Federico Monaro

In this paper I will try to show how magic and technology might be associated taking both into account as a cultural expression of contemporary society. I will argue that technology penetrates magic, creating a specific dynamic which raises ethical dilemmas. The underlying idea, following a long tradition of thought, is that technology represents a kind of "second human nature." As Arnold Gehlen claims, the technical attitude (Technik) compensates for the structural deficiency of humans, allowing them a gradual opening to the world. But magic is also an expression of this attitude, insofar as it tends to mimic natural mechanisms. Magic expresses itself with instructions, rules, and purposes, as much as technology does. Precisely for this reason magic also involves the same rationality typical of the developmental mode of technology, sharing the same objective. I will argue that Christopher Nolan's movie The Prestige (2006) shows an example of technological integration inside magic itself, highlighting two orders of problems: one ethical and the other intrinsic to the magical act and its nature.

In this paper I try to show the relationship between the concept of freedom and the concept of technique as developed by Günther Anders. I will argue that in Anders’ writings there is a specific conception of freedom. The underlying idea is that freedom represents a sort of pathology. Humans live as strangers in the world, lacking in an a priori endowment that, for this very reason, they have to realize. Man acts as a producer of useful objects for his own survival, and in this sense, there is a freedom to use technical capacity. Man is free to use technology to live in the world and without technology man couldn’t survive. Thus, with his own hands man manipulates the world, the production of which is led by a series of steps from a lack to technology, from abstraction to realization. The use of technology, however, according to Anders, is dramatic because there is no freedom, except to be free to use technology.