Benjamin Robert Davis

In this essay, I link Pragmatism and the philosophy of liberation by making a comparison between John Dewey’s concept of the public and Enrique Dussel’s concept of the pueblo. I am specifically interested in how these concepts set up the relationship between intellectuals and their constituency—the community from which their thought emerges and to which they take themselves to be responsible. Reading the public and the pueblo together, I emphasize the need for intellectuals to consider further how their scholarship affects those they claim to serve. I conclude via what AnaLouise Keating calls “risking the personal”—offering some autobiographical remarks on the questions I raise below.

This essay works at the intersection of two trends, one longstanding and one relatively more recent. First, it takes place against the background of the overwhelming influence that the category of ‘identity’ exercises on both contemporary knowledge production and political practice. Second, it responds to what has been called the ‘decolonial turn’ in theory. We compare the work of Gayatri Spivak, Aijaz Ahmad, and Walter Mignolo in terms of the following question: What kind of reflexive method do they deploy in response to their recognition of the politics of knowledge production, that is, the existence of a relationship between social position and epistemic position? We then develop a novel distinction between post-colonial, anti-colonial, and de-colonial perspectives, one based not on backward-looking intellectual genealogies but on forward-looking political practices.

This essay responds to John McDermott’s diagnosis of politics and religious life in the U.S.: “[B]oth traditional political and religious institutions are no longer an adequate let alone rich resource for a celebratory language.” I present a new celebratory language by reading William James’s description of saintliness in Varieties of Religious Experience. James gives me the resources to naturalize and democratize saintliness. Distinguished not by her transcendent miracles but by her this-worldly energies and experiments, the pragmatic saint remakes the experience of her community through celebration, a form of appreciation and criticism exemplified in engaged art. My ethical and aesthetic description of the saint thus builds on E. Paul Colella’s recent political description of the saint as the “strenuous citizen.”