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INTERVIEW: The Weight of Imagination, Memory, and Place: The Multiple Origins of Edward S. Casey's ThoughtIn Donald A. Landes & Azucena Cruz-Pierre (eds.), Exploring the Work of Edward S. Casey: Giving Voice to Place, Memory, and Imagination, Bloomsbury Academic. pp. 17-43. 2013.This is an interview with Edward S. Casey, conducted by Donald A. Landes.
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4IntroductionIn Between philosophy and non-philosophy: the thought and legacy of Hugh J. Silverman, Suny Press. pp. 1-18. 2016.
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3Between InscriptionsIn Between philosophy and non-philosophy: the thought and legacy of Hugh J. Silverman, Suny Press. pp. 33-46. 2016.
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309Between Sensibility and Understanding: Kant and Merleau-Ponty and the Critique of ReasonJournal of Speculative Philosophy 29 (3): 335-345. 2015.ABSTRACT Whether explicitly or implicitly, Kant's critical project weighs heavily upon Merleau-Ponty's Phenomenology of Perception. This article argues that we can understand Merleau-Ponty's text as a phenomenological rewriting of the Critique of Pure Reason from within the paradoxical structures of lived experience, effectively merging Kant's Transcendental Aesthetic and Transcendental Analytic. Although he was influenced by Husserl's and Heidegger's interpretations of Kant's first version of t…Read more
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6Between philosophy and non-philosophy: the thought and legacy of Hugh J. Silverman (edited book)SUNY Press. 2016.Engages the work and career of a central figure in contemporary philosophy. Hugh J. Silverman was an inspiring scholar and teacher, known for his work engaging and shaping phenomenology, hermeneutics, psychoanalysis, structuralism, poststructuralism, and deconstruction. As Professor of Philosophy and Comparative Literary and Cultural Studies at Stony Brook University, State University of New York, Silvermans work was marked by the between, a concept he developed to think the postmodern in the…Read more
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Merleau-Ponty from 1945 to 1952: the ontological weight of perception and the transcendental force of descriptionIn Dan Zahavi (ed.), Oxford Handbook of the History of Phenomenology, Oxford University Press. 2018.
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Temporality and the cultivation of the self : French phenomenology and Foucault's late turn to the GreeksIn Jean-Marc Narbonne, Hans-Jürgen Lüsebrink & Heinrich Schlange-Schöningen (eds.), Foucault: repenser les rapports entre les Grecs et les Modernes, Presses De L'université Laval. 2020.
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10IntroductionSymposium 25 (1): 1-18. 2021.As a descriptive philosophy, it might seem that the ethical nowhere has its place in phenomenology. And yet, phenomenology is every-where shot through with normative concerns. This section includes articles from the 2018 conference Toward a Phenomenological Ethics, where two themes emerged regarding the elusive place of the ethical in phenomenology: first, research demonstrates that early phenomenology was indeed oriented by the ethical; second, Critical Phenomenology examines ethical questions …Read more
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10Immanence, Difference, and the Overcoming of Metaphysics. An Encounter with Leonard Lawlor, Early Twentieth-Century Continental PhilosophyPhaenex: Journal of Existential and Phenomenological Theory and Culture 8 (2). 2013.
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25Husserl’s crisis of the european sciences and transcendental phenomenology: An introductiondermot Moran cambridge: Cambridge university press, 2012, 323 pp., $30 (review)Dialogue 52 (1): 195-197. 2013.
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29I can” and “I speakChiasmi International 19 273-284. 2017.Although Merleau-Ponty and Blanchot both seek to undermine the classical subject of philosophical discourse as embodied in the self-transparent “I think,” their methodologies appear to be worlds apart. In his early work, Merleau-Ponty is engaged in a phenomenological rethinking of subjectivity via an elaboration of Husserl’s “I can,” whereas Blanchot seems to defer all subjectivity in his nomadic exploration of the space between literature, criticism, and theory. Rather than seeking to avoid thi…Read more
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14Le sujet de la sensation et le sujet résonantChiasmi International 19 143-162. 2017.Pour Merleau-Ponty et Nancy, le sujet et son monde co-naissent ensemble dans le mouvement paradoxal du sentir. Dans cette perspective, le sentir serait alors un point de départ privilégié afin de déconstruire les théories classiques de la subjectivité et pour construire une nouvelle compréhension décentrée du sujet. Même si ces deux philosophes divergent sur la question du sujet, il est possible de les rapprocher sur la question du sentir et en particulier à propos de l’expérience de l’écoute. D…Read more
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32Avant-proposSymposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 21 (2): 10-18. 2017.
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82Lancer comme une filleSymposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 21 (2): 19-43. 2017.
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24IntroductionSymposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 21 (2): 1-9. 2017.
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40Language and development: paradoxical trajectories in Merleau-Ponty, Simondon, and BergsonPhenomenology and the Cognitive Sciences 16 (4): 597-607. 2017.
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16Bergson et Deleuze sur L’évolution créatrice: Mot de présentationIthaque 21 167-176. 2017.Mot de présentation du dossier spécial intitulé "Bergson et Deleuze sur L’évolution créatrice"
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26This Phenomenological Patchwork (review)International Journal of Philosophical Studies 20 (4): 565-578. 2012.A Critical Notice of "The Routledge Companion to Phenomenology," Edited by Sebastian Luft and Søren Overgaard.
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93Merleau-Ponty and the Paradoxes of ExpressionBloomsbury Academic. 2013.Winner of the 2014 Edward Goodwin Ballard Award for an Outstanding Book in Phenomenology, awarded by the Center for Advance Research in Phenomenology. Merleau-Ponty and the Paradoxes of Expression offers a comprehensive reading of the philosophical work of Maurice Merleau-Ponty, a central figure in 20th-century continental philosophy. By establishing that the paradoxical logic of expression is Merleau-Ponty's fundamental philosophical gesture, this book ties together his diverse work on percept…Read more
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1Expression and Speaking-With in the Work of Luce IrigarayIn Luce Irigaray & Mary Green (eds.), Luce Irigaray: Teaching, Continuum. pp. 169-180. 2008.Although Luce Irigaray is critical of Merleau-Ponty's late work, I argue in this chapter that her approach to speaking-with suggests an important affinity with Merleau-Ponty's early account of expression.
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375Exploring the Work of Edward S. Casey: Giving Voice to Place, Memory, and Imagination (edited book)Bloomsbury Academic. 2013.From his initial writings on imagination and memory, to his recent studies of the glance and the edge, the work of American philosopher Edward S. Casey continues to shape 20th-century philosophy. In this first study dedicated to his rich body of work, distinguished scholars from philosophy, urban studies and architecture as well as artists engage with Casey's research and ideas to explore the key themes and variations of his contribution to the humanities. Structured into three major parts, the …Read more
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52Phronēsis and the Art of Healing: Gadamer, Merleau-Ponty, and the Phenomenology of Equilibrium in HealthHuman Studies 38 (2): 261-279. 2015.In the Nicomachean Ethics, Aristotle places the art of medicine alongside other examples of technē. According to Gadamer, however, medicine is different because in medicine the physician does not, properly speaking, produce anything. In The Enigma of Health, rather than introducing Aristotle’s intellectual virtue of phronēsis (practical wisdom) as a way of understanding medical practice, Gadamer focuses on how medicine is a technē “with a difference”. In this paper, I argue that, despite the ric…Read more
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2The Weight of OthersIn Luna Dolezal & Danielle Petherbridge (eds.), Body/Self/Others: The Phenomenology of Social Encounters, Suny Press. 2017.
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29Phenomenology, Ontology, and the Arts: Reading Jessica Wiskus's The Rhythm of Thought (review)Chiasmi International 15 346-352. 2014.
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67Expressive BodiesResearch in Phenomenology 45 (3): 369-385. 2015._ Source: _Volume 45, Issue 3, pp 369 - 385 In “The Vestige of Art,” Jean-Luc Nancy argues that art is neither representation nor inscription, but rather _exscription_. The figure is the vestige of an expressive gesture; it represents neither a separable idea nor the one who traced it but, rather _exscribes_ their presence and their world in the event of expression. As such, Nancy’s aesthetics in _The Muses_ deploys a certain logic of expression best understood in the tradition of Merleau-Pontia…Read more
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32Spielraum, phenomenology, and the art of virtue: hints of an ‘embodied’ ethics in KantInternational Journal of Philosophical Studies 24 (2): 234-251. 2016.Although the suggestion that Kant offers a significant contribution to Virtue Ethics might be a surprising one, in The Metaphysics of Morals Kant makes virtue central to his ethics. In this paper, I introduce a Merleau-Pontian phenomenological perspective into the ongoing study of the convergence between Kant and Virtue Ethics, and argue that such a perspective promises to illuminate the continuity of Kant’s thought through an emphasis on the implicit structure of moral experience, revealing the…Read more
Areas of Specialization
Applied Ethics |
Normative Ethics |
20th Century Philosophy |
Continental Philosophy |
European Philosophy |
Areas of Interest
Normative Ethics |
20th Century Philosophy |
Continental Philosophy |