Eugene Garver

Scholars of classical philosophy have long disputed whether Aristotle was a dialectical thinker. Most agree that Aristotle contrasts dialectical reasoning with demonstrative reasoning, where the former reasons from generally accepted opinions and the latter reasons from the true and primary. Starting with a grasp on truth, demonstration never relinquishes it. Starting with opinion, how could dialectical reasoning ever reach truth, much less the truth about first principles? Is dialectic then an exercise that reiterates the prejudices of one's times and at best allows one to persuade others by appealing to these prejudices, or is it the royal road to first principles and philosophical wisdom? In From Puzzles to Principles? May Sim gathers experts to argue both these positions and offer a variety of interpretive possibilities. The contributors' thoughtful reflections on the nature and limits of dialectic should play a crucial role in Aristotelian scholarship.

Spinoza’s Ethics, and its project of proving ethical truths through the geometric method, have attracted and challenged readers for more than three hundred years. In Spinoza and the Cunning of Imagination, Eugene Garver uses the imagination as a guiding thread to this work. Other readers have looked at the imagination to account for Spinoza’s understanding of politics and religion, but this is the first inquiry to see it as central to the Ethics as a whole—imagination as a quality to be cultivated, and not simply overcome. ​Spinoza initially presents imagination as an inadequate and confused way of thinking, always inferior to ideas that adequately represent things as they are. It would seem to follow that one ought to purge the mind of imaginative ideas and replace them with rational ideas as soon as possible, but as Garver shows, the Ethics don’t allow for this ultimate ethical act until one has cultivated a powerful imagination. This is, for Garver, “the cunning of imagination.” The simple plot of progress becomes, because of the imagination, a complex journey full of reversals and discoveries. For Garver, the “cunning” of the imagination resides in our ability to use imagination to rise above it.

The Crito dramatizes the impossibility, and the indispensability, of persuasion sby locating it between two extremes, Socrates and the Laws, the truths of philosophy and the force of politics. The question is whether those two limits are themselves inside or outside rhetoric. Can philosophy persuade, ormust it always be an alternative sto persuasion? Socrates insists on ignoring the opinion, and the power, of the many, and so the Laws have to show themselves as different from the opinion of the many in order for him to obey. If Socrates and the Laws cannot talk to each other, it is because philosophy and politics are incommensurable. If there is common ground, it is because persuasion can make the two, philosophy and politics, commensurable to each other. Socrates exhibits the philosopher’s task as transforming himself from a universal thinker into a particular agent, while the Laws face the opposite challenge, aspiring to a generality that makes them rational and normative, and so open to discourse and persuasion. The many whom Socrates constantly denigrates have the particularity of being fickle and changeable, while the Laws look rigid. Socrates, as he says in the Apology, is always the same. Both sides look to the flexibility and adaptability to circumstances central to rhetoric.

The Charmides, searching for a definition of temperance, constantly confronts problems of reflexivity, transparency and opacity. Transparency and opacity structures the Charmides, from the dramatic beginning of Socrates peeking inside Charmides’ cloak, to Charmides’ initial depiction of sôphrosynê as concealing what one can do. The final two proposed definitions of temperance in the Charmides, self-knowledge and the knowledge of knowledge, are explicitly reflexive. That reflexivity is best understood by juxtaposing it to transparency and opacity, in the issue of whether someone with knowledge of, say, the science of medicine, also knows the subject of medicine, health, or whether health is opaque to that second-order knowledge, and whether such opacity would be a defect or an advantage. In identifying self-knowledge with the knowledge of knowledge, as in many other things, Critias is a parody of Socrates. Critias’s knowledge of knowledge is a form of architectonic knowledge that, because of opacity, makes unnecessary any appeal to an objective truth and goodness beyond their political determinations. As such, it creates a serious challenge to Socratic claims that such appeals are unavoidable.

The great challenge of rhetorical argument is to make discourse ethical without making it less logical. This challenge is of central importance throughout the full range of practical argument, and understanding the relation of the ethical to the logical is one of the principal contributions the humanities, in this case the study of rhetoric, can make to legal scholarship. Aristotle’s Rhetoric shows how arguments can be ethical and can create ethical relations between speaker and hearer. I intend to apply Aristotle’s analysis to a phenomenon that did not yet exist for him, that of authority, by asking how the acts of asserting and accepting authority can be ethical acts. I take as a test case a peculiarly unfortunate and inept appeal to authority, that offered by the counsel for the District of Columbia in arguing Bolling v Sharp who cited Taney’s opinion in Dred Scott to clinch his point. By seeing just what goes wrong in such a maladroit appeal, I explore the rational, voluntary and ethical dimensions of a decision to accept a given commitment to authority. I use Joseph Raz’s analysis of authority and the relation of reason to authority, yet think I go beyond Raz by exploring the deliberate and voluntary nature of submission to authority. Choosing to be bound by an authority is an ethical act. As such it is always rational and yet never purely rational. The Supreme Court’s choice of authorities is part of its making itself into an authority, and is a paradigm of the ethical act of choosing to be obligated. Choosing to be committed or obligated is a central paradox of political theory and considerations of authority and obligation, at least since early social contract theorists. However, its importance for judicial reasoning, which at the same time chooses to submit to authority and itself becomes an authority, has not been noted. Consideration of the relations between the ethical and the logical can help us better to articulate the constitution of ethical authority.

Virtuous people, unlike the rich and poor, do not form factions. What, then, is the role of philosophical argument within political argument? Politics V can be read as a handbook of practical advice that will help any rulers to stay in power, but it in fact develops a more subtle, and radical, role for philosophy in political argument. Like virtue, philosophy cannot be partisan, but the philosophical understanding of faction that Aristotle presents here makes its own contribution to political stability

What is the good life? Posing this question today would likely elicit very different answers. Some might say that the good life means doing good—improving one’s community and the lives of others. Others might respond that it means doing well—cultivating one’s own abilities in a meaningful way. But for Aristotle these two distinct ideas—doing good and doing well—were one and the same and could be realized in a single life. In Confronting Aristotle’s Ethics, Eugene Garver examines how we can draw this conclusion from Aristotle's works, while also studying how this conception of the good life relates to contemporary ideas ofmorality. The key to Aristotle’s views on ethics, argues Garver, lies in the Metaphysics or, more specifically, in his thoughts on activities, actions, and capacities . For Aristotle, Garver shows, it is only possible to be truly active when acting for the common good, and it is only possible to be truly happy when active to the extent of one’s own powers. But does this mean we should aspire to Aristotle’s impossibly demanding vision of the good life? In a word, no. Garver stresses the enormous gap between life in Aristotle’s time and ours. As a result, this book will be a welcome rumination on not only Aristotle, but the relationship between the individual and society in everyday life.

In this major contribution to philosophy and rhetoric, Eugene Garver shows how Aristotle integrates logic and virtue in his great treatise, the _Rhetoric._ He raises and answers a central question: can there be a civic art of rhetoric, an art that forms the character of citizens? By demonstrating the importance of the _Rhetoric_ for understanding current philosophical problems of practical reason, virtue, and character, Garver has written the first work to treat the _Rhetoric_ as philosophy and to connect its themes with parallel problems in Aristotle's _Ethics_ and _Politics._ Garver's study will help put rhetoric at the center of investigations of practice and practical reason.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aristotle’s “De Interpretatione”: Contradiction and Dialectic by C. W. A. WhitakerEugene GarverC. W. A. Whitaker, Aristotle’s “De Interpretatione”: Contradiction and Dialectic. Oxford: Clarendon Press, 1996. Pp. x + 235. Cloth, $60.00.Traditionally, the De Interpretatione is placed in the Organon between the Categories and the Prior Analytics. Where the Categories is about single terms and the Analytics about inferences, the De Interpretatione is about propositions. That traditional view is presupposed by most contemporary studies of the work, which “concentrate on a small number of passages, which have been treated as isolated oases of philosophical interest in an otherwise barren work,” highlights which include “Aristotle’s semantic theory of philosophy of language” in the first chapter, the first four “linguistic chapters,” and chapter 9 on the Sea Battle (1). I suppose that the square of opposition could be added to Whitaker’s list.Whitaker, in this republication of a doctoral dissertation, wants to challenge both the traditional view and the contemporary concentration by instead studying the work as a coherent whole, whose subject, it turns out, is not propositions after all but “contradictory pairs, which are central to the working of dialectic” (2). The book then proceeds through the De Interpretatione, chapter by chapter. If he succeeds, the De Interpretatione will henceforth be read as preparation for the Topics, rather than for the Analytics. There are also three appendices examining the use of such contradictory pairs in Metaphysics IV, the Topics, and the Posterior Analytics.Thus, the first five chapters of the De Interpretatione explain the nature of assertions, name and verb, and “before that, how language is related to thought and to the real world, and how it is that utterances can make claims about things which are true or false” (8). Where names, verbs, and propositions are part of our ordinary understanding of language, contradictory pairs are not, but are a philosophical understanding of a linguistic structure that has a specifically philosophical, dialectical, purpose. The rest of the De Interpretatione, from chapter 6 on, is the examination of contradiction. Chapters 7–9 classify contradictory pairs by different criteria. Each of these chapters isolates an exception to “the rule that, in every contradictory pair, one member is true and the other false” (79). Chapter 7 looks at the first exception to the rule, “non-universal statements about universals” (91). Whitaker’s project looks good here, since he then shows the dialectical uses of such propositions, and denies their value for the deductive logic of the Analytics. Similarly, in Chapter 8 Aristotle looks at “apparently simple assertions... which are not single” (105), which also have important uses in dialectic. Finally, chapter 9 looks at the third exception to the rule, future singular assertions. One payoff of this book is to place the sea battle discussion in its Aristotelian context. [End Page 459] Whitaker says that most discussions of the sea battle assume that what is at stake is what he calls the “Principle of Bivalence” in which every assertion is either true or false. He instead insists that it is contradictory pairs, not single assertions, that are being tested by future contingents. He thus concludes: “Dialectic is a universal discipline, and its questioning can cover any subject where a question can be posed which has a right and a wrong answer. Chapters 7 to 9... demonstrate that there are limits to the universality of dialectic” (128).Whitaker follows the De Interpretatione chapter by chapter in the remainder of the book. He shows how the later chapters assist the dialectician in “sorting assertions into contradictory pairs” (181). And just as De Interpretatione begins with a consideration of the relation of language, thought, and the world, so it ends by showing the connection between contradictory propositions and opposed beliefs.Whitaker rarely strays from the De Interpretatione to show how our understanding of dialectic is improved by attention to this prerequisite. When he does, for example in a very short discussion of the relation of problems and propositions in the Topics, the results are illuminating. I would have liked more. This book should be useful to the growing numbers of scholars interested in Aristotle’s art of dialectic...

Spinoza is the great philosopher of the imagination and the first great philosopher of democracy. Rather than seeing democracy as a form of government that has overcome the need for imagination and symbols, he shows in the Tractatus Theologico-Politicus that an enlightened state depends on three myths: the myth of the sovereignty of the people so as to reconcile democracy as rule by the people with each individual living as he or she wants to live; the myth that we are a people, emotionally and morally tied to some people more than to others; and, finally, the myth that the people comprises individuals who are responsible for their own destinies. The democratic imagination differs from earlier forms of politics in that the people construct the social imaginary for themselves and are guided by it without deception. It is the social imaginary thus created, or these three myths, that make room for freedom of thought and therefore for democracy.

In lieu of an abstract, here is a brief excerpt of the content:680 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER 1995 cal advance over the criticisms of the Parmenidesas to say how the Theaetetusshould be called an "Eleatic" dialogue. The Sophist then reintroduces form, but in its epistemological aspect alone. Extensive use is made of the method of division, presented in the commentary as a rigorous method for precise definition, yet the Sophistfails to distinguish sophistry from philosophy. Two reasons are given. The final division locates sophistry under the productive, rather than the acquisitive arts. (The commentary indicates no surprise at sophistry being categorized as an art at all.) Moreover, the method of division makes no use of value, the real distinguishing feature of the two types of art, although Dorter argues that allusion is made to value through references to the Republic'stheory of soul. The Statesman fills in the missing feature by introducing measurement against the standard of the mean as opposed to relative measurement, finally reintegrating both features that Dorter considers salient aspects of Platonic forms: universality (sameness) from the Sophistand now value (the mean) in the Statesman. The commentary finds that the use of division in the Statesman, where it is not strictly dichotomous, evidences a "decline from the rigor and precision of the divisions in the Sophist"(l 8 l), despite the rejection of division by strict halving in the Phaedrusand in Aristotle. Lack of rigor is not, however, a reproach in Dorter's mind. This is a theme he first develops in commenting on the Parmenides. The methods of division and hypothesis "converge in the form of the good" (227). But where Plato would give "content to the Idea of the good, he eschews any formal methodology whatever, and resorts to the ambiguous world of myth" (242). Ultimately, on this view, assertions about the forms, and responses to many of the Parmenides' criticisms rest on analogy (3off.). Since analogy is identified with a breakdown of"rigor, analogy implies not a theory of proper proportions, but the use of poetic metaphor. The explanatory power of the theory of forms comes up short, which is not a fault of the specific theory of forms, but a fault in the nature of all theory. That rigor must inevitably be.jettisoned is a conclusion taken perhaps too much to heart in a commentary that voices the compelling view that these dialogues are masterpieces in metaphysics. DAVID AMBUEL Mary Washington College David J. Furlr and Alexander Nehemas, editors. Aristotle's "Rhetoric": Philosophical Essays. Proceedings of the Twelfth Symposium Aristotelicum. Princeton, NJ: Princeton University Press, 1994. Pp. xv + 322. Cloth, $45.oo. The Symposium Aristotelicum is a group of Aristotelian scholars who meet every three years, and publish a record of their proceedings. In 199~ they turned their attention to the Rhetoric.This, then, is a series of essays by Aristotelian scholars--more precisely, by scholars of ancient philosophy, since a couple are really specialists on Plato--looking at the Rhetoric. Few are identified as specialists on the Rhetoric itself, and none on the history of rhetoric or on classical oratory. People in those other groups would have very different, but of course not necessarily better, things to say about the Rhetoric. BOOK REVIEWS 68~ Nehemas states the conception of the project in his Introduction: "The essays presented in the 199o symposium and collected here.., address specific texts on the Rhetoric itself, but all of them also connect the Rhetoric with Aristotle's logical, methodological, ethical/political, and poetic views and treatises. A further central concern is, of course, the issue whether Aristotle does or does not respond to Plato's challenge against rhetoric successfully... " (xiii). As I will show, that "of course" is very problematic. The collection is divided into four sections. "The Arguments of Rhetoric" starts with M. F. Burnyeat's "Enthymeme: Aristotle on the Logic of Persuasion," which sets itself the task of determining whether, when Aristotle defines the enthymeme as a sullogismos tis, he means to call rhetorical argument a kind of syliogizing or "a sullogismos of a kind," and along the way offers an account of how Aristotle came later to be read as thinking of the enthymeme as a syllogism with a suppressed premise...