David Rosenthal

What is the relation between mind and physical reality? Well‐established schools of thought give starkly opposing answers to this question. Descartes insisted that mental phenomena are non‐physical in nature. This view seems inviting because mental phenomena are indisputably different from everything else. Moreover, it's safe to assume that all phenomena that aren't mental have some physical nature. So it may seem that the best way to explain how the mental differs from everything else is to hypothesize that mind is non‐physical in nature.

Is mental imagery pictorial? In Pylyshyn's view no empirical data provides convincing support to the “pictorial” hypothesis of mental imagery. Phenomenology, Pylyshyn says, is deeply deceiving and offers no explanation of why and how mental imagery occurs. We suggest that Pylyshyn mistakes phenomenology for what it never pretended to be. Phenomenological evidence, if properly considered, shows that mental imagery may indeed be pictorial, though not in the way that mimics visual perception. Moreover, Pylyshyn claims that the “pictorial hypothesis” is flawed because the interpretation of “picture-like” objects in mental imagery takes a homunculus. However, the same point can be objected to Pylyshyn's own conclusion: if imagistic reasoning involves the same mechanisms and the same forms of representation as those that are involved in general reasoning, if they operate on symbol-based representations of the kind recommended by Pylyshyn (1984) and Fodor (1975), don't we need a phenomenological homunculus to tell an imagined bear from the real one?

Birch et. al. see their model as incompatible with higher-order-thought (HOT) theories of consciousness, on which a state is conscious if one is in some suitable way aware of that state. They see higher-order (HO) awareness as an “extra ingredient”. But since Birch et al go on to say that “[t]his is not the place for a detailed discussion of HOT theories,” they don’t address why they take HO awareness to be an extra ingredient or why HOT theorists are convinced that it’s needed. In this commentary we argue that higher-order theories are a crucial for understanding consciousness.

There is strong reason to doubt that the intuitions Chalmers' meta-problem focuses on are widespread or independent of proto-theoretical prompting. So it's unlikely that they result from factors connected to the nature of consciousness. In any case, it's only the accuracy of the problem intuitions that matters for evaluating theories of consciousness or revealing the nature of consciousness, not an explanation of how they arise. Unless we determine that they're accurate about consciousness, we mustn't assume that realism about consciousness incorporates them, or that denying them means denying that consciousness exists. And we must assess whether they're accurate independently of how they arise.

Dintre fenomenele mentale, nici unul nu pare să reziste atât de bine explicaţiei precum conştiinţa. Parţial, dificultatea se datorează faptului că folosim termenul „conştient” şi alţii înrudiţi să dea seama de anumite fenomene distincte ale căror legături nu sunt întotdeauna clare. Iar acest lucru duce adesea la amestecarea acestor fenomene distincte. De aceea, orice încercare de a explica conştiinţa trebuie să înceapă prin a distinge diferitele lucruri pe care le numim conştiinţă. Un astfel de fenomen este strâns legat de simplul fapt de a fi în stare de veghe. Noi descriem oamenii şi alte fiinţe ca fiind conştienţi atunci când sunt în stare de veghe şi sistemele lor senzoriale sunt receptive într-un mod normal pentru o stare de veghe. Numesc acest fenomen conştiinţă a fiinţei. În acest sens, conştiinţa este o chestiune biologică, constând în aceea că o fiinţă nu este inconştientă – adică, aproximativ starea opusă somnului sau KO-ului. Însă noi folosim termenul „conştiinţă” şi pentru alte fenomene care par mult mai greu accesibile înţelegerii şi explicaţiei. Astfel, distingem nu numai între fiinţe conştiente şi inconştiente, ci şi între stări mentale ce sunt conştiente şi cele ce nu sunt. Voi numi această a doua proprietate conştiinţă de stare. Este bine cunoscut faptul că nu toate stările mentale sunt conştiente. Stări intenţionale precum credinţele şi dorinţele apar în mod vădit fără a fi conştienţi.1 Şi, în ciuda unor diferenţe de opinie asupra chestiunii, voi argumenta că acelaşi lucru este adevărat şi în privinţa stărilor senzoriale precum durerile şi senzaţiile de culoare. Asemenea stări nu numai că pot apărea în mod inconştient, dar adesea o şi fac.2 Deşi conştiinţa fiinţei şi conştiinţa de stare sunt proprietăţi distincte, este foarte posibil să fie legate în diferite moduri. Poate că, de exemplu, fiinţele trebuie ele însele să fie conştiente pentru ca oricare stare mentală a lor să fie conştientă, deşi dacă visurile obişnuite sunt vreodată stări conştiente, ele constituie contraexemple ale acestei generalizări.3 Oricum ar sta lucrurile în această privinţă, proprietatea conştiinţei fiinţei este relativ neproblematică. Putem constata aceasta luând în considerare fiinţe mai puţin înzestrate mental decât noi ale căror stări mentale nu sunt niciodată conştiente, nici măcar atunci când sunt în stare de veghe.4 Toate stările lor mentale sunt asemănătoare stărilor mentale inconştiente în care ne aflăm atunci când suntem trezi..

Quality-space theory (QST) explains the nature of the mental qualities distinctive of perceptual states by appeal to their role in perceiving. QST is typically described in terms of the mental qualities that pertain to color. Here we apply QST to the olfactory modalities. Olfaction is in various respects more complex than vision, and so provides a useful test case for QST. To determine whether QST can deal with the challenges olfaction presents, we show how a quality space (QS) could be constructed relying on olfactory perceptible properties and the olfactory mental qualities then defined by appeal to that QS of olfactory perceptible properties. We also consider how to delimit the olfactory QS from other modalities. We further apply QST to the role that experience plays in refining our olfactory discriminative abilities and the occurrence of olfactory mental qualities in non-conscious olfactory states. QST is shown to be fully applicable to and useful for understanding the complex domain of olfaction.

A striking difference between those fields we classify as humanities and those we regard as sciences is the attitude within each field toward its history. Learning about literature, music, or the visual arts requires becoming knowledgeable about a significant amount of the history of those areas. And education in these fields, at whatever level, invariably involves some study of great accomplishments in the past. By contrast, scientific work and standard scientific textbooks make little reference to the history of the science in question, and such reference is typically relegated to the appreciative mention in passing of important empirical discoveries or theoretical innovations. And professional training in the sciences, both graduate and undergraduate, involves no serious examination of the achievements or methodology of past scientific work, no matter how impressive and influential those achievements may have been. Progress dominates thinking in the sciences, and that emphasis may seem to explain such casual and occasionally condescending reference to the history of the sciences. But progress occurs in the humanities as well; even if some of the greatest artistic accomplishments are well in the past, there is remarkable innovation in style, technique, and methodology in the various arts. Some of the most monumental accomplishments in the sciences, moreover, are historical; nobody is likely to surpass the quality and importance of Newton's achievements, and few will ever equal those of Einstein. So it is unlikely that attitudes towards progress or past accomplishments can explain the divergent attitudes that fields in the sciences and humanities exhibit towards their own history. We can better understand this contrast by appeal to a characteristic feature of the arts. Nobody today writes in the manner of Milton, Racine, or Shakespeare, or composes in the manner of Bach or Beethoven, or paints in the style of Vermeer, Renoir, or Da Vinci. Even Picasso's early, somewhat ostentatious paintings in the styles of various past masters were more to show his prodigious abilities than they were original artistic endeavors..

There is much in Bridgeman's account that I find congenial and compelling, especially appealing is Bridgeman's application of his thesis to the tie between consciousness and language. Nonetheless, I want to raise some questions about whether the tie he finds between plans and consciousness actually does hold. Not all memory and attention is conscious. Although attention and accessing of memories are required to execute plans, we need not be at all conscious of the relevant states of memory and attention. Nor need we be conscious of the objects that those acts of attention and accessed memories are about. We need not necessarily appeal to the executing of plans to explain the important tie between language and consciousness.

red and round. According to common sense, the red, round thing we see is the tomato itself. When we have a hallucinatory vision of a tomato, however, there may be present to us no red and round phys- ical object. Still, we use the words 'red' and 'round' to describe that situation as well, this time applying them to the visual experience itself. We say that we have a red, round visual image, or a visual experience of a red disk, or some such. Because we see physical objects far more often than we hallucinate, we apply terms for color and shape to physical objects far more often than to visual experiences. Moreover, different theories of perception explain in different ways the applications such terms have to physical objects and to visual experiences. But whatever their frequency and explanation, it seems clear that both sorts of application occur