Eric Duffy

Sartre’s Being and Nothingness intends to establish a “phenomenology of action,” where being-for-itself is structured by the law of consciousness and intentionality. Choice organizes the situation while being determined by the limitation of facticity. Anguish and nausea are twin structures that concern the breakdown of the for-itself’s relation to its freedom and to objects as meaningful, respectively. Sartre’s The Imaginary clarifies the central conceit of the novel Nausea. Finally, the discussion of anguish and nausea provide central insights into Sartre’s theory of subjectivity and phenomenology of action.