Carlos Avila

El presente trabajo analiza la labor de difusión del patrimonio escénico que lleva a cabo el Centro de Investigación y Recursos de las Artes Escénicas de Andalucía (CIRAE) a través de las videograbaciones disponibles en Elektra, el Archivo Digital de las Artes Escénicas de Andalucía. Para ello se analiza una muestra de 84 videograbaciones siguiendo una metodología cuantitativo-descriptiva. Los resultados del análisis muestran carencias relevantes en el fondo documental videográfico del archivo. Así, la investigación concluye una serie de puntos de mejora en la labor de difusión videográfica del patrimonio escénico andaluz llevada a cabo por el CIRAE.

The intent of this thesis is to explore the concept of creativity as it appears in the major works of Karl Marx and to attempt to discern its role in the emancipatory political project that Marx proposes. Contemporary understandings of creativity still rely upon notions of the artist-genius, locating the "true" expression of creative freedom in the work of art. A more recent development is the commodification of creativity as a quality of a good worker, who is now expected to find innovative ways of doing their job more efficiently. Both of these ideas about creativity allow for our creative energies to be diverted towards maintaining the existing relations of capitalist labor, one by putting it out of reach for most, the other by making it part of the tedium of wage labor. This thesis argues that creativity, as a fundamental human capacity, is an essential tool in changing our existing circumstances by instigating radical breaks from the status quo. Therefore, the first step in an emancipatory politics today is redefining creativity.