Carl S. O'Brien

In a series of specially commissioned essays, an international team of scholars examine both Platonism's metaphysical principles (the One or the Form of the Good and the Indefinite Dyad: the principles that account for unity and multiplicity) and the tradition's role as a source for ethical and political principles. In honor of Lloyd Gerson's remarkable contribution to Platonic scholarship, the full breadth of the tradition has been explored: from Plato's own manipulation of the wisdom that preceded him via his students in the Old Academy, Speusippus and Aristotle, and on to the Middle Platonic (Alcinous) and Neoplatonic (Plotinus, Proclus, Damascius) phases. An extensive section on Christian Platonism examines the Platonic appropriations of Cyril of Alexandria, as well as the great mediator of Plato in the Latin West, Marsilio Ficino, while the volume traces the influence of Platonic principles up to Heidegger. Key topics in this volume include time and eternity, the origin of evil, the planetary orbits, the status of nature, and theurgy. This Festschrift includes Gerson's intellectual autobiography in the light of Platonic principles, particularly as a justification for libertarianism.

English summary: The connection between the soul and the material world played an important role in Neoplatonic thought. Generally, this connection prompted questions like: How should one think about the effect of the soul on the material and conversely, of matter on the soul? How is evil to be understood? Does the soul beget evil through itself or is it drawn to evil from the matter? How is the connection between the Logos, as the principle structure of the soul, as well as the principle means by which the material world is organized, understandable? And what role does the intellect play in the fabric of matter and soul, which Plato already confirmed as a divine thought? These and other questions are followed up from a historical-systematic perspective in the essays collected in this volume, contributed by internationally renowned scholars of Neoplatonism. German description: Die Beziehung zwischen Seele und Materie spielt eine bedeutende Rolle im Denken des Neuplatonismus. Allerdings wirft diese Beziehung eine ganze Reihe von Fragen auf: Wie muss die Wirkung der Seele auf die Materie und umgekehrt der Materie auf die Seele gedacht werden? Wie ist das Bose zu verstehen? Bringt die Seele das Bose durch sich selbst hervor oder wird sie von der Materie zum Bosen angezogen? Wie lasst sich der Zusammenhang begreifen, durch den der Logos als das Strukturprinzip der Seele die Welt ordnet? Und welche Rolle spielt im Gefuge von Materie und Seele der Geist, den bereits Platon als ein gottliches Denken bestimmt hat? Diesen und anderen Fragen wird in den hier versammelten Aufsatzen aus historisch-systematischer Perspektive von international renommierten Neuplatonismusforschern nachgegangen.

Platonic love is a concept that has profoundly shaped Western literature, philosophy and intellectual history for centuries. First developed in the Symposium and the Phaedrus, it was taken up by subsequent thinkers in antiquity, entered the theological debates of the Middle Ages, and played a key role in the reception of Neoplatonism and the etiquette of romantic relationships during the Italian Renaissance. In this wide-ranging reference work, a leading team of international specialists examines the Platonic distinction between higher and lower forms of eros, the role of the higher form in the ascent of the soul and the concept of Beauty. They also treat the possibilities for friendship and interpersonal love in a Platonic framework, as well as the relationship between love, rhetoric and wisdom. Subsequent developments are explored in Plutarch, Plotinus, Augustine, Pseudo-Dionysius, Eriugena, Aquinas, Ficino, della Mirandola, Castiglione and the contra amorem tradition.

Ursula Coope's volume sets out to answer the question of why "true freedom" necessitates "freedom from bodies" according to the Neoplatonists. As a result, while the title suggests a work on ethics, the volume handles such questions within a broader metaphysical framework. Coope admirably traces the initially separate treatments of freedom and responsibility in earlier thinkers before examining how they merge into twin aspects of a related discussion. The handling of Plato's concept of freedom in the first chapter outlines a series of relevant issues, rather than evaluating their relative significance, since the primary focus is on the subsequent tradition. The title is somewhat misleading since much of the...

O Banquete de Platão serve-se de recursos dramáticos diversos, tais como a história-moldura, a organização dos discursos e o ensino de Diotima enquanto meios de orientação do leitor pela mensagem filosófica subjacente, a qual inclui um exame do sistema socrático de educação. Os discípulos de Sócrates demonstram notável entusiasmo pela filosofia, mas parecem incapazes de distinguir o amor por Sócrates do amor pela sabedoria. Agatão ocupa posição de destaque: devido a um trocadilho com o seu nome, a jornada do jantar em sua casa se tornará na ascensão em direção ao Bem. Além disso, ele representa a educação sofística e poética, assim como cada um dos oradores representa algum tipo particular de conhecimento, o que implica que não se deveria simplesmente impingir pedantismo a Eurixímaco, ou tomar o discurso de Aristófanes enquanto um interlúdio cômico. Eles formam, antes, uma complexa rede intertextual. Alcibíades exibe as fraquezas de um homem inábil ou relutante em seguir a totalidade do ensino socrático. Sua solicitação de ser conduzido por Agatão simboliza a incapacidade de encontrar o próprio caminho do Bem, ao passo que a interrupção da ordem bem organizada do banquete pelos boêmios lembra a atitude dos tiranos e de outros homens hostis à filosofia. Apesar dessa crítica aos estudantes de Sócrates, o Banquete finaliza com uma nota positiva. As ações finais de Sócrates ocupam-se das outras pessoas – uma crítica implícita a quem sustenta que a filosofia subverte os laços sociais

How was the world generated and how does matter continue to be ordered so that the world can continue functioning? Questions like these have existed as long as humanity has been capable of rational thought. In antiquity, Plato's Timaeus introduced the concept of the Demiurge, or Craftsman-god, to answer them. This lucid and wide-ranging book argues that the concept of the Demiurge was highly influential on the many discussions operating in Middle Platonist, Gnostic, Hermetic and Christian contexts in the first three centuries AD. It explores key metaphysical problems such as the origin of evil, the relationship between matter and the First Principle and the deployment of ever-increasing numbers of secondary deities to insulate the First Principle from the sensible world. It also focuses on the decreasing importance of demiurgy in Neoplatonism, with its postulation of procession and return.