Bronislaw Szerszynski

In this paper I explore the metaphor of the strata of the earth as ‘great stone book of nature’, and the Anthropocene epoch as its latest chapter. I suggest that the task of marking the base of the Anthropocene's geological layer is entangled with questions about the human — about who would be the ‘onomatophore’ of the Anthropocene, would carry the name of ‘Anthropos’. I consider divergent ways of characterising the geological force of the Anthropocene — as Homo faber, Homo consumens and Homo gubernans — and situate this dispersal of the Anthropos within a more general dispersal of ‘man’ that occurs when human meets geology. I suggest that the becoming geological of the human in the Anthropocene is both the end of the great stone book of nature and the Aufhebung of ‘man’ — both his apotheosis and his eclipse.

In our discussions around the theme of solid fluids, we often resort to everyday words, many of them of ancient derivation and rich in association. We have decided to make a list of some of the words that come up most often – barring those that already figure as the principal characters of individual contributions – and to distribute among ourselves the task of writing a sort of mini-biography for each. The resulting lexicon with 19 entries, ranging from ‘cloud’ and ‘concrete’ to ‘wave’ and ‘wood’, serves as a conclusion to the collection as a whole.

This paper argues that an exploration of colloids can help us situate human social life within a wider understanding of the sociality and animacy of matter. Colloids are substances such as sols, foams, powders, gels, doughs and pastes that exhibit complex and shifting macroscale physical properties that do not conform to standard conceptions of solids, liquids or gases. Colloids can behave in complex and creative ways because of their topological enfolding of dispersed and continuous matter, in different phases, at a ‘mesoscale’ intermediate between the scale of molecules and that of the macroscale substance. I relate colloids, with their twin phenomena of ‘repetition’ and ‘mediation’, to an understanding of social life as reducible neither to the interaction between separate individuals nor to a transindividual whole. I suggest that human social life participates in a colloidal ‘metapattern’ of repetition and mediation that is manifest across diverse material substrates and spatial scales.

The idea of nature's sacrality, contrasting starkly with industrial modernity's overwhelmingly instrumental valuation of non-human nature, visibly inform philosophical positions such as deep ecology and Gaia theory. But at a more unspoken level they can also be seen as suffusing a wider societal sensibility, evident not least in popular values regarding nature. But, granted that many people would ascribe such a value to nature, how are such beliefs embodied in their lives? An attention to the theological or cosmological level can only take us so far in understanding the dynamics of culture; we need also to attend to questions of practice, ritual, community and relationship, for it is through such elements that more abstract ideas about humanity's place in the universe are given both support and expression. It is in this spirit of inquiry that this paper proceeds, arguing that religious forms of action and corporateness characteristic of monastic, sectarian, churchly, and folk religiosity have shaped the way that contemporary environmental values are embodied in the practices and experience of everyday life.

In this paper, I explore how environmental movements and lifestyles, like all forms of human action, produce their own characteristic kinds of time. During this exploration, I introduce a number of concepts which I suggest are useful in understanding these temporalities—chronological and kairological time; linear and cyclic time; segmentation and plot; orientation and synchronisation. Whereas the environment as described by the natural sciences is one dominated by chronological, linear time, human time is also kairological, suffused with meaning and intention. The varieties of human action also produce their own distinctive temporalities—some linear, some cyclic, some oriented to external goals, some self-sufficient. The logic of kairological time also requires that we understand individual events and actions as ‘figures’ against a temporal ‘ground’—one that is characteristically organised into an overarching narrative, or broken up into distinctive time segments. Furthermore, human experience is not just situated in time, but orients itself within time—it faces ‘backwards’ into the past, ‘forwards’ into the future, or commits itself to the present. Finally, lived time is also sometimes synchronised with other times—with that of proximate or distant others, or with historical narratives of progress or decline.

In this article I argue that an adequate response to climate change requires an overcoming of the metaphysics of presence that is structuring our relationship with the weather. I trace the links between this metaphysics and the dominant way that the topic of climate change is being narrated, which is structured around the transition from diagnosis to cure, from the scientific reading to the technological writing of the weather. Against this narrative I develop a rather different account of the current ecopolitical moment. I first argue that an understanding of anthropogenic climate change must be grounded in a biosemiotic analysis of the evolving metabolism between society and nature, one that is alert to the way that metabolism involves a folded relation between inside and outside, and that recognizes the constant deferral of biosemiotic meaning in ecological systems. I then use a deconstructive reading of climate technics to problematize the distinction between the diagnosis and solution of climate change, and expose modern scientific practices of reading the climate as already containing within themselves a notion of weather’s technological writability. Exploring the notion that previous transformations of the metabolic regime of society have always involved transformations of notions of the human, I conclude by sketching out a different way of reading and writing the weather, one that takes place in the ‘opening’ of climate change, that problematizes the idea of the human as the end of nature, and that thereby implies a more radical version of climate responsibility.

Contemporary tensions between science and religion cannot simply be seen as a manifestation of an eternal tension between reason and revelation. Instead, the modern secular, including science and technology, needs to be seen as a distinctive historical phenomenon, produced and still radically conditioned by the religious history of the West. Clashes between religion and science thus ought to be seen fundamentally as part of a dialogue that is internal to Western religious history. While largely agreeing with Caiazza's account of the “magical” understanding of technology, I suggest that this needs to be seen as part of a more fundamental drift in religion and culture away from canonical meanings to more “indexical,” pragmatic ones—but also that technology is still inflected by soteriological meanings that were coded into modern technology at its very inception in the early modern period. I conclude by arguing that a recognition of science and technology's grounding in Western religious history can make possible a more fundamental encounter with religion.

In this article the author argues that we need not just to ‘decolonize’ the Anthropocene but also to ‘desecularize’ it – to be aware that in the new age of the Earth we may be coeval with gods and spirits. Drawing particularly on the work of Gilles Deleuze, Félix Guattari and Georges Bataille, and using concepts from both thermodynamics and fluid dynamics, the author starts to develop an interdisciplinary theory of planetary spirit and use this to speak of both the ‘laminar’ high gods of time that are being invoked to summon the story of Earth’s ongoing transformation into a canonical mythos, and the turbulent lower spirits of place which manifest particular, situated dynamics on an Earth crossed by interlocking gradients and flows of energy, value, power and entropy. He suggests that what might once have been distinct territorialized ‘cultures’ or ‘natures’ in which humans engaged in particular situated patterns of interaction with animals, spirits and other beings are increasingly being convened into a global multinatural system.

This paper will explore some of the implications of attending to the performative aspects of language for the sociological understanding of issues of risk and trust among lay communities. Ulrich Beck and Anthony Giddens have alerted us to the way that in late or reflexive modernity trust in authority cannot be taken for granted, but increasingly has to be actively earned and actively invested. For his part, Brian Wynne has pointed out that lay judgements are relational and hermeneutic, including as they do judgements about the behaviour of relevant expert institutions, and about the risk to one's self-identity incurred by being caught up in relationships of dependency. Wynne has also argued that public avowals of trust can often mask deep private distrust, and thus be expressions more of fatalistic acceptance than of genuine trust. However, all of these analyses work from a basic model of ' trust ' as being the result of a cognitive process – as a judgement as to the trustworthiness of others. Yet trust is frequently 'active' in an even stronger sense than this. To take a posture of trust towards another can often be best understood not just as a cognitive judgement but as an attempt to bind the 'trusted' into a relationship and attitude of responsibility – and thus perhaps to alter their behaviour – through the taking up of a position in a social ritual. Speech act theory can help us be sensitive to this sort of use of the language of ' trust ', by reminding us that language can perform a number of different functions – not just that of describing the world, or of acting out ascribed roles and identities, but also that of trying to change the world. The analysis of public discourse about risk, trust and mistrust must thus be sensitive to the range of things that people might be attempting to do when they are saying things if it is to avoid drawing misleading conclusions about public attitudes to risk.

In the Parthenon frieze, the time of mortals and the time of gods seem to merge. Dipesh Chakrabarty has argued that with the advent of the Anthropocene the times of human history and of the Earth are similarly coming together. Are humans entering the ‘monumental time’ of the Earth, to stand alongside the Olympian gods of the other geological forces? This article first looks at the cultural shifts leading to the modern idea of separate human and Earth histories. It examines the changing use of monuments to mediate between human and other temporalities. It explores the use of ‘stratigraphic sections’ as natural monuments to mark transitions between the major time units of Earth history, and the erection of intentional monuments nearby. It suggests that the Anthropocene, as a geological epoch-in-the-making, may challenge the whole system of monumental semiotics used to stabilize our way of thinking about deep time.

There are major problems in the way in which the environmental 'ethics' question is now being framed – problems which could lead to growing confusion and disillusionment, unless they are rapidly addressed and understood. It is on such problems that this paper focuses. We point to three dimensions of the environmental 'phenomenon' which prevailing accounts of environmental ethics are tending to overlook. We then identify several ways in which incomplete ethical models tend to be reflected in actual environmental policy discourse. Finally, we suggest three hitherto-absent ingredients which will need to be recognised if future models of the ethics question are to be able to reflect, and hence to engage adequately with, social reality.

This book brings together contributions from scholars across the humanities. A wide-ranging exploration of the interface between performance and nature. Examines the use and usefulness of ideas of ‘performance’ for understanding human-nature relationships. Draws on different disciplines and intellectual traditions and on different conceptions of ‘performance’ and ‘nature’. Contributions are rooted in real-world contexts and problems, explored through detailed ethnographic work. Explores domains as diverse as allotments and bioinvasion, fox hunting and green politics. Makes a distinctive contribution to the ‘cultural turn’ in environmental research.