David Bartha

In this paper, I present and analyze Berkeley’s sporadic claims on the animal‒human divide, concentrating on his early works, especially his Notebooks. Before drawing our attention to the importance of imagination, I start by contextualizing Berkeley’s views on animal cognition more generally. More specifically, I aim to clarify that though he verbally agrees with Descartes that animals cannot imagine like we do, Berkeley’s view is motivated by fundamentally different considerations. What he ultimately denies is that animals can imagine in a sense that requires the sort of spontaneous and creative activity we share more with God than animals.

Commentators generally agree that Foucher presumes the resemblance theory of representation and uses it to substantiate external world skepticism. In this paper, I challenge this picture. First, I argue that he does not assume that representation is reducible to, or even just works through, resemblance between representation and object. Indeed, his functional-similarity theory primarily appeals to resemblance between the respective effects the representation and the object (would) have on our minds. I also propose that his argument for the resemblance-requirement of representation depends on the causal likeness principle, and clarify its role in Foucher’s theory. Second, I show that his main interest lies with representation in the sense of truthfully making the object present. Accordingly, when Foucher concludes that we can only represent our own ideas, he merely means that our ideas reveal the ways objects affect us through our senses, as opposed to how they are in themselves.

The resemblance theory of representation is the view that one thing represents another by virtue of resembling it. Typically, it is taken as non-controversial that Berkeley accepts the resemblance theory of representation – even if the plausibility of the resemblance theory itself comes under scrutiny. One piece of evidence in favour of this reading of Berkeley is his commitment to the ‘likeness principle’: the view that ‘an idea can be like nothing but an idea’ (PHK § 8). The likeness principle is typically seen as a rejection of the kind of indirect theory of perception that is often attributed to Locke. However, by paying particular attention to Berkeley’s account of how mental representation via the imagination works, Dávid Bartha casts doubt on the consensus view that Berkeley does accept the resemblance theory of representation.

ABSTRACT In this paper, I raise and analyze two rarely discussed stories about the development of idealism in early modernity. I seek to show that Arthur Collier reaches the conclusion that the mind-independent world is strictly impossible following through the implications of Malebranche’s intellectualist considerations. One important component of divine rationality accepted by both is that God has to act in the simplest way possible, which, for Collier, shows that the existence of an imperceptible matter is extrinsically or metaphysically impossible. By contrast, I will argue, George Berkeley resisted the temptation to construe the simplicity principle in an intellectualistic manner, even though it would have offered him an easy route to prove the impossibility of matter. Rather, when he argues that it is indeed God who is creating our perceptions directly on the basis that any belief in mind-independent substances is totally unjustifiable and we cannot form a coherent notion of it, he can be seen as radicalizing Locke’s voluntarism, according to which we have to appeal to the omnipotent God's arbitrary decisions with regard to various difficulties in philosophy. My proposal can also be read as an alternative to the well-known epistemological narrative about the emergence of idealism in the early modern period.

Berkeley’s likeness principle states that only an idea can be like an idea. In this paper, I argue that the principle should be read as a premise only in a metaphysical argument showing that matter cannot instantiate anything like the sensory properties we perceive. It goes against those interpretations that take it to serve also, if not primarily, an epistemological purpose, featuring in Berkeley’s alleged Representation Argument to the effect that we cannot reach beyond the veil of our ideas. First, in section 1, I raise some concerns about the traditional narrative concerning the likeness principle’s role in Berkeley’s argumentation. In section 2, I delineate an alternative narrative, arguing that there is no ‘missing premise’ in his alleged Representation Argument we need to explain simply because he advances no argument like that in the first place. In section 3–4, I provide a close reading of the relevant passages—first from the _Principles_, then the _Dialogues_—and their contexts, supporting textually a purely metaphysical interpretation of the likeness principle arguments. In section 5, I address some possible objections, based on the phrasing of the likeness principle passages and some related texts.