Ben Gaskin

Jacques Ellul is best known for his The Technological Society (1954), which outlines a sociological treatment of Technique; that is, the total technical phenomenon including but extending far beyond machines. Lesser known are Ellul’s theological works, though these relate plainly to the sociological. Of particular relevance to Technique is his theological treatment of civilisation in The Meaning of the City (1970). These two texts stand alone and yet, read together, are mutually illuminating. The present paper will follow this light from the ancient City to the Technique of modernity. This will entail first a focus on four Scriptural cities: Enoch, Resen, Babel, Nineveh. The way will then proceed via a literary route, through Cormac McCarthy’s Blood Meridian, in which the abstractions here discussed are rendered palpable as flesh and blood. This detour will attend to those aspects of war and scalp-hunting which are central to McCarthy’s text, especially in light of the epistemic enterprise of one of modern literature’s most memorable characters: Judge Holden. The relation between the City and Technique will be followed by tracing the metaphysics of inscription which is a corollary to the project of epistemic legibility that underpins the movement of Technique. This enterprise will be understood as a confluence of Babel and Nineveh, a spiritual war that seeks to exclude God by enfolding the totality of existence into a humanly-determined order. The relation between the city, this process of inscription, and the nature of Technique will then be discussed.