Fabio Fossa

L’Intelligenza Artificiale Generativa (IAG) pone sfide inedite all’educazione universitaria. Dalla definizione dei contenuti alla valutazione delle prove e alla determinazione delle modalità di esame, questo nuovo e potente strumento inaugura una stagione di cambiamenti su cui è urgente riflettere. La tecnologia contribuisce da sempre a dare forma al lavoro didattico, il quale evolve anche alla luce delle opportunità e dei rischi che essa introduce. Come far sì che l’evoluzione stimolata dall’IAG sia felice, ovvero serva i valori e gli obiettivi della didattica e delle persone che la vivono? Ne ho discusso con alcuni colleghi dell’Unità di Studi META del Politecnico di Milano – docenti impegnati a vario titolo in corsi di carattere filosofico e sociale rivolti a studenti di formazione tecnica.

This book reports on theoretical and practical analyses of the ethical challenges connected to driving automation. It also aims at discussing issues that have arisen from the European Commission 2020 report “Ethics of Connected and Automated Vehicles. Recommendations on Road Safety, Privacy, Fairness, Explainability and Responsibility”. Gathering contributions by philosophers, social scientists, mechanical engineers, and UI designers, the book discusses key ethical concerns relating to responsibility and personal autonomy, privacy, safety, and cybersecurity, as well as explainability and human-machine interaction. On the one hand, it examines these issues from a theoretical, normative point of view. On the other hand, it proposes practical strategies to face the most urgent ethical problems, showing how the integration of ethics and technology can be achieved through design practices. All in all, this book fosters a multidisciplinary approach where philosophy, ethics, and engineering are integrated, rather than just juxtaposed. It is meant to inform and inspire an audience of philosophers of technology, ethicists, engineers, developers, manufacturers, and regulators, among other interested readers.

This short paper offers a preliminary inquiry into the impacts of driving automation on personal autonomy. Personal autonomy is a key ethical value in western culture, and one that buttresses fundamental components of the moral life such as the exercise of responsible behaviour and the full enjoyment of human dignity. Driving automation simultaneously enhances and constrains it in significant ways. Hence, its moral profile with reference to the value of personal autonomy is uncertain. Ethical analysis shows that such uncertainty is due not just to the complexity of the technology, but also to the multifaceted normative profile of personal autonomy, which offers reasons to support both conditional and full driving automation. The paper sheds light on this duplicity, underlines the challenges this poses to the ethics of driving automation, and advocates for further research aimed at providing practitioners with more fine-grained guidelines on such a delicate issue.

Among the many forms of artistic expression that characterize the digital era, remix occupies a rather central position. At the same time, however, the success of remix as an artistic practice raises several hard questions. What is original and what is derived? How can we sort out and make sense of questions concerning origination and derivation in situations where one thing is appropriated, reused, and repurposed for something else? What theory of moral and aesthetic value can accommodate and explain these situations where authorship, authority, and origination are already distributed across a network of derivations, borrowings, and re-appropriated found objects? This paper develops a response to these questions, and it does so in three steps or movements. The first briefly introduces the concept of remix and the opportunities and challenges that this now wide-spread, content creation practice presents to existing models and theories of moral and aesthetic value. The second outlines the three elements of what I call “remixology”—a new axiology (or theory of moral and aesthetic value) that is designed to scale to these new opportunities and challenges. The third and final movement investigates the consequences of this proposal, demonstrating how remixology can be read backwards through time, providing us with some new perspectives on artistry and creativity in all human endeavors, and read forwards into the emerging challenges that have been made available by innovations in algorithmic content generation and computational creativity.

Recent research in the field of social robotics has shed light on the considerable role played by biases in the design of social robots. Cues that trigger widespread biased expectations are implemented in the design of social robots to increase their familiarity and boost interaction quality. Ethical discussion has focused on the question concerning the permissibility of leveraging social biases to meet the design goals of social robotics. As a result, integrating ethically problematic social biases in the design of robots-such as, e.g., discriminatory gender stereotypes-has been opposed as morally unacceptable. Building on this debate, the present paper explores a related but different question: would it be permissible to design social robots in ways that intentionally challenge widespread discriminatory social biases, thus fostering moral education? The analysis shows that, while the potential benefits of such a design strategy could be significant, its practical endorsement raises important ethical issues. Hence, caution and further discussion are advised.

The purpose of Machine Ethics is to develop autonomous technologies that are able to manage not just the technical aspects of a tasks, but also the ethical ones. As a consequence, the notion of Artificial Moral Agent (AMA) has become a fundamental element of the discussion. Its meaning, however, remains rather unclear. Depending on the author or the context, the same expression stands for essentially different concepts. This casts a suspicious light on the philosophical significance of Machine Ethics. In particular, the risk arises of discarding Machine Ethics as a whole on the basis of accusations that, however, apply exclusively to one specific understanding of what AMAs are – but not to other, more adequate and convincing conceptualisations. To avoid this pitfall, this essay tries to elaborate a philosophically sound interpretation of AMAs and to sketch its primary component, i.e., the notion of functional ethics.

Artificial agents are commonly described by using words that traditionally belong to the semantic field of organisms, particularly of animal and human life. I call this phenomenon the game of semantic extension. However, the semantic extension of words as crucial as “autonomous”, “intelligent”, “creative”, “moral”, and so on, is often perceived as unsatisfactory, which is signalled with the extensive use of inverted commas or other syntactical cues. Such practice, in turn, has provoked harsh criticism that usually refers back to the literal meaning of the words to show their inappropriateness in describing artificial agents. Hence the question: how can we choose our words appropriately and wisely while making sense of artificial agents? After a brief introduction (§1), in §2 I present the starting point of my argument, which consists in the assumption that the dimensions of technology and language are deeply entangled. In §3 I discuss how this assumption impinges on the issue of choosing the right words to talk about artificial agents. §4 is an exposition of the main features of the game of semantic extension, while §5 reviews the related opportunities and risks. Finally, §6 elaborates some practical suggestions on how to play the game well

The concept of autonomy is crucial for the theoretical characterization of robots and, more in general, complex technological artifacts. The aim of this paper is to provide a conceptual and logical framework in which it is possible to define two concepts of autonomy: autonomy of performance and autonomy of process. The analysis is carried out exploiting the logical resources of the counterfactual semantics-developed by Lewis' and Stalnaker's seminal works-and branching structures of the possible courses of actions. It allows to differentiate the autonomy of a robotic arm from the autonomy of a highly complex machine-like rovers for the explorations of the planets. The clarification of the concept of autonomy is, moreover, an essential precondition for the investigation concerning the ethics of artificial agents.

This book offers a systematic and thorough philosophical analysis of the ways in which driving automation crosses path with ethical values. Upon introducing the different forms of driving automation and examining their relation to human autonomy, it provides readers with in-depth reflections on safety, privacy, moral judgment, control, responsibility, sustainability, and other ethical issues. Driving is undoubtedly a moral activity as a human act. Transferring it to artificial agents such as connected and automated vehicles necessarily raises many philosophical questions. When driving is automated, what happens to its ethical dimensions? Could artificial agents accomplish ethical objectives on our behalf, take moral decisions in our place, and drive us into a more ethical transportation future? In doing so, would they be “moral” as we are or in a way that is similar to, but also remarkably different from, our own? And what role is yet to be played by human responsibility and commitment? The book addresses these questions with the aim of stimulating an interdisciplinary dialogue between different stakeholders. They include automotive engineers, computer scientists, and moral philosophers, as well as industry representatives, policymakers, regulators, transportation experts, and the general public. Indeed, connected and automated vehicles will not take the high road for us . We must drive them there.

In this paper we offer an overall account of the complex and multilayered Italian reception of Hans Jonas’ philosophy, with an eye to its specific features compared to what happened elsewhere. After an introductory foreword the paper is structured in four sections and a brief conclusion, each of which deals with a peculiar aspect of Jonas’ thought: ethics and bioethics, philosophical biology and ontology of life, gnostic and religious studies, studies in the history of philosophy. In the final section we sum up the overall meaning of the «Wirkungsgeschichte» of Jonas’ philosophy in Italy and highlight possible lines of research still to be accomplished.

Between Timelessness and History: The Image of the Human Being in Hans Jonas’ Ethics. This essay offers a contribution to the inquiry into the notion of image of the human being in Hans Jonas’ ethics. More specifically, passages from Das Prinzip Verantwortung and Technik, Medezin und Ethik are discussed to shed light on the complex temporal character that the image exhibits, stretched between the atemporality of what is equal to itself and the vulnerability that is distinctive of historical time. Particular attention is dedicated to the fact that Jonas depicts the image as cross-cutting usual dichotomies such as temporal and timeless, permanent and changing, historical and non-historical – perhaps even transcendent and immanent. Albeit within its limits, the present work identifies the paradoxical temporal character of the image and, in so doing, points to a middle way between essentialism and relativism that may help rethink the relation between ethical values and historical time.

The purpose of this essay is to determine the domain of validity of the notions developed in Machine Ethics [ME]. To this aim, I analyse the epistemological and methodological presuppositions that lie at the root of such technological project. On this basis, I then try and develop the theoretical means to identify and deconstruct improper applications of these notions to objects that do not belong to the same epistemic context, focusing in particular on the extent to which ME is supposed to feedback onto moral philosophy. By highlighting the inadequacy of many approaches to the supposed philosophical implications of ME, I wish to redirect attention to its actual scope and to stress its relevance for the social acceptance of autonomous technologies. The essay is structured as follows. After a brief introduction (§ 1), in § 2 I shed light upon the link between the current trend of robotic development toward greater degrees of autonomy and the corresponding need for artificial moral agents that fuels research in ME. I then present the epistemological profile of ME in § 3, focusing on its main component, i.e., the modelling of human moral agency in the language of robotics and computer science. In § 4 I deal with cases in which such model is brought to bear on human ethics and moral philosophy as well, whilst in § 5 I develop a criticism of this extension based on an account of the actual epistemological relations that obtain between philosophical and technological knowledge in the context of the ME project. In § 6 I discuss the role that the ordinary use of language plays in the process of extending machinerelated notions to other domains of knowledge and, finally, I clarify what the appropriate scope of machine ethics is notwithstanding its many utopian or dystopian misinterpretations.

In response to the many social impacts of automated mobility, in September 2020 the European Commission published Ethics of Connected and Automated Vehicles, a report in which recommendations on road safety, privacy, fairness, explainability, and responsibility are drawn from a set of eight overarching principles. This paper presents the results of an interdisciplinary research where philosophers and engineers joined efforts to operationalize the guidelines advanced in the report. To this aim, we endorse a function-based working approach to support the implementation of values and recommendations into the design of automated vehicle technologies. Based on this, we develop methodological tools to tackle issues related to personal autonomy, explainability, and privacy as domains that most urgently require fine-grained guidance due to the associated ethical risks. Even though each tool still requires further inquiry, we believe that our work might already prove the productivity of the function-based approach and foster its adoption in the CAV scientific community.

Dalle decisioni algoritmiche alle raccomandazioni sugli acquisti, dai sex robot alla sorveglianza sociale, dalla cybersicurezza all’autonomia operativa dei veicoli e delle armi, l’impatto dell’intelligenza artificiale e della robotica sulla vita delle persone è sempre più ramificato e pervasivo. Il volume offre un quadro d’insieme delle questioni etiche sollevate dall’incontro tra automi e individui nella società contemporanea: la protezione dell’autonomia a fronte della raccolta minuziosa di dati personali, le forme di benessere collettivo da promuovere attraverso l’automazione, la trasparenza e l’equità delle decisioni prese con il supporto di un algoritmo, il ruolo dei sistemi intelligenti nella crisi ambientale. L’automazione non è segno incontrovertibile di sventura, ma nemmeno indizio sicuro di progresso. Cosa sarà delle persone, delle società e della vita sul nostro pianeta dipende in modo cruciale da come sapremo affrontare le sfide etiche dell’età degli automi.

As Artificial Intelligence (AI) becomes more and more pervasive in our everyday life, new questions arise about its ethical and social impacts. Such issues concern all stakeholders involved in or committed to the design, implementation, deployment, and use of the technology. The present document addresses these preoccupations by introducing and discussing a set of practical obligations and recommendations for the development of applications and systems based on AI techniques. With this work we hope to contribute to spreading awareness on the many social challenges posed by AI and encouraging the establishment of good practices throughout the relevant social areas. As points of novelty, the paper elaborates on an integrated view that combines both human rights and ethical concepts to reap the benefits of the two approaches. Moreover, it proposes innovative recommendations, such as those on redress and governance, which add further insight to the debate. Finally, it incorporates a specific focus on the Italian Constitution, thus offering an example of how core legislations of Member States might contribute to further specify and enrich the EU normative framework on AI.

The increase in the spread of conversational agents urgently requires to tackle the ethical issues linked to their design. In fact, developers frequently include in their products cues that trigger social biases in order to maximize the performance and the quality of human-machine interactions. The present paper discusses whether and to what extent it is ethically sound to intentionally trigger gender biases through the design of virtually embodied conversational agents. After outlining the complex dynamics involving social biases, social robots, and design, we evaluate the ethics of integrating gender cues in conversational agents, analysing four different approaches to the problem. Finally, we suggest which approach in our opinion might have the best chances to reduce the negative effects of biases and discriminatory visions of gender dynamics.

In Italien erlangte Hans Jonas, ähnlich wie in andersen Ländern, öffentliche Anerkennung dank seines Werks Das Prinzip Verantwortung, das 1990 ins Italienische übersetzt wurde. Die Übersetzung weckte das Interesse einer breiten Öffentlichkeit sowohl an seinem bioethischen Ansatz als auch an seinen früheren philosophisch-biologischen Schriften. Die Besonderheit des italienischen Kontexts besteht jedoch darin, dass der Philosoph in der akademischen Welt bereits lange vor seiner eingangs erwähnten allgemeinen Anerkennung und ›Entdeckung‹ in der Öffentlichkeit durch seine Arbeiten über die spätantike Gnosis gut bekannt war.

Wie aus Jonas’ zahlreichen biographischen Erinnerungen hervorgeht, war die kritische Auseinandersetzung mit der Analogie zwischen Gnosis, Existentialismus und Nihilismus eine entscheidende Etappe seiner intellektuellen Reise. Jonas hat eine solche Einschätzung ausdrücklich in »Gnosis, Existentialismus und Nihilismus « vorgenommen, einem Aufsatz, den der Philosoph mehrmals in englischer und deutscher Sprache überarbeitet und neu aufgelegt hat. Dort schlug Jonas eine Kritik des Existentialismus vor, indem er diesen mit der Gnosis in Bezug setzte.

The aim of this paper is to discuss how the image of the artist has formed in Western culture and how digital art may shed light on some of its internal contradictions, if not perhaps even help us overcome them. Firstly, I take into consideration the Jewish and Christian tradition according to which the image of God as Creator may play the role of the archetypal artist, of whom the human artist is a sort of copy and imitator – an idea that fully established itself during the Renaissance and even now widely influences the image of the creative artist, whom is commonly endowed with an almost absolute subjectivity able to derive from her boundless spontaneity everything is needed for the making of the work of art. Next to the image of God as Creator I focus on the influence exerted by the Platonic myth of the Demiurge, the divine craftsman who, trusting its own ability and insight, shapes a given matter according to a preexisting model it contemplates. It will then be shown how the image of the Demiurge might temper the absoluteness proper to the notion of the artist deriving from the image of God as Creator and, therefore, how it might help rediscover the dimension of historicity and conditionedness that is inseparable from human artistic creativity, even though it has been strongly downplayed and despised. Finally, I argue that the philosophical study of digital art – particularly of computational creativity and remix – may offer a precious occasion for shedding new light on the objective and conditioned elements of artistic creativity and, as such, may lead the way towards a reconfiguration of the image of the artist (and of the many concepts connected to it) not under the absolute sign of God as Creator, but rather under the historical aegis of the Demiurge.

As technologies become more and more pervasive in our everyday life new questions arise, for example, about security, accountability, fairness and ethics. These concerns are about all the realities that are involved or committed in designing, implementing, deploying and using the technology. This document addresses such concerns by presenting a set of practical obligations and recommendations for the development of applications and systems based on Artificial Intelligence (AI) techniques. These are derived from a definition of rights resulting from principles and ethical values rooted in the foundational charters of our social organization.

The purpose of this essay is to attempt an interpretation of Hans Jonas’s philosophical approach to tradition in terms of an exercise in critical thinking. Although several modern authors have seen in tradition a normalizing and conservative force that either constrains the powers of human reason or prevents new disruptive ideas from thriving, other philosophers have contested this accusation and concurred to sketch the general guidelines of a theory of the critical value of tradition. Commenting on both published and unpublished material, I claim that Jonas’s meditation on the history of western culture belongs to this latter stance. Moving from this thesis, I then analyse some passages of Jonas’s oeuvre where his position concerning the critical potential of tradition is theorised or directly put into practice. In particular, I focus on the essay The Practical Uses of Theoryand on an unedited transcription of the 1967 conference Contemporary Problems in Science and Ethics. A Jewish Comment.

In scientific communications, journal articles, and philosophical aesthetic debates the words “art”, “creativity”, and “machine” are put together more and more frequently. Since some machines are designed to, or happens to, imitate human artistic creativity, it seems natural to use the same words to talk about human artists and machines which imitate them. However, the evolution of language in light of technology may conceal specific features of the phenomena it is supposed to describe. This makes it difficult to understand what machine creativity actually is and how it is connected to human creativity. The aim of the paper is to investigate why, and in what sense, the functioning of some machines may be described in terms of artistic creativity and what is the relation between machine creativity and its human archetype. I start (§1) by introducing some general ideas concerning how language evolves alongside new technologies and focusing on the case of machine creativity. In §2 I review how some creative machines have been presented to the public, thus showing that a linguistic habit which connects machines to artistic creativity has already formed. In §3 I survey the debate on machine aesthetics and I highlight the main traits of the issue. In §4 I submit a primary scheme of machine creativity which draws on the concept of functional autonomy. Finally (§5), I argue that machine creativity cannot be mistaken for a substitute of the human kind, despite the fact that the word is the same. Creative machines are technological mediums by which new forms of human aesthetic experience can be explored. The kind of creativity machines enjoy displays a functional nature

The aim of this paper is to clarify the extent to which relationships between Human Agents (HAs) and Artificial Agents (AAs) can be adequately defined in terms of trust. Since such relationships consist mostly in the allocation of tasks to technological products, particular attention is paid to the notion of delegation. In short, I argue that it would be more accurate to describe direct relationships between HAs and AAs in terms of reliance, rather than in terms of trust. However, as mediums of human actions to which tasks are delegated, AAs indirectly mediate trust between users and other social actors involved in their design, manufacture, commercialisation and deployment. In this sense, AAs mediate social trust. My conclusion is that relationships between HAs and AAs are thus to be understood directly in terms of reliance and indirectly in terms of social trust mediation.

Late antique Gnosticism and Heidegger’s Existentialism are usually counted among the main theoretical targets of Hans Jonas’s philosophy of life and responsibility, since they are supposed to share the dualistic and nihilistic attitude the philosopher deemed most mistaken and pernicious. In particular, Gnosticism is commonly understood as the exact opposite of what Jonas strove to accomplish in his work. However, I think it is simplistic to relegate Gnosticism to a merely antagonistic role in the development of Jonas’s philosophy. My claim is that Gnosticism, being a non-nihilistic form of dualism, might have been a relevant source of inspiration – although not the only one – for amending the flaws of Heidegger’s Existentialism. By taking a closer look at the essay Gnosticism, Existentialism, and Nihilism, this article aims to clarify the critical and constructive role that Gnosticism might have played in shaping some of the major traits of Jonas’s thought. The first part of this essay deals with Jonas’s ‘gnostic reading’ of Heidegger’s Existentialism and highlights the positive insights drawn from such interpretative strategy. The second part focuses on three main motives in Jonas’s philosophy that may be traced back to the gnostic narrative: value objectivity and vulnerability, human responsibility and involvement in the history of being, and the sense of belonging to a wider dimension capable of providing orientation and meaning to human life.

In this essay I try to determine the extent to which it is possible to conceive robots and organisms as analogous entities. After a cursory preamble on the long history of epistemological connections between machines and organisms I focus on Norbert Wiener’s cybernetics, where the analogy between modern machines and organisms is introduced most explicitly. The analysis of issues pertaining to the cybernetic interpretation of the analogy serves then as a basis for a critical assessment of its reprise in contemporary robotics and AI, where the line between organisms and technologies gets even more blurred. In brief, I argue for the necessity of defining the extent to which the analogy between robots and organisms applies in order not only to harness its heuristic potential, but also to keep track of the pivotal differences that distinguish the two classes of entities. Finally, I discuss how the ordinary use of language and the peculiar status of the idea of robot obstruct awareness of the differences between robots and organisms.

The purpose of this paper is to offer some critical remarks on the so-called pragmatist approach to the regulation of robotics. To this end, the article mainly reviews the work of Jack Balkin and Joanna Bryson, who have taken up such ap- proach with interestingly similar outcomes. Moreover, special attention will be paid to the discussion concerning the legal fiction of ‘electronic personality’. This will help shed light on the opposition between essentialist and pragmatist methodologies. After a brief introduction (1.), in 2. I introduce the main points of the methodological debate which opposes pragmatism and essentialism in the regulation of robotics and I examine how legal fictions are framed from a pragmatist, functional perspective. Since this approach entails a neat separation of ontological analysis and legal rea- soning, in 3. I discuss whether considerations on robots’ essence are actually put into brackets when the pragmatist approach is endorsed. Finally, in 4. I address the problem of the social valence of legal fictions in order to suggest a possible limit of the pragmatist approach. My conclusion (5.) is that in the specific case of regulating robotics it may be very difficult to separate ontological considerations from legal reasoning—and vice versa—both on an epistemological and social level. This calls for great caution in the recourse to anthropomorphic legal fictions.

Lo scopo di questo saggio consiste nell’individuare un punto di partenza adeguato per lo sviluppo di una teoria filosofica delle etiche applicate, cioè di un discorso che si assuma il compito di comprendere che cosa siano le etiche applicate, quali siano le loro strutture principali, in che cosa consista la loro novità e quale significato esse rivestano nei confronti del pensiero morale. Un approccio organico e unitario a questi temi, tuttavia, non è ancora stato impostato. Per questo motivo si rende innanzitutto necessaria una analisi preliminare volta sia a chiarire la possibilità di una simile indagine, sia ad individuare un punto di partenza da cui muovere. Si propone così per prima cosa una discussione critica dei diversi termini a cui si ricorre per nominare il fenomeno sotto esame (§2, problema terminologico). In seguito si affronta la questione dei rapporti reciproci delle diverse etiche applicate e della relazione che esse intrattengono con la filosofia morale e i saperi in cui si inscrivono (§3, problema architettonico). Infine, si riconducono le controversie ad un problema fondamentale (§4), relativo al tema dell’applicazione e del rapporto di teoria e prassi nell’esperienza morale. L’esperienza di tale problema rappresenta il contenuto unificante delle etiche applicate e, allo stesso tempo, ne rende evidente il carattere propriamente filosofico. Da una sua discussione non solo l'etica applicata può trarre preziose informazioni su di sé, ma la stessa filosofia morale può guadagnare un nuovo accesso ad alcuni dei suoi temi principali.