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26Xi Han jing xue yu zai yi si chao =Zhonghua shu ju. 2022.全书以灾异思想为切入点,以西汉经学灾异思想与思潮为中心,结合先秦至西汉间的时代背景与思想氛围,在细致考察与解读相关文本的基础上,对西汉经学灾异思想的观念来源与理论先导、创立过程与时代特色、理论形态与建构方法,以及灾异思潮与现实政治的互动等问题,进行了全面深入的研究和探讨;对于经学灾异思想何以会在西汉建立、经学灾异思潮缘何会在西汉爆发、经学灾异论造成了怎样的历史影响,以及如何评价灾异论氛围中的西汉儒学与儒生群体等问题,本书也进行了系统的反思,并提出了一系列见解。
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5Danto’s indiscernibility: an intercultural interpretationRivista di Estetica 80 80-95. 2022.To discern the indiscernibles is the main purpose of Danto’s philosophy of art. Influenced by analytical philosophy, Zen Buddhism, and symbolism, three ways of discernment can be identified in Danto’s text: the external discernment, the internal discernment, and the middle discernment, which, roughly speaking, mean a discernment by means of examining the object, self-reflection or enlightenment, and the relation between experience and expression, in Danto’s terms, the aboutness and embodiment, r…Read more
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8北京大学光彩著作基金资助出版.
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Part III: Chinese Aesthetics. Introduction: From the Classical to the Modern / Gao Jianping ; Several Inspirations from Traditional Chinese Aesthetics / Ye Lang ; The Theoretical Significance of Painting as Performance / Gao Jianping ; A Study in the Onto-Aesthetics of Beauty and Art: Fullness (chongshi) and Emptiness (kongling) as Two Polarities in Chinese Aesthetics / Cheng Chung-ying ; On the Modernisation of Chinese AestheticsIn Ken'ichi Sasaki (ed.), Asian Aesthetics, National Univeristy of Singapore Press. 2010.
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612 Filming the Everyday: Between Aesthetics and PoliticsIn Eva Kit Wah Man & Jeffrey Petts (eds.), Comparative Everyday Aesthetics: East-West Studies in Contemporary Living, Amsterdam University Press. pp. 221-234. 2023.
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17True Self and True Thing: A New Reading and Reinterpretation of Wang Lü's "Preface to the Second Version of the Mount Hua Paintings"Philosophy East and West 73 (1): 126-145. 2023.Abstract:The most important themes of Wang Lü's painting theory are the "true self" and the "true thing." One reason this topic has not received sufficient attention is that the original text was altered. This article aims to correct and reinterpret the text. After textual research and interpretation, Wang Lü's paintings and painting theory have been reevaluated. This article also responds to some difficult topics such as the relationship between "form" (ᔶ) and "meaning" (ᛣ) and between "followi…Read more
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25‘Betweenness’ and ‘twofoldness’: A cross-cultural interpretation of the aesthetic appreciation of paintingsAsian Philosophy 33 (2): 110-124. 2023.In appreciating paintings, what we experience is either a result of their medium or object, regardless of whether the object is an actual thing, a fictional thing, an internal emotion, an abstract idea, or something else. However, the conceptions of ‘betweenness’ in traditional Chinese aesthetics and ‘twofoldness’ in contemporary Western aesthetics tell us that our experience of paintings might not be simply from the object or the medium itself but rather from a relation between the two. This st…Read more
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45Arthur Danto as a Zen master: an interpretation of Danto’s philosophy of art from a Zen perspectiveAsian Philosophy 31 (1): 33-47. 2021.Arthur Danto is one of the best Anglophone philosophers of art of the second half of the 20th century. His unique methodology of indiscernibility and provocative claim about the end of art have bee...
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43Beauty (Mei_, 美) in the _Zhuangzi and Contemporary Theories of BeautyJournal of Aesthetic Education 54 (2): 21-38. 2020.Mei in Chinese is normally translated into English as "beauty" or "the beautiful." The nature of mei is not a central theme in Zhuangzi's philosophy; neither is it a concept of particular importance in traditional Chinese aesthetics. The core concepts of Chinese aesthetics, according to historians of Chinese aesthetics, are dao, qi, and xiang, but mei is not one of them.1 In Chinese aesthetic history, we see different points of emphasis in contrast to the prevailing concern with beauty in Wester…Read more
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12Significance or presence: re-conceptualizing Pluralism from a confucian perspectiveRivista di Estetica 72 19-29. 2019.Under the influence of the linguistic turn in philosophy, contemporary Western philosophers typically limit their thinking on pluralism to the realm of language. This sort of pluralism can be named as pluralism of significance. I propose another version of pluralism in light of Confucianism, which extends the concerns from the realm of language to the realm of experience – I call it pluralism of presence. In this article, I first expound the aforementioned two versions of pluralism on the basis …Read more
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1012. Fact and Experience: A Look at the Root of Philosophy from the Happy Fish DebateIn Roger T. Ames & Takahiro Nakajima (eds.), Zhuangzi and the Happy Fish, University of Hawaii Press. pp. 229-247. 2015.
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51Li Yu's Theory of Drama: A Moderate MoralismPhilosophy East and West 66 (1): 73-91. 2016.Chinese drama was developed in the thirteenth century, but its roots can be traced back to music, one of the six arts, the main subjects in the Confucian curriculum. Yue is not only a synthesis of instrumental music, song, poetry, and dance as aspects of the fine arts, but also a method to promote moral education. In Confucianism, moral implications trump all other considerations in the discussion and evaluation of yue. This is what makes Confucianism the radical moralism that dominated Chinese …Read more
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6Wan mei de zi ran: dang dai huan jing mei xue de zhe xue ji chuBeijing da xue chu ban she. 2005.本书作者力图在社会与自然日益紧绷的张力之下,从中国传统的儒道禅到康德、杜夫海纳的思想资源中,为自然之美梳理出理论支撑。
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Peking UniversityDepartment of Philosophy and Religious Studies
Areas of Specialization
Aesthetics |
20th Century Philosophy |
Asian Philosophy |
Areas of Interest
Aesthetics |
20th Century Philosophy |
Asian Philosophy |