Daniel Shanahan

In support of their contention that it is the absence of a subsisting medium that imbues the speed of light with fundamentality, Bryan Cheng and James Read discuss certain “fishbowl universes” in which physical influences evolve, not at the speed of light, but that of sound. The Lorentz transformation simulated in these sonic universes, which the authors cite from the literature of analogue gravity, is not that of Einstein, for whom an aether was “superfluous”, but that of the earlier relativity of Lorentz and Poincaré, which did suppose such a medium. The authors’ intention is not to argue analogically, but simply to contrast the situation of light with that of sound. However, I argue that these universes are too successful as analogues to support the authors’ case. By reducing Lorentzian relativity to its bare essentials, they provide a compelling demonstration of the viability and explanatory strengths of the earlier theory. They show how a thoroughly wave-theoretic treatment of the elementary particles would explain why all aspects of matter transform in like manner, thereby avoiding a difficulty that was a significant reason for the demise of Lorentzian relativity after 1905. Importantly, these sonic universes suggest a unifying explanation, not only of the Lorentz transformation and de Broglie wave, but of the principle of relativity, which was merely postulated, rather than explained, by Einstein in 1905.

Effects associated in quantum mechanics with a divisible probability wave are explained as physically real consequences of the equal but opposite reaction of the apparatus as a particle is measured. Taking as illustration a Mach-Zehnder interferometer operating by refraction, it is shown that this reaction must comprise a fluctuation in the reradiation field of complementary effect to the changes occurring in the photon as it is projected into one or other path. The evolution of this fluctuation through the experiment will explain the alternative states of the particle discerned in self interference, while the maintenance of equilibrium in the face of such fluctuations becomes the source of the Born probabilities. In this scheme, the probability wave is a mathematical artifact, epistemic rather than ontic, and akin in this respect to the simplifying constructions of geometrical optics.

It is argued that the de Broglie wave is not the independent wave usually supposed, but the relativistically induced modulation of an underlying carrier wave that moves with the velocity of the particle. In the rest frame of the particle this underlying structure has the form of a standing wave. De Broglie also assumed the existence of this standing wave, but it would appear that he failed to notice its survival as a carrier wave in the Lorentz transformed wave structure. Identified as a modulation, the de Broglie wave acquires a physically reasonable ontology, evidencing a more natural unity between matter and radiation than might otherwise be contemplated, and avoiding the necessity of recovering the particle velocity from a superposition of such waves. Because the Schrödinger and other wave equations for massive particles were conceived as equations for the de Broglie wave, this interpretation of the wave is also relevant to such issues in quantum mechanics as the meaning of the wave function, the nature of wave-particle duality, and the possibility of well-defined particle trajectories.

In his famous doctoral dissertation, de Broglie assumed that a massive particle is surrounded in its rest frame by a standing wave. He argued that as observed from another inertial frame this wave becomes the superluminal wave now known as the de Broglie wave. It is shown here that under a Lorentz transformation, such a standing wave becomes, not the de Broglie wave, but a modulated wave moving at the velocity of the particle. It is the modulation that has the superluminal velocity of the de Broglie wave and should be recognized as the true de Broglie wave. De Broglie's demonstrations relied, variously, on his "theorem of the harmony of phases", on a mechanical model, and on a spacetime diagram. It is shown that in each case the underlying wave was inadvertently suppressed. Identified as a modulation, the de Broglie wave acquires a physically reasonable ontology, avoiding the awkward device of recovering the particle velocity from a superposition of such waves. The deeper wave structure implied by this de Broglie wave must also impinge on such issues in quantum mechanics as the meaning of the wave function and the nature of wave-particle duality.

The Lorentz transformation (LT) is explained by changes occurring in the wave characteristics of matter as it changes inertial frame. This explanation is akin to that favoured by Lorentz, but informed by later insights, due primarily to de Broglie, regarding the underlying unity of matter and radiation. To show the nature of these changes, a massive particle is modelled as a standing wave in three dimensions. As the particle moves, the standing wave becomes a travelling wave having two factors. One is a carrier wave displaying the dilated frequency and contracted ellipsoidal form described by the LT, while the other (identified as the de Broglie wave) is a modulation defining the dephasing of the carrier wave (and thus the failure of simultaneity) in the direction of travel. The superluminality of the de Broglie wave is thus explained, as are several other mysterious features of the optical behaviour of matter, including the physical meaning of the Schrödinger equation and the relevance to scattering processes of the de Broglie wave vector. Consideration is given to what this Lorentzian approach to relativity might mean for the possible existence of a preferred frame and the origin of the observed Minkowski metric