Darren Gardner

This paper examines how the exercises offered to the young Socrates in the Parmenides can be understood as an educational practice, or a gymnastic that is prior to and instrumental for defining forms. To this end, I argue that the subject of the exercises given to Socrates can be understood as an open and indeterminate ‘one’, rather than a form per se. I show that the description of the gymnastic exercises, the demonstration of the hypotheses themselves, and the language concerning the ‘one’, are consistent with an indeterminate subject ‘one’.

This commentary examines several key points in David Horan’s paper “The Argu­mentative Unity of Plato’s Parmenides.” First, I discuss the general view of the paper, which engages with the first two hypotheses and in particular, the thought experiment passage in hypothesis 2 that is seen as a key to resolving the dilemma of participation. I consider the proposed view that hypothesis 1 takes up from its premise a strictly unitary, or non-multiple “one,” and hypothesis 2 takes up from its premise a one that admits of multiplicity, not a non-multiple “one.” I argue for an alternative reading whereby the premise of hypothesis 1 is not “if one is one” and hypothesis 2 is “if one is not one,” but rather that both hypotheses fall under the premise “if one is.”

I argue that Diogenes and early Cynicism can be understood in an explicitly social and political context, where Cynic praxis, performative public action, can be seen to make visible oppositions inherent to the polity. In doing so, Diogenes’ praxis should be understood as a form of immanent critique, one that demonstrates, for example, that nature and custom are interrelated oppositions in the polis. Cynicism here is understood as a form of immanent critique because Diogenes challenges the social norms of the polis without endorsing external universal standards or predetermined models, but from illuminating dynamics from within the polis and polity.