This chapter argues that when we look at Zhuangzi, we not only find discussions of great relevance to contemporary discussions of technology but also begin to realize that our idea of what it means to be contemporary may be an illusion. Much like the fledgling bird or the winter cicada we have difficulty imagining beyond our immediate present. We inhabit, quite by accident, a particular place in our perceived narrative arc, and we forget that what is present will soon be past, and what we though…
Read moreThis chapter argues that when we look at Zhuangzi, we not only find discussions of great relevance to contemporary discussions of technology but also begin to realize that our idea of what it means to be contemporary may be an illusion. Much like the fledgling bird or the winter cicada we have difficulty imagining beyond our immediate present. We inhabit, quite by accident, a particular place in our perceived narrative arc, and we forget that what is present will soon be past, and what we thought was past may be new again.
Beyond—or perhaps within—the Zhuangzi’s ability to render rigid distinctions groundless, we find a hauntingly relevant story of technology and human consciousness. In this story, which occurs in Book 12, “Heaven and Earth,” the Confucian disciple Zigong encounters an elderly farmer exerting undue effort to irrigate a field of vegetables. Zigong, believing in the ideal of “great results with little effort,” recommends the use of an ingenious device to increase the farmer’s efficiency. To Zigong’s great surprise, the nameless gardener soundly rebukes the well-intentioned idea. Zigong discusses the encounter with Confucius (or rather, Zhuangzi’s fictional version of Confucius) and informs Zigong that the gardener follows the arts of Primal Chaos (hundunshi zhi shu渾沌氏之術). The story leaves the reader wondering exactly what a display of these arts would entail, but Confucius (or Zhuangzi) insists that it would be a truly astounding phenomenon.
At the center of the story is the controversial water-lever. The idea seems simple but serves as a sophisticated fulcrum for discussing Zhuangzi’s concern with mechanical-consciousness (ji xin 機心) and mechanical-affairs (ji shi 機事). On an individual level, mechanical-consciousness limits human agency, driving us away from living in creative response to our environments and closer to merely serving the devices we use. On the systemic level, the water-lever shows how machine-consciousness leverages entire systems of relationships. In this manner predetermined, formulaic responses not only degrade individual human agency but also usurp the organic relationships that constitute complex systems as a whole.