This article advances an account of why, in the digital age, the Catholic Jubilee’s constitutive rite – the bodily crossing of the Holy Door – resists virtualization. Critiquing theories that define screens as ‘operational thresholds,’ it argues that authentic threshold experience presupposes materiality and the inseparable pair door–threshold. Building a threefold grammar – limes (boundary and separation), ostium (structural solidity and protection), and ianua (mistagogical passage) – the study…
Read moreThis article advances an account of why, in the digital age, the Catholic Jubilee’s constitutive rite – the bodily crossing of the Holy Door – resists virtualization. Critiquing theories that define screens as ‘operational thresholds,’ it argues that authentic threshold experience presupposes materiality and the inseparable pair door–threshold. Building a threefold grammar – limes (boundary and separation), ostium (structural solidity and protection), and ianua (mistagogical passage) – the study shows how embodied crossing is requisite for access to an order of reality that cannot be simulated. Applied to the Catholic Jubilee, this grammar clarifies why the pilgrimage’s telos is not a place but a passage. Anthropologically, doors engage the body: they must be touched, pushed, and crossed. A screen is a window for viewing; a door is an instrument for entry. Theologically, the door images the human person, an interface of interior and exterior, sin and sanctification, called to be traversed by grace and responsibility.