lyotard's writings on art – specific to cinema. In the latter, Lyotard gives his most extensive treatment of cinema, and frames it in terms of Bataille's notion of sovereignty. I offer an interpretation of Lyotard's philosophy of cinema which links these quite disparate essays, foregrounding the political dimension of the sacrificial economy of images he proposes: films of any variety, even commercial cinema, may include some sequences and images which are “sacrificial” in that they are “other” to the chronological narrative of the whole. These images liberate us from the seductive effects of the narrative, and the invitation to fantasise, which act as means of imposing and reproducing dominant social and cultural norms.

This paper examines the relationship of Jean-François Lyotard’s aesthetics to phenomenology, especially the works of Mikel Dufrenne and Maurice Merleau-Ponty. It argues that this comparison allows a greater understanding of Lyotard’s late aesthetic writings, which can appear gnomic and which have received relatively little critical attention. Lyotard credits Merleau-Ponty with opening the theme of difference in the aesthetic field, yet believes that the phenomenological approach can never adequately account for it. After outlining Lyotard’s early critiques of Dufrenne and Merleau-Ponty, the paper will demonstrate how his late aesthetics can be understood as returning to phenomenological themes but in the form of a reversal. Lyotard’s “lesson of darkness” is that the secret power of art can never be brought into the light of phenomenal appearance, and that artworks do not testify to the birth of perception, but to its death and resurrection.

This paper mounts a philosophical defence of Peter Shaffer's 1973 play Equus by interpreting it from three perspectives: that of Freud, Jung, and Deleuze and Guattari. The latter's concept of becoming-animal is offered as a leading perspective which reveals the deep philosophical significance of the drama, belying the claims of those critics who have dismissed it as bogus or banal. This interpretation also allows Equus to be seen as an exemplary illustration of what Deleuze and Guattari mean by their intriguing concept of becoming-animal, and throws fresh light on this fascinating but difficult notion.

Nihilism in Postmodernity is an exploration of the nature of the problem of meaninglessness in the contemporary world through the philosophical traditions of nihilism and postmodernism. The author traces the advent of modern nihilism in the works of Nietzsche, Sartre, and Heidegger, before detailing the postmodern transformation of nihilism in the works of three major postmodern thinkers: Lyotard, Baudrillard, and Vattimo. He presents a qualified defense of their positions, arguing that while there is much under-appreciated value in their responses to nihilism, they fail to address adequately the problem of contingency in contemporary life. Drawing on the critical encounters with nihilism in both existentialist and postmodern traditions, the author concludes by staking out future directions for combating meaninglessness.

Nietzsche's critiques of traditional modes of thinking, valuing and living, as well as his radical proposals for new alternatives, have been vastly influential in a wide variety of areas, such that an understanding of his philosophy and its influence is important for grasping many aspects of contemporary thought and culture. However Nietzsche's thought is complex and elusive, and has been interpreted in many ways. Moreover, he has influenced starkly contrasting movements and schools of thought, from atheism to theology, from existentialism to poststructuralism, and from Nazism to feminism. This book charts Nietzsche's influence, both historically and thematically, across a variety of these contrasting disciplines and schools of interpretation. It provides both an accessible introduction to Nietzsche's thought and its impact and an overview of contemporary approaches to Nietzsche