University of Oxford
Faculty of Philosophy
DPhil, 2022
CV
New Brunswick, New Jersey, United States of America
Areas of Specialization
Epistemology
Philosophy of Mind
Areas of Interest
Epistemology
Philosophy of Mind
  •  77
    When is a concept a priori?
    Noûs. forthcoming.
    According to Michael Thompson’s defence of neo-Aristotelian naturalism in meta-ethics, (i) ‘[t]he concept LIFE-FORM is a pure or a priori, perhaps a logical, concept’, and (ii) ‘[t]he concept HUMAN, as we human beings have it, is an a priori concept’ (p. 57). Here I show Thompson’s argument for (ii) to be unsound, hoping thereby to shed light on the neglected subject of the a prioricity of concepts more generally.
  •  186
    What Do We See When We See Total Darkness?
    European Journal of Philosophy 25 (4): 1039-1061. 2017.
    Seeing total darkness is a peculiar perceptual state: in it, the subject is visually aware of something while seeming to fail to be aware of anything. Recent treatments of the topic (Sorensen 2008, Soteriou 2000) leave this particular puzzle unsolved. Here, I attempt a solution. Following Dretske, I begin by suggesting that the perceptual report ‘S sees (total) darkness’ is ambiguous between two distinct kinds of perceptual states: epistemic and non-epistemic. This will lead to an examination of…Read more
  •  156
    Showing, Telling, Understanding
    Mathematical Intelligencer 44 (2). 2022.
    I begin by proposing a notion of mathematical understanding; then I take a brief look at four approaches to the task of teaching infinity to mathematical novices—four approaches, that is, to “popular” philosophy and mathematics—and assess whether they provide such an understanding. But I don’t mean this to be a recommendation for or against any author. Rather, I want to submit the idea that mathematical understanding is an important dimension of popularizing efforts, all of which can be valuable…Read more
  •  69
    Virtual terrors
    Noûs 57 (4): 877-904. 2022.
    A long‐standing aim of cinema – in particular of ‘extreme’, ‘unwatchable’ or ‘feel‐ bad’ cinema – has been to acquaint viewers with extreme suffering. In this article I first offer an explication of that aim in terms of recent work in philosophy of mind, then exploit the resulting framework to examine claims to the effect that a new technological development, Virtual Reality, provides cinema's best shot at achieving that aim.