•  9
    Bimanual Coordination Drawing investigates visualising compositional rhythm in the genre of drawing, by using a bi-manual technique. This approach to drawing produces non-figurative artwork, pursuing the musical condition of visuality through the concept of ‘rhythm as composition’. The aim of BCD as a studio practise is to generate a variety of configurations or patterns according to the number of strokes/beats, which can be interpreted and analysed as forms of rhythmic structure. I have theoris…Read more
  • The principle aim of this paper is to articulate a means for understanding and seeing rhythm within theëthicknessí of the surface of Mondrianís early mature Neo-plastic canvases of around the 1920s, workswhich imply a ëlatentí sense of rhythm which is far more perplexing thanthe more obvious expression of visual rhythm of the Boogie Woogie paintings of the New York period. My goal is to provide the fundamentals for reading rhythm in Mondrianís early matureNeo-plastic paintings, which, in terms o…Read more