Christoph Cox

From Edison’s invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this “sonic flux.” Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.

This dissertation challenges the view, prevalent in the literature, that Nietzsche's later philosophy ultimately retains a Kantian distinction between the world as it is known and the world as it really is. According to the neo-Kantian reading, Nietzsche's doctrine of "perspectivism" presupposes the existence of a pre-given world upon which there are perspectives, a noumenal world that the doctrines of "becoming" and "will to power" are taken to describe. It has often been remarked that this ontological conception is inconsistent with Nietzsche's perspectival epistemology, but that, nevertheless, Nietzsche seems to maintain these inconsistent views. In contrast, I provide a reading of Nietzsche's epistemology and ontology that invalidates the charge of inconsistency and shows that he thoroughly repudiates the Kantian dualisms of appearance and reality, scheme and content. I argue that Nietzsche's language of "perspective" ought to be read within the broader and richer language of "interpretation" and show that interpretations, for Nietzsche, are not construals of some primary ontological ground, but rather reconstruals of interpretations already on hand. I suggest that becoming and will to power are not doctrines about what the world is really like, but claims about perspectival interpretation itself. Thus, the doctrine of becoming foregrounds the partiality and ever-shifting character of perspectives and interpretations, while the doctrine of will to power describes the constant struggle of interpretations and the ways in which some interpretations come to dominate. ;The first chapter situates Nietzsche's remarks on truth within the context of a history of European thought conceived as a struggle between being, on the one hand, and becoming and appearing, on the other. Chapter 2 then offers a general characterization of the later Nietzsche's epistemological and ontological position, showing that it issues from a twin commitment to naturalism and to the primacy and irreducibility of interpretation. The third chapter argues against both metaphysical realist and common sense realist forms of the neo-Kantian view. The final chapter focuses on the doctrine of perspectivism and more fully develops my anti-dualist reading of Nietzsche's theories of knowing and being

_Nietzsche: Naturalism and Interpretation_ offers a resolution of one of the most vexing problems in Nietzsche scholarship. As perhaps the most significant predecessor of more recent attempts to formulate a postmetaphysical epistemology and ontology, Nietzsche is considered by many critics to share this problem with his successors: How can an antifoundationalist philosophy avoid vicious relativism and legitimate its claim to provide a platform for the critique of arguments, practices, and institutions? Christoph Cox argues that Nietzsche successfully navigates between relativism and dogmatism, accepting the naturalistic critique of metaphysics and theology provided by modern science, yet maintaining that a thoroughgoing naturalism must move beyond scientific reductionism. It must accept a central feature of aesthetic understanding: acknowledgment of the primacy and irreducibility of interpretation. This view of Nietzsche's doctrines of perspectivism, becoming, and will to power as products of an overall naturalism balanced by a reciprocal commitment to interpretationism will spur new discussions of epistemology and ontology in contemporary thought.

The "Subject" of Nietzsche's Perspectivism CHRISTOPH COX FORMERLY TAKEN TO ENDORSE a profound skepticism and relativism, Nietz- sche's "doctrine of perspectivism" recently has been seen to fit within tradi- tional conceptions of epistemology and ontology? In the most recent and influential study of the matter, Maudemarie Clark maintains that, properly understood, perspectivism is "an obvious and nonproblematic doctrine. ''~ In a similar vein, Brian Leiter has recently argued that "perspectivism turns out to be much less radical than is usually supposed," that, with this doctrine, "Nietz- sche.., is merely rehashing familiar Kantian themes, minus the rigor of Kant's exposition."~ According to both Clark and Leiter, perspectivism simply ' With occasional alterations, Nietzsche's texts will be quoted from the Kaufmann/Hollingdale translations and cited in the text according to standard abbreviations of their English titles fol- lowed by the section and/or paragraph number. The exception is "On Truth and Lies in a Nonmoral Sense," which is cited by page number from Philosophy and Truth: Selections from Nietz- sche's Notebooks of the Early x87os, ed. and trans. Daniel Breazeale , 79-9 x. Abbreviations are as follows: A: The Antichrist; BGE: Beyond Good and Evil; BT/SC: Birth of Tragedy, "Attempt at a Self-Criticism"; D: Daybreak; GM: On the Genealogy of Morals; GS: The Gay Science; TI: Twilight of the Idols;..

Realism Materialism Art (RMA) introduces a diverse selection of new realist and materialist philosophies and examines their ramifications in the arts. Encompassing neo-materialist theories, object-oriented ontologies, and neo-rationalist philosophies, RMA serves as a primer on “speculative realism,” considering its conceptual innovations as spurs to artistic thinking and practice and beyond. Despite their differences, these philosophical positions propose that thought can and does think outside itself, and that reality can be known without its being shaped by and for human comprehension. Today’s realisms and materialisms explicitly challenge many of the dominant assumptions of cultural practice and theoretical inquiry, opening up new domains of research and artistic inquiry. Cutting across diverse thematic interests and modes of investigation, the 35 essays in RMA offer a snapshot of the emerging and rapidly changing set of ideas and practices proposed by contemporary realisms and materialisms. The book demonstrates the broad challenge of realist and materialist approaches to received disciplinary categories and forms of practice, capturing their nascent reworking of art, philosophy, culture, theory, and science, among other fields. As such, RMA expands beyond the primarily philosophical context in which realism and materialism have developed.

Babich implicitly takes as her starting point a statement from the 1886 preface to The Birth of Tragedy, where Nietzsche praises his first book for having raised "a new problem--... the problem of science itself," and for having "dared... to look at science from the point of view of the artist, but at art from that of life." Indeed, though she focuses on the later texts, particularly the later Nachla, the interpretive framework of Babich's book is drawn from The Birth of Tragedy. There, Nietzsche sought to reveal how the "Socratic optimism" that eclipsed the "tragic pessimism" of the early Greek dramatists was, in reality, a profound form of decadence, the sign of a sickly and declining culture. Babich argues that the descendent of "Socratism," modern techno-science, is also decadent, seeing life and nature as needing to be corrected. On this view, science is essentially reactive and conservative insofar as it seeks to halt and to master the ceaseless becoming, change, suffering, and death that characterizes natural life. Moreover, instead of granting its status as a pragmatic function in the service of a reactive form of life, science takes its perspective to be absolute, to reveal the way the world really is, and thus denies the irreducible ambiguity and multiplicity of the world. By contrast, the "aesthetic," "tragic," or "Dionysian" world-view suppressed by science remains the truly life- and world-affirming perspective. Acknowledging its status as Apollinian illusion, the aesthetic perspective simultaneously reveals the Dionysian chaos, the fundamental ambiguity and multiplicity that lies at the heart of what Babich, following Jacques Lacan, calls "the Real". Just as Nietzsche's book is not simply a study of Greek culture but a polemic against the present age, so too is Babich's book not simply an exposition of Nietzsche's philosophy of science but a call for a new tragic culture.

_Nietzsche: Naturalism and Interpretation_ offers a resolution of one of the most vexing problems in Nietzsche scholarship. As perhaps the most significant predecessor of more recent attempts to formulate a postmetaphysical epistemology and ontology, Nietzsche is considered by many critics to share this problem with his successors: How can an antifoundationalist philosophy avoid vicious relativism and legitimate its claim to provide a platform for the critique of arguments, practices, and institutions? Christoph Cox argues that Nietzsche successfully navigates between relativism and dogmatism, accepting the naturalistic critique of metaphysics and theology provided by modern science, yet maintaining that a thoroughgoing naturalism must move beyond scientific reductionism. It must accept a central feature of aesthetic understanding: acknowledgment of the primacy and irreducibility of interpretation. This view of Nietzsche's doctrines of perspectivism, becoming, and will to power as products of an overall naturalism balanced by a reciprocal commitment to interpretationism will spur new discussions of epistemology and ontology in contemporary thought