Derek Scott

We study the mid- to far-IR properties of a 24?m-selected flux-limited sample of 154 intermediate redshift, infrared luminous galaxies, drawn from the 5 Milli-Jansky Unbiased Spitzer Extragalactic Survey. By combining existing mid-IR spectroscopy and new Herschel SPIRE submm photometry from the Herschel Multi-tiered Extragalactic Survey, we derived robust total infrared luminosity and dust mass estimates and infered the relative contribution of the AGN to the infrared energy budget of the sources. We found that the total infrared emission of galaxies with weak 6.2?m PAH emission is dominated by AGN activity, while for galaxies with EW6.2 0.2?m more than 50% of the LIR arises from star formation. We also found that for galaxies detected in the 250-500?m Herschel bands an AGN has a statistically insignificant effect on the temperature of the cold dust and the far-IR colours of the host galaxy, which are primarily shaped by star formation activity. For star-forming galaxies we reveal an anti-correlation between the LIR-to-rest-frame 8?m luminosity ratio, IR8? LIR/L8 and the strength of PAH features. We found that this anti-correlation is primarily driven by variations in the PAHs emission, and not by variations in the 5?15?m mid-IR continuum emission. Using the [Ne iii]/[Ne ii] line ratio as a tracer of the hardness of the radiation field, we confirm that galaxies with harder radiation fields tend to exhibit weaker PAH features, and found that they have higher IR8 values and higher dust-mass-weighted luminosities, the latter being a proxy for the dust temperature. We argue that these trends originate either from variations in the environment of the star-forming regions or are caused by variations in the age of the starburst. Finally, we provide scaling relations that will allow estimating LIR, based on single-band observations with the mid-infrared instrument, on board the upcoming James Webb Space Telescope. © ESO 2013.

From the Erotic to the Demonic: On Critical Musicology demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.