Bernard Freydberg

This book addresses the breach within contemporary philosophy with a newly conceived foundationalism. It shows that dramatic discord has arisen between its two dominant branches. The Anglo-American branch generally takes its departure from logic and from natural science, while the Continental branch generally takes its departure from art and from the great traditional questions. However, they share this common negative feature: each side denies the view that philosophy issues from a central foundation. The book gives brief distillations of six major Anglo-American figures: Carnap, James, Quine, Davidson and Kripke; as well as six major Continental figures: Husserl (the only foundationalist), Heidegger, Merleau-Ponty, Derrida, Gadamer, and Sallis. In each, the author discovers a hidden foundation called ruling image that animates the philosopher's thought.

Gramsci and the Italian State. By Richard Bellamy and Darrow Schecter (Manchester and New York Manchester University Press, 1993), xvi + 203 pp. Queen Elizabeth and the Making of Policy, 1572–1588. By Wallace MacCaffrey (Princeton: Princeton University Press, 1981), x + 530 pp. Elizabeth I: War and Politics, 1588–1603. By Wallace MacCaffrey (Princeton: Princeton University Press, 1992), xvi + 592 pp. Figures on the Horizon. Edited by Jerrold Seigel (Rochester: University of Rochester Press, 1993), xix + 278 pp. £29.50, $53.00 cloth. Logomachia: The Conflict of the Faculties. Edited by Richard Rand (Lincoln: University of Nebraska Press, 1993), xii + 218 pp., £27.00 cloth, £11.95 paper. The Origins of French Art Criticism from the Anden Régime to the Restoration. By Richard Wrigley (Oxford: Clarendon Press, 1993), xii + 427 pp. The Madness of Kings: Personal Trauma and the Fate of Nations. By Vivian Green (New York: St. Martin's Press, 1993), xiii + 322 pp., $35.00 cloth. 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This provocative reassessment of modern philosophy explores its nonrational dimensions and connection to ancient mysteries. Delving beneath the principal discourses of philosophyfrom Descartes through Kant, Bernard Freydberg plumbs the previously concealed dark forces that ignite the inner power of modern thought. He contends that reason itself issues from an implicit and unconscious suppression of the nonrational. Even the modern philosophical concerns of nature and limits are undergirded by a dark side that dwells in them and makes them possible. Freydberg traces these dark sources to the poetry of Hesiod, the fragments of Heraclitus and Parmenides, and the Platonic dialogues and claims that they rear their heads again in the work of Spinoza, Schelling, and Nietzsche. Freydberg does not set forth a critique of modern philosophy but explores its intrinsic continuity with its ancient roots.

ABSTRACT The “Socratic method” seems to be well understood in general to mean some sort of “question and answer” procedure as distinguished from “lecturing.” Law schools are familiar sites for its so-called practice, and the Platonic dialogues are believed to provide models of it. However, Socrates himself never speaks of having a method except in one place in the Phaedo – where it has nothing to do with “question and answer.” The Greeks had a clear word for method, “methodos,” and Socrates applies it once and once only. He calls his method “eike phuro,” random mixing. In this paper, I shall attempt to bring this method together with the myths, jokes, and very long discourses with which the dialogues are replete.

The vastly underrated Plutus receives at least some of its due in this paper. At its beginning, I attempt to locate Plutus within both the Hegelian discourse on comedy and within Hume's poetical and philosophical fictions. Employing the same method of close textual analysis that I employed in Philosophy and Comedy: Aristophanes, Logos, and Eros, I focus upon the thoroughgoing materialism of the poor farmer Chremylus who laments the unjust distribution of wealth, and who seeks to restore the god's sight so as to obtain a large amount of the wealth he lacks. The critical section of the play occurs in an exchange with Poverty or Need, who is depicted as an ugly hag but who speaks beautifully. Aristophanic music subtly sings the glory of need as the spur to all that is good in human actions, as it mocks wealth as a standard of human worth.

The fundamental task of philosophy since the seventeenth century has been to determine whether the essential principles of both knowledge and action can be discovered by human beings unaided by an external agency. No one philosopher contributed more to this enterprise than Kant, whose Critique of Pure Reason (1781) shook the very foundations of the intellectual world. Kant argued that the basic principles of the natural science are imposed on reality by human sensibility and understanding, and thus that human beings are also free to impose their own free and rational agency on the world. This volume is the only systematic and comprehensive account of the full range of Kant's writings available, and the first major overview of his work to be published in more than a dozen years. An internationally recognised team of Kant scholars explore Kant's conceptual revolution in epistemology, metaphysics, philosophy of science, moral and political philosophy, aesthetics, and the philosophy of religion

This paper discloses and furthers the rebirth of comedy in Continental philosophy in three stages. The first treats Greek comedy, bringing forth the comic contours in Plato and exploring the philosophical content of Aristophanic comedy. The second examines certain German encounters with comedy, from the staid Wieland translations of Aristophanes through the thoughtful discussions of Schiller, Hegel, and Nietzsche. The third investigates twentieth-century American comedy and its connection to American Continental philosophy, and includes a close analysis of the Marx Brothers' Horsefeathers . The latter serves as a bridge to some surprising developments regarding comedy, poetry, and philosophy

In a sustained and protracted meditation on imagination and art, John Sallis has more than challenged the traditional metaphysical distinction between sensible and intelligible that has governed much of aesthetic discourse. In his Sense of Imagination , he excised that philosophical marker altogether in favor of a language of sense in which intelligibility occurs as a secondary function—if at all. Praising Hegel’s celebration of color, he disputes the latter’s declaration that “art is dead” in favor of the Nietzschean hearkening to art as the movement toward the future

In the first book of its kind, Bernard Freydberg places David Hume firmly in the tradition of the Platonic dialogues, and regards him as a proper ancestor of contemporary continental philosophy. Although Hume is largely confined to his historical context within British Empiricism, his skepticism resonates with the Socratic Ignorance expressed by Plato, and his account of experience points toward very contemporary concerns in continental thought. Through close readings of An Enquiry Concerning the Human Understanding, An Enquiry Concerning the Principles of Morals, and the essay “On the Standard of Taste,” Freydberg traces a philosophy of imagination that will set the stage for wider consideration of Hume within continental thought.

A recent issue of Research in Phenomenology contains a section on "The Future of Phenomenology," but none of the articles contained therein deals with a future engagement of phenomenology with science, especially mathematical natural science. In this paper, I discuss this engagement that was once so central to phenomenology and suggest lines along which its revival can fruitfully occur. Toward this end, I trace the contours of the Heisenberg-Heidegger exchange and show how recent readings of the Platonic , such as those of Sallis and Derrida, can extend this Auseinandersetzung into new regions.

The Kerygma of the Wilderness Traditions in the Hebrew Bible examines biblical writers' use of the wilderness traditions in the books of Exodus and Numbers, Deuteronomy, the Prophets, and the Writings to express their beliefs in God and their understandings of the community's relationship to God. Kerygma is the proclamation of God's actions with the purpose of affirming faith/or appealing to an obedient response from the community. The experiences of the wilderness community, who rebelled and refused to live according to God's purposes, serve as a polemic against disbelief in God and the refusal to embrace Israel's religious heritage. In the Writings, more than in the Prophets, the wilderness traditions are remembered with a notable resemblance to the traditions in Exodus and Numbers, which reflects a heightened interest in the ancient traditions in the closing turbulent period of Israelite history. Recollections of Israel's beginnings in the wilderness address problems associated with faith, obedience, and ultimately, the nature of the Israelite community.

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Play resides at the heart of the Platonic dialogues, shaping their insights as well as informing their style. "The Play of the Platonic Dialogues" traces the prominent role of play, both as a general philosophical characteristic and as influencing the treatment of key issues. The nature of the forms, of the city, of virtue, of the soul and its immortality - these and others have been shaped by play. This book shows how Platonic playfulness is joined with the deepest seriousness throughout the dialogues.