Claire Kirwin

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche’s Philosophical Psychology by Mattia RiccardiClaire KirwinMattia Riccardi, Nietzsche’s Philosophical Psychology. Oxford: Oxford University Press, 2021. xi + 249 pp. isbn: 9780198803287. Hardcover, $70.00.Nietzsche was not a systematic philosopher. Indeed, it is probably fair to say, as many commentators have, that he was an anti-systematic philosopher. It is harder to say what this means, and harder still to know how to deal with it when we aim to interpret his philosophy. For we wish to attribute to Nietzsche certain claims and positions, perhaps even arguments, and in doing so we generally prefer that these not contradict each other. And so as we attempt to understand “Nietzsche’s philosophy” as a coherent entity, we tend to find ourselves—for better or worse—heading down the path of systematizing that philosophy.Mattia Riccardi’s Nietzsche’s Philosophical Psychology is an impressive example of such a systematizing reading of Nietzsche. In developing his account of Nietzsche’s (mature) philosophy of mind, Riccardi acknowledges that Nietzsche’s own approach to this topic is “scattered” and “piecemeal” (5). What Riccardi aims to offer is a comprehensive reconstruction of the systematic account that Nietzsche, for whatever reason, did not explicitly give us. And what we are presented with here is a very systematic Nietzsche, one who offers a comprehensive and detailed account of the inner workings of the mind in terms of drives and affects and their relation (this is the topic of the book’s Part I, “Beneath the Surface”); consciousness—three different types of consciousness, to be precise—and the sense in which it is epiphenomenal (in Part II, “Mapping the Surface”); and the nature of the self, the possibility of self-knowledge, the nature of the will, and the relevance of all of this for the Nietzschean “ideal type” of human being (in Part III, “The Upshot”). [End Page 203]We might worry that such a systematic philosopher is no longer quite recognizable as Nietzsche—that in doing such comprehensive and systematic reconstructive work one is somehow leaving behind the Nietzsche who wrote not treatises but rather aphorisms, polemics, pseudo-biblical texts, and poetry. But Riccardi is upfront that what he is doing is reconstructive work of this kind and meticulous in showing how the positions he develops can plausibly be attributed to Nietzsche—or at the very least, that such positions can be constructed out of genuinely Nietzschean building blocks. These positions are fleshed out and given contemporary relevance through discussion of their relation to modern accounts of mindedness (the higher-order thought theory of consciousness, for example, a version of which—carefully modified—Riccardi attributes to Nietzsche), but at the same time Nietzsche’s thought is throughout set carefully within the relevant historical and biographical contexts. The seeds and impetus for Nietzsche’s ideas are located in authors he was known to have read (Schopenhauer, Leibniz, and Stendhal, of course, but also Schneider, Mayer, Fouillée, Espinas, and more). The development of these ideas over time is then traced through Nietzsche’s notes and published work. At each point, alternative readings of these texts that have been proposed in the secondary literature are considered and carefully, persuasively, refuted. For philosophers seeking to offer a systematic reconstruction of Nietzsche’s thought on some topic, this sort of approach should be seen as the gold standard. And for anyone interested in understanding what Nietzsche has to say about human psychology, this book will be essential reading.Riccardi’s Nietzsche offers us a serious and detailed philosophy of mind. It seems appropriate, then, to respond to it as such. Rather than giving a précis of each chapter, or debating the exegetical accuracy of the account, I shall instead offer some critical engagement with the detail of the account itself. I will focus on two key components of the system Riccardi elaborates: first, the account of reflective consciousness and, second, the sense in which he takes that form of consciousness to be epiphenomenal. These parts of the system, the topics of chapters 5 and 7, respectively, play crucial roles within the architecture of the book as a whole. For taken together, they show just how radically...

Nietzsche's On the Genealogy of Morality is strikingly book‐ended by the theme of knowledge‐seeking: the Preface opens with the ominous claim that “[w]e are unknown to ourselves, we knowers”, and the Third Essay's climax is the assertion that scientific, scholarly activity does not stand in opposition to the ascetic ideal but is instead only that ideal's most recent and insidious instantiation. This feature of the text is absent from Reginster's The Will to Nothingness. Nonetheless, the interpretive machinery that Reginster develops in his reading of the Genealogy as a genealogy and critique of morality can also go a long way towards helping us to make sense of the text as, at the same time, a genealogy and critique of knowledge‐seeking. Making use of Reginster's account in this way serves to illuminate both the interpretive power and some of the limitations of his reading.

Reading Nietzsche’s many remarks on freedom and free will, we face a dilemma. On the one hand, Nietzsche levels vehement attacks against the idea of the freedom of the will in several places throughout his writing. On the other hand, he frequently describes the sorts of people he admires as ‘free’ in various respects, as ‘free spirits’, or as in possession of a ‘free will’. So does Nietzsche think that we are or perhaps could be free, or not? I argue that we ought to read these seemingly conflicting claims as part of one unified project, which is to try to understand what true freedom would look like. Nietzsche’s attacks on ‘free will’, I suggest, are not intended to establish that we are not free, but rather to show that a certain tempting picture of freedom is confused and totally inadequate for purpose. The positive half of Nietzsche’s project, then, should be read as his attempt to do a better job – to provide an account of freedom that better articulates what we were trying, via the confused picture, to get at.

Nietzsche’s interest in tragedy continues throughout his work. And yet scholarship on Nietzsche’s account of tragedy has focused almost exclusively on his first book, The Birth of Tragedy – a work which is in many ways discontinuous with his more mature philosophical views. In this paper, I aim to illuminate Nietzsche’s post-Birth of Tragedy views on tragedy by setting them in the context of a particular historical conversation. Ever since Plato banished the tragic poets from the kallipolis, various philosophers have attempted to respond to his challenge to offer a ‘defense of poetry’. What Nietzsche offers, I argue, is a distinctive form of response to Plato’s challenge. I show how Nietzsche takes seriously Plato’s worries, and even ends up in partial agreement with him: tragedy is not (unqualifiedly) valuable; it can be spiritually dangerous. Key to Nietzsche’s account is a distinction he draws between two types of tragic audience. For the ‘lower types’, tragedy is – as Plato feared – dangerous. For the ‘higher types’, however, tragedy can act as a regenerative force. Finally, I discuss a distinctive form of value that tragedy makes available to a modern audience: tragedy can act as a stimulus towards the process of the revaluation of values.

Anna Bergqvist claims that Frank Sibley—despite his own claims to the contrary—should be considered a particularist when it comes to aesthetics. In this paper I argue that whilst Sibley does hold many of the views that Dancy advances in his Ethics without Principles , Bergqvist is certainly wrong to present Sibley's position as ‘uncontroversially’ particularist. In fact, the relationship between Sibley's account of judgement in aesthetics and Dancy's ethical particularism serves to highlight several ambiguities involved in the particularist–generalist debate as Bergqvist presents it