Elinor Hållén

What is creativity? It is clearly something we know by seeing it manifested in a multitude of different ways and contexts. It could perhaps stand as an emblematic example of the limitations of a general explanative account. In this anthology the editors have orchestrated an exceptionally inspiring collection of essays that explore the vast examples of creative language used in Wittgenstein's philosophical practice and the creative potentiality of language overall. The anthology consists of eleven essays divided into introduction, overture, and three parts containing three essays each. The collection offers a wide scope, ranging from styles of writing and aesthetic forms of expression to ethical reflections and...

Human agency is typically thought of as intentional, purposeful, reflective and, in many cases, autonomous. This paper discusses human agency that is compromised in some of these respects, and actions that are actions only in a qualified sense. The object of study is the agency of the leading character, Jeff, in the film noir Out of the Past, and Elizabeth Anscombe’s Intention is the primary source in analyzing Jeff’s behavior.Two excerpts from the film are presented and analyzed. The analysis of the first excerpt reveals agency that is merely weakly intentional; that is lacking in purposiveness and which displays ambivalence. Anscombe’s example of the man pumping water helps us see that Jeff’s actions are only intentional under some, basic, descriptions; that there is no intention of the action. Jeff does not really know his way about and his actions are not sufficiently grounded in reason. This, it is argued, is largely because he is not the author of his own actions: he is thrown into a situation set up by someone else. He enters in medias res and feels forced to act although he has limited knowledge of the meaning or purpose of the full action in which he partakes. In Anscombian vocabulary, he lacks the first-person practical knowledge typical of intentional action.In the second episode, Jeff protects Kathie the femme fatale, even when knowing that she has killed a man, stolen money, lied to Jeff, and is trying to frame him for murder. It is argued, in dialogue with Anscombe and Stoutland, that this case may be understood in terms of a mental cause rather than as an intentional action: Jeff’s actions and neglect to act is motivated by his passion for Kathie, it blinds him from considering what is reasonable and right to do.