Edna Langenthal

Following philosopher Maurice Merleau-Ponty’s unique phenomenology of embodiment and his understanding of three-dimensional space as existential rather than geometric, the article claims that despite sophisticated algorithmic imaging tools, architectural space as a space of meaningful experience does not subject itself to both two-dimensional and three-dimensional representations and simulations. Merleau-Ponty’s phenomenology is instrumental in helping identify a “blind spot” in contemporary architecture design process. Our experience of built space is always far more saturated (with regard both to the input of the senses and our cultural and personal background) than any sophisticated tool of representation. This paper draws a direct link between the invention of linear perspective and the use of digital three-dimensional visualization and the popular opinion that these are reliable tools with which to create architecture. A phenomenological analysis of Beaubourg Square in Paris serves as a case study that reveals the basic difference between experiencing space from the point of view of the actual subjective body who is present in space and experiencing designed space by gazing at its representation on a two-dimensional screen. Relying more and more on computation in architectural design leads to a rational mathematical conception of architectural space, whereas the human body as the actual experiencing presence of this space is overlooked. This article claims that in cases of great architecture, such as Beaubourg Square in Paris, the lived-experience of the built space is also the experience of bodily presence, which is a unique mode of existential meaning, which cannot be simulated or represented.