Christopher Rios

Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies.

Everyone can agree that the mystery of the Incarnation is difficult to believe and to understand, and yet it is precisely what Christians do not cease to profess. The most innocent questions concerning the “carnal consistency” of the Resurrected One today are omitted for want of a suitable and contemporary anthropology for us to ask them. But that a body made of “flesh and bones” can indeed now claim to appear and reappear in what we ordinarily call a horizon of reality or objectivity goes against our faculties of thought and even imagination. Philosophy must aim to render comprehensible this mystery of a God made body.