Dominic McIver Lopes

There are many aesthetic cultures, and groups with different aesthetic cultures can come in contact with one another, sometimes resulting in conflict. An aesthetic injustice is a failure of policies in large scale social arrangements to manage the contact well and avoid conflict. This book articulates and defends the cosmopolitan theory of aesthetic injustice: a large scale social arrangement is aesthetically unjust when and only when it harms people in their capacities as aesthetic agents, thereby subverting interests in the value diversity and social autonomy of aesthetic cultures. It contrasts aesthetic injustice with related phenomena. It presents three cases studies of the aesthetic injustice in cultural appropriation, ideals of bodily beauty, and access to aesthetic resources for disabled people.

Aesthetic preferences and practices vary widely between individuals and between cultures. How should aesthetics proceed if we take this fact of aesthetic diversity, rather than the presumption of aesthetic universality, as our starting point? How should we theorize the cultural origins and cultural basis of aesthetic diversity? How should we think about the value and normativity of aesthetic diversity? In an effort to model what the turn toward diversity might look like in aesthetic inquiry, each author defends a different account of aesthetic diversity, and they engage in a collective dialogue about these issues.

What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a wealth of examples he also explains how the roles of the computer artist and computer art user distinguishes them from makers and spectators of traditional art forms and argues that computer art allows us to understand better the role of technology as an art medium.