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43How philosophical characterizations of a musical work lose sight of the “music” and how it might be put backIn Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music, Mouton De Gruyter. pp. 121--63. 1995.
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Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and OntologyIn Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth, International Semiotics Institute. pp. 55--71. 1996.
