Felipe Nogueira de Carvalho

The narratives we have about ourselves are important for our sense of who we are. However, our narratives are influenced, even manipulated, by the people and environments we interact with, impacting our self-understanding. This can lead to narratives that are limited, even harmful. In this paper, I explore how our narrative agency is constrained, to greater and lesser degrees, through a process I call ‘narrative railroading’. Bringing together work on narratives and 4E cognition, I specifically explore how using features of our socio-material environments to support and construct our narratives does not simply offer up possibilities for creating more reliable and accurate self-narratives (Heersmink 2020) but can lead to increasingly tight narrative railroading. To illustrate this idea, I analyse how digital technologies do not neutrally distribute our narratives but dynamically shape and mould narrative agency in ways that can restrict our self-understanding, with potentially harmful consequences. As such, I argue that we need to recognise that digital devices not only support narratives but work as powerful narrative devices, shaping and propagating the kinds of narratives that we self-ascribe and act in accordance with.

For several decades, research on situated cognition and affectivity has neglected cases in which environmental features in the niche have a negative impact on agents’ cognitive and affective wellbeing. Recently, however, a new research cluster has emerged that explores how things, technologies, and organisational systems across corporate, healthcare, and educational sectors wrongfully harm certain kinds of agents. This article contributes to this research cluster by integrating work on negative niche construction, structural oppression, enculturation, and self-narration. It thereby offers a new perspective on the negative, structurally oppressive impact of the socio-culturally shaped niche on enculturated self-narration. The main argument is that master plots, understood as narrative arrangements that dominate in the socio-culturally shaped niche, contribute to the structural oppression of enculturated self-narrators with systematically undermined socio-cultural identities. An analysis of the influence of pronatalist master plotting on enculturated self-narration serves to illustrate and strengthen the overall argument.

Although it is now commonplace to take emotions to be the sort of phenomena for which there are reasons, the question of how to cash out the reason- responsiveness of emotions remains to a large extent unanswered. I highlight two main ways of thinking about reason-responsiveness, one that takes agential capacities to engage in norm-guided deliberation to underlie reason-responsiveness, and another which instead takes there to be a basic reason-relation between facts and attitudes. I argue that the latter approach should be preferred. Not only does a reasons-basic approach promise to fare better in accounting for cases that its opponent struggles to accommodate, but it promises also to uncover a sui generis relation between emotions and their reasons which is at best obscured and at worst denied by its opponent