Benediktas Vachninas

Emmanuel Alloa interviewed by Benediktas Vachninas Emmanuel Alloa, Professor of Aesthetics and Philosophy of Art at the University of Fribourg, is one of the most active contemporary thinkers in the field of new visual studies. His areas of research include aesthetics, phenomenology, theories of image, theories of media, and the French philosophy. Professor Alloa has authored and (co)edited numerous books, of which, the most important ones are Looking through Images. A Phenomenology of Visual Media (Columbia University Press, 2021), Dynamis of the Image. Moving Images in a Global World (De Gruyter, 2020), Partages de la perspective (Fayard, 2020), Resistance of the Sensible World: An Introduction to Merleau-Ponty (Fordham University Press, 2017). He is the recipient of the Latsis Prize 2016 and the Aby Warburg Prize 2019 and currently serves as President of the German Society of Aesthetics.In 2021, Professor Alloa gave an online cycle of lectures titled Orbis Pictus. A Media Phenomenology in an Image World at Vilnius University. This year, I had the pleasure to hold an online conversation with Professor Alloa as he kindly agreed to discuss the topic of images and his project of symptomatology. The interview encompassed questions about the relation of an image with the image theories, the differences between the symptomatological approach to images and the visual semiotics, Derrida’s contribution to the problem of mediality, and the role of images in the philosophy today.This interview was taken on the 20th of June, 2023.

This article analyzes one of the most recent theories of visual thinking – Emmanuel Alloa’s symptomatology of images. The article focuses on the problem of the status of image, which is considered in various ways by authors of the pictorial and iconic turns. The article raises the question “What is the status of image in respect of language?” The article goes back to the origins of symptomatology of images, in particular, to Nelson Goodman’s theory of symbols. This allows showing the originality of Alloa’s model of symptoms and rehabilitating the status of symptomatological investigation. It is thus claimed that the iconic status of images in relation to language can be reformulated raising the question of the symptom’s identity. In this respect, the symptoms of iconic are instruments that enable the description of images with regard to different layers of iconicity.

Straipsnyje analizuojama viena naujausių vizualinio mąstymo teorijų – Emmanuelio Alloa (at)vaizdų simptomatologija. Susitelkiant į (at)vaizdo statuso autonomiškumo problemą, kurią įvairiais būdais sprendžia vizualinio ir ikoninio posūkių atstovai, klausiama, koks yra (at)vaizdo statusas kalbos atžvilgiu. Straipsnyje yra grįžtama prie (at)vaizdų simptomatologijos ištakų, konkrečiai – Nelsono Goodmano bendrosios simbolių teorijos. Tai leidžia išryškinti Alloa siūlomo simptomo modelio naujumą ir reabilituoti simptomatologinio tyrimo statusą. Straipsnyje teigiama, kad (at)vaizdams priskiriamas ikoniškumo statusas kalbos atžvilgiu gali būti performuluojamas, iškeliant simptomo tapatybės klausimą. Šia prasme ikoniškumo simptomai yra (at)vaizdų analizei pritaikomi įrankiai, leidžiantys aprašyti skirtingus (at)vaizdų ikoniškumo raiškos lygmenis.