Bernardete Marantes

O LEITMOTIV FORTUNY E ODETTE: ESPAÇO E TEMPO NA TESSITURA DE PROUST Resumo A moda das roupas está plenamente integrada ao todo da obra de Proust, e é por essa razão que nos debruçamos sobre dois temas concernentes às roupas: o leitmotiv Fortuny, e a personagem Odette. O motivo Fortuny mereceu de Proust uma atenção delicada, pois emaranhado ao seu tecido literário, o desenvolvimento do tema manifesta uma minuciosa construção estética tramada por diferentes fios, que encontrarão em seu término, a roupa e o tecido de Fortuny em consonância com a arte e as cidades, entidades refletidoras sobretudo do espaço afetivo tramado na tessitura proustiana. Em posição distinta, mas complementando o tecido literário, surge a personagem atemporal Odette, que não participa do leitmotiv; Odette, que, sem seguir uma moda, tem estilo, soube como poucas mulheres construir, por meio de sua representação indumentária sua própria identidade e alteridade, ou em outros termos, ser e estar no tempo. THE FORTUNY LEITMOTIF AND ODETTE: A VIEW OF SPACE AND TIME ON PROUST TEXTURE Abstract The fashion of clothing is fully connected into all Proust work, and it is for this reason which we descant over two issues concerning the clothes: the Fortuny Leitmotif, and the character Odette. Proust gave a very special attention to the Fortuny reason, due to – deeply in his literary thoughts – the developing of the theme evidences a thorough planning built by different kind of thoughts, which they will find in their end, the clothes, the Fortuny tissue in consonance to the art and the cities, reflecting entities especially about the affective space built by Proust texture. Adding to the literary issue, however in a different position, emerges the eternal character, Odette. She did not appear on leitmotif. She has style, even though does not follow fashion and she is one of the rare women, which know how to build her own identity and otherness through her clothing representation. In other words, being for real on her time.

Esta pesquisa tenciona apreender a moda das roupas, e afins, na obra de Marcel Proust, À la Recherche du temps perdu. Este escopo desdobra-se num exame sobre a fundação da estética proustiana da moda das roupas, assim como no exame acerca da história das roupas e sua função identitária, e no exame das vestimentas de importantes personagens femininas. O pensamento de Gilles Deleuze mostra-se presente em diversas etapas do trabalho, colaborando na costura do vestido proustiano. This research intends to capture the fashion of clothes and related subjects in the Marcel Prousts romance À la Recherche du temps perdu. The scope of this work is unfolded in an investigation on the foundations of the Proustian clothing fashions aesthetic, as well as the examination about the history of clothing and their identity role, and as well as the garments of important female characters. Ideas of Gilles Deleuze show up at various stages of this research, collaborating in Proustian fashion dress

This research aims to examine the concept of haecceity conceived by Gilles Deleuze and Félix Guattari - which has started from the notion given to the concept in A Thousand Plateaus - Capitalism and Schizophrenia 2 (Mille Plateau: capitalisme et schizophrénie 2, 1980). To illustrate this concept the philosophers turned to literature, and more specifically the Proustian literature. They affirm that the haecceity concept has found in the episode with the small group (la petite bande) of girls in the seaside town of Balbec - the novel by Marcel Proust, In Search of Lost Time (À la recherche du temps perdu, 1913-1927) ¬- its best translation: "What's a girl, what is a group of girls? Proust at least show us and for all that their individuation, collective or singular, proceeds not by subjectivity but by haecceity, pure haecceity" (A Thousand Plateaus - Capitalism and Schizophrenia 2. Translation and foreword by Brian Massumi, Minnesota Press, 1987: 271). According to the Deleuzian thought, the fundamental question of haecceity concept is concentrated in its own definition: an individuation devoid of subjectivity, foreshadowing an individual who doesn't belong to individuation anymore, but it does to singularization. This non-subjectivated affirmation is part of an innovative philosophical proposal which has its own conceptual vocabulary: haecceity will exist in a new space (not extensive), where there's no distinction between the beginning or the end; the middle is where haecceity (formed by lines and not by points) will present itself as a rhizome. This mode of impersonal individuation reveals itself as a cartography that is made by forces - longitude - and intensities - latitude. Taking the group of girls as such a composition of forces moving, we will extract Albertine Simonet from it. She has the synonym of a group, and being adopted as an intercessor, she will leave the "group by group". The trajectory of this poetic and psychosocial entity (where the concept of haecceity originates from), will support us in the examination of the mode of existence of haecceity.